ni | (Danish, Norwegian) nine |
(French) neither, nor |
Niais (m.), Niaise (f.) | (French) simpleton, foolish person |
"A clever and adept man who pretends to be simple-minded is said to be "playing the niais." And proverbially, a man who is adept and alert as far as his own good is concerned and who acts like a simpleton is called a niais de Sologne: "He is one of those niais de Sologne [a rural area of France] who only makes errors in his own favour." - Dictionnaire de l'Académie Françoise, 1694 [Note: the niais de Sologne as the model of the shrewd peasant, is mentioned as early as Richelet (1681)] |
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niais (m.), niaise (f.) | (French) simple-minded (foolish), inexperienced, silly, foolish |
Niaiserie (s.), Niaiseries (f.) | (French f.) silliness, simplicity, foolishness, a simple or foolish action |
ni aun | (Spanish) not even |
ni aun así me quedaría | (Spanish) even then I wouldn't stay |
ni aun trabajando 12 horas al día | (Spanish) (not) even if we worked 12 hours a day |
ni borracho | (Spanish) never in a million years |
Niche programming | TV or radio programming or channels targeting particular demographics or interests |
nicht | (German) not |
nicht abweichend | (German) undeviating |
nicht auf dem Damm | (German) under the weather (familiar) |
nicht ausgeschlafen haben | (German) to be still tired, to sleep off |
nicht ausgeschlafen sein | (German) to be still tired, to sleep off |
nicht auszuhalten | (German) unbearable |
nicht beachten | (German) ignore |
nicht brechen | (German) non-arpeggio (on harp) |
nicht dehnen | (German) don't stretch (the time) |
nicht die Spur | (German) not in the least |
nicht eilen | (German) don't hurry, don't rush |
nicht eine 8va höher!, (ja) nicht eine Octave höher | (German)
not an 8ve (octave) higher! (to the basses) |
nicht ernst | (German) ironicamente (Italian), tongue in cheek (familiar), ironically, ironiquement (French), irónicamente (Spanish) |
nicht gebrochen | (German) non-arpeggio (on harp) |
nicht harmonieren | (German) to clash |
nicht hinaufziehn | (German) not marching |
nicht im mindesten | (German) not in the least |
nicht in Betracht kommen | (German) to be out of the question |
nicht mehr aktuell | (German) no longer relevant |
nichts besonders | (German) nothing special |
nicht schleppen | (German) don't drag |
nicht schleppend | (German) without dragging |
nicht schnell | (German) not quick |
nicht schreiende Stimmen | (German) not shrill stops (in organ playing) |
nichts dergleichen | (German) nothing of the kind |
nicht so schnell | (German) not to quick |
nichts taugen | (German) to be no good |
nichts zu danken | (German) don't mention it |
nicht teilen | (German) non-divisi |
nicht theilen | (German) non-divisi |
nicht transponierend | (German) non-transposing |
nicht trillern | (German) do not trill |
nicht unbedingt | (German) not necessarily |
nicht zu | (German) not too |
nicht zu begreifen | (German) incomprehensible |
nicht zu geschwind | (German) not too quick |
nicht zu glauben | (German) unbelievable |
nicht zu langsam | (German) not too slow |
nicht zuletzt | (German) not least |
nicht zum Aushalten | (German) unbearable |
nicht zurückhalten | (German) not held back (tempo) |
nicht zu schnell | (German) not too fast |
nicht zu sehr | (German) not very |
nicht zu Unrecht | (German) not unfairly |
nicht zu vereinbaren | (German) incompatible |
Nickelodeon | on November 26, 1905, John Harris and Harry Davis of Pittsburgh opened the first theater exclusively created for the showing of motion pictures. Located in their penny arcade on Smithfield Street, Harris and Davis partitioned off a portion of the building, They installed a screen, projection booth and 96 folding chairs. Their first attraction was The Great Train Robbery. Admission was a nickel. The theater proved extremely popular and, before long, was open from 8 a.m. until Midnight. Word got around quickly and other entrepreneurs followed suit. Nickelodeons sprang up all over the country. At first, they were mainly patronized by the working class. There was still a lot of resistance from the gentility. But the reputation of the movies was improving. Theater owners, like the Warner brothers of Pittsburg and Louis B. Mayer of Haverhill, Massachusetts, worked to make their places acceptable to all. Floors and seats were swept and cleaned every night. Some owners went whole hog and even put cushions on the seats. Nickelodeon programs were changed twice a week and consisted of about five different films -- a drama, a comedy, an adventure, a novelty and maybe even a documentary -- with a combined running time of about an hour. Since the films were silent, accompanying music was provided by a piano or accordion |
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ni de broma | (Spanish) never in a million years |
nieder | (German) down |
niederdrücken | (German) to press down, to depress |
niedere Adelstitel | (German m.) Dame |
Niederschlag | (German m.) bow down-stroke, down beat or accented part of the bar |
Niederstrich | (German m.) bow down-stroke |
niedriger | (German) lower |
nie eilen | (German) never rushing |
Niello (s.), Nielli (pl.) | (Italian m.) inlaid enamelwork |
niemand anders | (German) no one else |
niende | (Danish) ninth |
niente | (Italian) nothing, as in diminuendo a niente, sound dying away to nothing |
niente a che fare con | (Italian) nothing to do with |
Niet (s.), Nieten (pl.) | (German m.) rivet |
nieten | (German) to rivet |
Nietenbecken | (German n. pl.) rivet or sizzle cymbals |
niet te zingen | (Dutch) unsingable |
niet verwante toonaarden | (Dutch) remote keys |
NIFF | abbreviation of 'Notation Interchange File Format', a music notation file format, primarily for transferring music notation between different scorewriters. It is now considered obsolete due to the MusicXML standard, and as of February 2006 the NIFF project web site has been closed |
- NIFF from which this information has been taken
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Nigenkin | an variant of the yakuma-goto, a two string Japanese zither used exclusively in Shinto shrines, developed to offer it a secular role |
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Nigerian gospel music | Nigeria has a long history of Christian devotional music springing from the hymnody of the church. However it was only in the last part of the twentieth century that 'Gospel' came into its own |
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Nigerian hip hop | |
Nigerien hip hop | |
Niger-Kordefanian | a group of languages spoken in the southern part of Africa |
Niggun | the Hasidic theory of the niggun, a melody without lyrics, maintained that melodies, too, contain divine sparks, so that defiled melodies can be redeemed by being sung in sanctity. Further, melodies, like souls, are of divine origin, yet not all are equal. There therefore exists a hierarchy among the various kinds of niggun. The lowest melodic form is simply an expression of joy. Higher up are liturgical songs that express the inward meaning of the prayers. But the highest melodies are those created by the tzaddikim, Hasidic leaders and saints; the musical patterns of their songs were believed to express secret Kabbalistic ideas. A melody's place in the musical hierarchy varied also with its relationship to a text, in that melodies with texts are like souls with bodies, whereas melodies without texts are like pure souls. Therefore the Hasidim composed many melodies with any text and sang them with nonsense syllables such as ya-ba-bam or doy-doy-doy and the like |
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Nightclub Two Step | also called the 'California Two-step', a dance initially developed by Buddy Schwimmer in the mid-1960s |
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Nightingale flute | see flauto usignuolo |
Night music | see Nachtmusik |
Night office | Matins; the choir service of the daily round of divine office performed during the night |
Night piece | notturno (Italian), Nachstück (German), nocture (French) |
Night rail | a garment in which some wealthy women slept. Sleeping in the nude or in a shift was more common, however |
ni grand ni petit | (French) neither large nor small |
Nihil ad rem | (Latin) not all all to the point, quite irrelevant |
Nihil obstat | (Latin, literally 'there is no objection') a censor's statement that a religious book contains no unorthodox doctrine |
Nihon Buyoo | classical Japanese dance |
Nihumbe | drum from Mozambique |
Nijemo kolo | (Croatia, Bosnia) the 'mute' circle dance accompanied only by the sound of stamping feet, the clanging of the women's jewellery or the clash of silver ducats on the women's aprons |
Nil desperandum! | (Latin) never despair! |
Nilkku | one of the forms of humppa that is based on a 'slow, slow, quick, quick' rhythm |
Nilo-Saharan | a group of languages spoken in the central sections of Africa |
ni l'un ni l'autre ... | (French) 'neither one nor the other ...' (usually contracted to 'neither ...') |
Nimble | agile, fluent, sciolto (Italian), flüchtig (German), agile (French), léger (French m.), légère (French f.) |
Nimbus (s.), Nimbi (pl.) | (Latin) cloud, the cloud of glory surrounding a person or thing, a golden disk surrounding the head of a saint, a halo |
nimmt | (German, from nehmen) take |
N'importe comment | (French) Any way |
N'importe lequel | (French) Any (one) |
N'importe où | (French) Anywhere |
N'importe quand | (French) Anytime |
N'importe quel | (French) Any |
N'importe qui | (French) Anyone |
N'importe quoi | (French) Anything |
Ninatta | Hittite goddess of music, serving Ishtar, the ancient Sumero-Babylonian goddess of love and fertility. She and Kulitta accompanied Ishtar when she sang of her love for the farm god Tammuz |
Ninbuchaa | wandering priest-subsitute minstrels who sang nembutsu songs which invoked the Buddha |
Nine Elms Settlement | founded in London in 1914, a Womens Freedom League Settlement where children were served dinners of vegetarian soup and large slices of pudding, which they could either eat at the settlement or take home. The settlement also distributed free milk |
Nine Natural Laws of Creativity | the foundation of an organic creative process according to John Stasberg, included in the title of his 1998 book Accidentally on Purpose: Reflections on Life, Acting, and the Nine Natural Laws of Creativity |
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Nineteenth | an interval comprising two octaves and a fifth |
an organ stop tuned a nineteenth above the diapasons, e.g. Larigot |
Nineteenth-century dance | industrial development, the move to the towns and the political upheavals of the late nineteenth century produced changes in social structure that also affected the world of dance. Couple dances which permitted many people to take the floor simultaneously became prevalent with the advent of the waltz and polka. Both of these were initially regarded as scandalous because of the close proximity of man and woman and because of the exhilaration of constant spinning. As quadrilles gained in popularity, so the steps were gradually simplified until, by the end of the century, they were virtually walked. By then, however, more modern fashions were beginning to be seen, as the tango and ragtime moved into Europe from the Americas |
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Ninth | an interval of an octave plus a diatonic second, nona (Italian), None (German), neuvième (French) |
Ninna-nanna | (Italian f.) lullaby, cradle song |
Niños cantorcicos | (Spanish m.) children's choir |
Ninth | a compound interval consisting of an octave plus a major or minor second |
Ninth chord | a triad with a seventh with an added ninth |
see 'suspended ninth' |
nio | (Swedish) nine |
nionde | (Swedish) ninth |
Nip hop | see 'Japanese hip hop' |
ni por asomo | (Spanish) by no means, no way, no chance |
Nippon Houso Kyokai | see 'NHK' |
Nirvana | (Sanskrit) salvation, the extinction of individual existence with its desires and passions, regarded by Buddhists as the ultimate reward of holiness (the Buddhist equivalent of moksha) |
Nisi | (Latin) unless |
(in law) (a decree, order, etc.) which will come into force after a stated interval unless some implied contingency occurs |
nitten | (Danish, Norwegian) nineteen |
nittende | (Danish, Norwegian) nineteenth |
nitti | (Norwegian) ninety |
nittio | (Swedish) ninety |
nitton | (Swedish) nineteen |
ni un alma viviente | (Spanish) not a living soul |
Niveau | (French m.) level, as in 'dynamic level' |
Niveau de vie | (French m.) standard of living |
Nível de fundo | (Portuguese) background level, a term from Schenkerian analysis |
Nix | reject, say no to (colloquial) |
Niyabinghi chanting | typically including recitation of the Psalms and including variations of well-known Christian hymns, a musical genre adopted by Rastafarians. The rhythms of these chants were eventually an influence of popular ska, rocksteady and reggae music |
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Njarka | one-string fiddle with a long neck and a gourd resonator used in Malian music |
Njurkle | monochord guitar used in Malian music |
N'koni | drum from Mozambique |
Nlapa | a Malagasy hourglass-shaped one-headed drum |
Nmane | wedding music and dance of the Dagbamba women of Northern Ghana. This music is performed exclusively by women in honor of a new bride. Songs used in this celebration relate to topical, human, marriage, and other social issues |
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N° | abbreviation of número (Spanish m.: number), 'number' |
no acabo de entenderlo | (Spanish) I just don't understand |
no acababa de gustarle | (Spanish) she wasn't totally happy about it |
no acepto excusas | (Spanish) I won't accept any excuses |
no acepto que me digas eso | (Spanish) I won't have you saying that to me |
no anticipemos acontecimientos | (Spanish) we'll cross that bridge when we come to it (figurative) |
no aparenta los años que tiene | (Spanish) she doesn't look her age |
no aparentas la edad que tienes | (Spanish) you don't look your age |
no apto para el consumo | (Spanish) not fit for consumption |
no atinaba con la calle | (Spanish) I couldn't find the street |
no atiné a decir nada | (Spanish) I couldn't say a word |
no atino a comprenderlo | (Spanish) I can't understand it |
Nobat | (from the Persian naubat, literally 'nine types of instruments') the Nobat is the royal orchestra which has been used for centuries in the Malay States especially during installation ceremonies. The four Malay states that have a Nobats are Perak, Kedah, Selangor and Terengganu. The nobat orchestra of Perak, Malaysia is a percussion-dominated ensemble comprising of membranophones and aerophones. In one of the royal ceremonies described in the Misa Melayu, the gong is mentioned together with the known nobat instruments still in use today. Since the Kedah nobat and the old Riau-Lingga set exhibited in the Riau Kandis museum have gongs, it is also probable that gong was part of the original Perak nobat, at least during the middle of the eighteenth century. Today, the instrumentation of a complete nobat ensemble includes a kettledrum called nengkara, two gendang (double headed drums) called gendang nobat and gendang peningkah, one quadruple-reed shawm known as the serunai and a long silver trumpet called the nafiri |
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no bien | (Spanish) as soon as |
Nobile | (Italian m.,/f.) noble |
nobile | (Italian) noble, grand, impressive |
nobilezza | (Italian) nobility |
nobilmente | (Italian) nobly, grandly, impressively |
Nobiltà | (Italian f.) nobility |
Noble | (French) nobleman |
(English, French) (someone) elevated above commoners by birth or by ennoblement |
noble | (English, French) grand, elevated, impressive, lofty, nobile (Italian), vornehm (German), noble (French) |
noblement | (French) nobly, grandly, impressively, loftily, in a noble manner |
Noble savage | as a literary motif, a characterisation of exotic, primitive, or uncivilized races and characters as being innately good, dignified, and noble, living harmoniously with nature. They are thought to be uncorrupted by the morally weakening and physically debilitating effects of decadent society. The motif goes back as far as the Christian tales of Adam and Eve |
Noblesse | (French) persons of noble rank, the aristocracy |
Noblesse de robe | (French) persons who have been ennobled for professional services to the State |
Noblesse oblige | (French) (of the ennobled) position has its obligations (in other words, the aristocracy must behave honourably) |
no cantes victoria antes de tiempo | (Spanish) don't count your chickens before they're hatched |
no cantes victoria, aún no ha acabado el partido | (Spanish) it's still too early to sing your praises |
no ceder un ápice | (Spanish) to not give an inch |
Nocetta | (Italian f.) Zäpfchen (German n.) Plättchen (German n.), bouton (French m.), talon (French m.), on a violin, etc., the small semicircular extension (called the button) of the back that provides extra gluing surface for the crucial neck joint, and is neglected when measuring the length of the back. Occasionally a half-circle of ebony surrounds the button, either to restore material lost in resetting the neck of an old instrument, or to imitate that effect |
noch | (German) still, yet |
noch dazu | (German) in addition to that |
Noche | (Spanish f.) night |
Noche sombre | (Spanish f., 'the dark night [of the soul]') the conviction of utter desolation experienced by mystics as a stage in their spiritual development |
noch etwas langsamer | (German) still somewhat slower |
noch immer und allmählich zurückhaltend | (German) still always and gradually holding back |
noch mehr drängend | (German) still more pressing forward |
noch nie dagewesen | (German) unprecedented |
noch rascher | (German) still more quickly |
noch schneller | (German) still faster |
no creo que este clavo aguante | (Spanish) I don't think this nail will hold |
Nocturne | (English, German f., from the French nocturne, 'noctural') a moderately slow night-piece, usually for piano, of dreamy, reflective, contemplative character and song-like melody, the title being first used by John Field (1782-1837) |
(in painting) a night-scene (a term popularised by Whistler although not introduced by him) |
nocturno (m.), nocturna (f.) | (Spanish) night, evening |
Nocturns | portions of the Office of Matins, the first canonical hour |
no daba señales de vida | (Spanish) he showed no signs of life |
Nodal figures | or 'nodal lines', points of rest in a vibrating plate that are observed as Chladni patterns, named after the German physicist Ernst Chladni (1756-1827), when sand is sprinkled on the plate while it is vibrating, although a similar experiment was performed by by Robert Hooke (1635-1703) at Oxford University on 8 Jul. 1680 |
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Nodal lines | see 'nodal figures' |
no darse por aludido | (Spanish) to turn a deaf ear |
Nodding ogee | an S-shaped arch which bends in three dimensions |
Node | the point in a vibrating string, pipe, sound-board, etc. that remains at rest while vibration continues in the immediately adjacent parts: a point of maximum displacement is called an 'anti-node' |
(Danish) note |
Nodehovede | (Danish) note head |
Nodelinie | (Danish) line (on a staff) |
No depression | see 'alternative country' |
Nodestik | (Danish) engraving |
Nodesystem | (Danish) staff |
Nodeværdi | (Danish) note value |
Nodo | (Korean) a smaller version of the nogo |
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No drama | see noh drama |
Noé | (Burgundian) noël |
Noego | (Korean) six conical-shaped drums suspended from a wooden frame played by striking with a stick |
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Noël | (French m., German n., from the Latin natalis, literally 'birth') used since the Middle Ages to refer to a song, dance, or carol having to do with Christmas which is what the word means in French |
Rousseau in his Dictionnaire of 1768 defines Noëls as: |
tunes intended for certain canticles which people sing at Christmas: these types should have a rustic and pastoral character consistent with the simplicity of the words and of the shepherds who were supposed to have sung them while paying homage to 'Christ in the crib'. |
when Rousseau made this entry, French organists had long been aware of the significance of their nation's heritage of such melodies. Numerous settings had been published since the seventeenth century, and no doubt many Noëls were used as the basis for liturgical improvisation |
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Noël-parody | the conversion of secular musical works into religious pieces by the substitution of a new text was a common technique in the sixteenth century. The noël-parody is one example, where a text describing the nativity would replace a secular text, thus creating a 'new' piece without changing the music. The model for the noël-parody, the form into which the new text was introduced, was the chanson rustique, a form of popular origins that was part of an oral tradition. As many of the texts of the noël-parodies are preserved in printed collections, they can provide information about their models that is not available to us by any other means, such as the strophic design of a chanson rustique and its approximate date of circulation |
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no era el momento apropriado | (Spanish) it wasn't the right moment |
no es amiga de las fiestas | (Spanish) she's not keen on parties |
no es apto para el cargo | (Spanish) he's not suitable for the job, he's not right for the job |
¿no es así? | (Spanish) isn't that right? |
no es asunto mío | (Spanish) it's none of my business |
no es asunto tuyo | (Spanish) it's none of your business |
no es mala persona | (Spanish) he isn't a bad sort |
no es necesario que abundes más en ello | (Spanish) don't go on about it |
no está a la altura de su predecesor | (Spanish) he doesn't match up to his predecessor |
no está a la altura de su rival | (Spanish) he doesn't measure up to his rival |
no estoy de ánimo para ir allí | (Spanish) I'm not in the mood to go there |
Nog | a wooden block built into a masonry wall to hold nails that support joinery structures; a wooden peg or pin |
Nogaku | (Japanese) music played during performances of noh drama, consisting of a chorus, the hayashi flute, the tsuzumi drum and other instruments |
Nøgle | (Danish) clef |
Nogo | (Korean) a pair of conical-shaped drums suspended from a wooden frame and lying at right angles to one another |
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Noh | based on philosophical concepts from Zen Buddhism, noh (also no or noo) is an ancient form of traditional Japanese theatre with its origins in the fourteenth century. The actors of noh plays are masked and they speak (kotoba is the Japanese for 'recitation') and sing (uta in the Japanese for 'song') in a monotonous way, accompanied by a chorus (ji is the Japanese for 'chorus') and traditional music instruments (hayashi is the Japanese for 'instrumental music'), including elements of dance (mai is the Japanese for 'dance'). The noh stage is usually located outdoors and has a roof supported by four columns. It has been suggested that nothing of importance has been written in this form since 1600 |
see Dengaku noh, Sarugaku noh |
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no había ni un alma | (Spanish) there was not a living soul |
no hacer aprecio | (Spanish) to disregard, to pass over, to ignore |
no han abierto la matrícula aún | (Spanish) registration hasn't begun yet |
no hay ningún antecedente de la enfermedad en mi familia | (Spanish) there's no history of the illness in my family |
Nohkan | a Japanese bamboo flute with a three octave range used in hayashi ensemble of the noh theatre, in narimono ensemble of the kabuki theatre and nagauta, and in the accompaniment of certain folk performing arts |
- Nohkan from which some of this information has been taken
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noioso | (Italian) boring, tiresome |
Noire | | (French f.) a crotchet (quarter note), a note one quarter the time value of a whole note or semibreve, Viertelnote (German) |
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no ir en zaga | (Spanish) not be inferior |
Noire pointée | (French f.) a dotted crotchet, a dotted quarter note |
Noise | the sensation of a musical tone is due to a rapid periodic motion of the sonorous body; the sensation of a noise to non-periodic motion from On the Sensation of Tone (1862), Hermann Helmholtz (1821-1894) |
Luigi Rossolo in his essay The Art of Noises notes that "the composers of genius (show) a tendency towards the most complicated dissonances. As these move further and further away from pure sound, they almost achieve noise-sound. This need and this tendency cannot be satisfied except by the adding and the substitution of noises for sounds." Rossolo classified six families of noises which would feature in the Futurist orchestra: |
1 | 2 | 3 | 4 | 5 | 6 |
rumbles roars explosions crashes splashes booms | whistles hisses snorts | whispers murmurs mumbles grumbles gurgles | screeches creaks rustles buzzes splashes crackles scrapes | noises obtained by percussion on metal, wood, skin, stone, tarracotta, etc. | voices of animals and men: shouts screams groans shrieks howls laughs wheezes sobs |
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"I believe that the use of noise to make music will continue and increase until we reach a music produced through the aid of electrical instruments ..." (1937) John Cage (1912-1992) |
Noise control | in architectural acoustics, noise control refers to the method by which interior sound reverberation is reduced. Noise control is commonly employed to assist in soundproofing, or to improve a room's overall acoustics. Common noise control methods include the installation of acoustical gypsum, ceiling tiles, ceiling panels, carpet and draperies. None of this necessarily helps provide the optimal acoustic environment for musical performance |
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Noisecore | see 'noise rock' |
Noise Harmonium | see 'Rumorarmonio' |
Noise health effects | the collection of health consequences of elevated sound levels, constitute one of the most widespread public health threats in industrialized countries |
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Noise music | music that uses sounds regarded as unpleasant or painful under normal circumstances. "Noise" music is regarded by some as a contradiction in terms, because "noise" is generally defined as unwanted and undesigned or unintentional sound and music as the opposite. However, "noise" in a more general sense refers to any extremely loud or discordant sound, and that these sounds are often the basis of noise music. Secondly, as famous noise musician Masami Akita said, "If by noise you mean uncomfortable sound, then pop music is noise to me." Noise music is not necessarily "noise" to the listeners, although it is certainly "noisy" in the more general sense of the term |
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Noise rock | a musical genre that developed in the 1980s as an experimental outgrowth of punk rock. Fusing punk rock's attitude with the atonal noise and unconventional song structures of early industrial and noise music, the noise rock introduced a new kind of avant-garde music to the alternative rock landscape. The style is sometimes referred to as "noisecore", though this term can also refer to a variety of fast, distorted hardcore techno music |
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Noisette | (French f.) nut (large hard-shelled seed), a cut from a boned out loin of lamb |
Nokan | see nohkan |
Nokia tune | heard as a ringtone on Nokia mobile phones, one of best known musical trademark in the world, the Nokia Tune is taken from Grand Vals by the Spanish composer Francisco Tarrega (1852-1909). The Nokia Tune quotes the motif that repeats throughout the original work by Tarraga |
no la apuntes con el dedo | (Spanish) don't point (your finger) at her |
Noleggio con diritto di riscatto | (Italian m.) hire purchase |
no le hables así | (Spanish) don't talk to him like that |
no le hagas caso | (Spanish) don't take any notice |
Nolens volens | (Latin, literally 'unwilling, willing') willy-nilly, having no alternative |
Noli me tangere | (Latin, literally 'do not touch me') in art, a representation of Christ appearing to St. Mary Magdalene at the Sepulchre |
(Latin) a warning against meddling or interference |
no lo consentiré en absoluto | (Spanish) there is absolutely no way I will agree to it |
no los aguanto | (Spanish) I can't stand them |
no lo utilicen hasta nuevo aviso | (Spanish) don't use it until further notice |
Nom | (French m.) name, noun (in grammar) |
Nomade | (French m./f.) nomad |
nomade | (French) nomadic |
Nomarch | (from the Greek nomos, a term for the concept of law in ancient Greek philosophy) semi-feudal provincial governors ruling Ancient Egyptian provinces, the senior administrator in a Greek nomarchy |
Nomarchy | a provincial system of government, as in modern Greece, under officials called nomarchs |
nombrar a ... apoderado | (Spanish) to give ... power of attorney (somebody) |
Nombre | (French m.) number |
nombreux (m.), nombreuse (f.) | (French) numerous, large (important) |
Nombril | (French m.) navel |
Nom de famille | (French m.) surname |
Nom de guerre | (French m.) a fictitious name, a pen name, a pseudonym (especially, literary) |
Nom de jeune fille | (French m.) maiden name |
Nom d'emprunt | (French m.) alias, assumed name |
Nom de note | (French m.) in music, note name, Note (German), Notenname (German) |
Nom de plume | (pseudo-French) pen-name, nom de guerre (French m. - the correct term in French) |
Nom de théâtre | (French m.) a pseudonym adopted in connection with the theatre |
Nom d'une pipe! | (French) By jingo! |
Nom d'utilisateur | (French m.) username (IT) |
no me agrada | (Spanish) the idea doesn't appeal to me |
no me agrada que me hable en ese tono | (Spanish) I don't like being spoken to like that |
no me apura | (Spanish) I'm not in a hurry for it, I'm in no hurry for it |
no me apures | (Spanish - Latin America) don't hurry me, don't rush me |
no me atrae la idea | (Spanish) the idea doesn't attract me, the idea doesn't appeal to me |
no me atrevo a decírselo | (Spanish) I daren't tell him |
no me gusta el aspecto que van tomando las cosas | (Spanish) I don't like the way things are going, I don't like the way things are looking |
no me ha cogido por sorpresa | (Spanish) I wasn't surprised |
no me mires así | (Spanish) don't look at me like that |
no me mires así, que me aturullo | (Spanish) don't look at me like that - you're getting me in a tizzy! |
Nomenclatura | (Italian f., Spanish f.) terminology |
Nomenclatura latina | (Spanish f.) the naming of notes using some form of the Aretinian syllables (i.e. Do, Re, Mi, Fa, Sol, La, Si) |
Nomenclature | the terminology applied in music to the various signs used to represent time, pitch, the duration of sounds, etc. |
no me pude aguantarse y me puse a llorar | (Spanish) I couldn't contain myself and burst into tears |
no me vengas con amenazas | (Spanish) don't threaten me |
Nominal | the partial of a tuned bell, one octave above the prime |
Nominal pitch | a terminology applied to wind and percussion instruments "in" a certain key. On brass instruments, this is generally the fundamental pitch of the tube without keys or valves being pressed or slides extended. On woodwinds other than bassoons, this is generally one tone lower than the `six-finger' note in the lowest register for instruments overblowing at the octave, in the second register for instruments overblowing at the twelfth. For example, the instrument with traditional English nomenclature `Bb Piccolo' has the nominal pitch Ab. If instruments exist in a very wide variety of sizes, a designation of the octave of the nominal pitch should be given, following the American Standard convention. For example, the descant recorder is "in" C5, indicating the note a tone lower than its lowest six-finger note. The designation of the nominal pitch of an instrument does not necessarily indicate the transposition used by its players |
Nom inapproprié | (French f.) misnomer |
Nomina sacra | (Latin) names referring to the deity or highly sacred concepts |
Nominatim | (Latin) by name |
Nomination | (French f.) appointment |
Nomine, in | see in nomine |
nommément | (French) by name |
nommer | (French) to name, to appoint |
Nomos | (Greek) a tune, a melody, a melodic sequence |
Nom propre (s.), Noms propres (pl.) | (French m.) proper noun (that is, the names of people and places) |
NomTom | in Hindustani classical music, the syllables employed in the development of a raga in alaap/alapchari |
Nomus | (Latin) a tune, a melody, a melodic sequence |
non | (French, Italian) not, no |
Nona | (Swedish, Italian f., Portuguese) the interval of a ninth |
nonaginta | (Latin) ninety |
Non-Akkorde | (German f. pl.) ninth chords |
non allineato con | (Italian) out of line with |
non arp. | (Italian) in piano music, do not arpeggiate (for example, after a passage which was marked arp., possibly including simile) [suggested by Joseph Tatroult] |
non avere nessun legame con | (Italian) have no association with |
non avere niente a che fare con | (Italian) not have anything to do with |
Nonchalance | (English, French f.) indifference, unconcern, imperturbability, lack of enthusiasm |
nonchalant (m.), nonchalante (f.) | (French) indifferent, unconcerned, imperturbable |
Nonchord note | see 'nonharmonic note' |
Non-circulating temperament | see 'temperament' |
Non compos mentis | (Latin, literally 'not sound in mind') in law, a person classed as unfit to conduct or defend legal proceedings |
Non-diatonic circle of fifths | see 'diatonic circle of fifths, non-' |
non di nostra edizione | (French) not published by us |
Non-distinctive | in linguistics, any two sounds (often quite similar) that are not capable of signaling a difference in meaning |
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Nondo | it consists of a large steel sheet that is strung lengthwise with music wire to create a shallow "U" curve similar to the base of a rocking chair. One end of the metal body has an obtuse bend for lateral rigidity. The weight of the body and the tension of the strings create a balance that can be momentarily altered by pressing or lifting different points along the rigid end of the sheet. The strings are struck with mallets and can be dampened with fingers |
- Nondo from which this extract has been taken
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Nondominant seventh chord | any seventh chord other that the dominant seventh, V7 |
None | (Latin) the sixth service of the Divine Office, usually performed at 3:00 p.m., consisting of several responsories and psalms which are sung |
(German f., Danish) ninth, (interval of a) ninth |
None akkord | (Dutch) ninth chord |
Non-ego | (Latin, literally 'not I') objective existence |
Nonenakkord | (German m.) ninth chord |
Nones | the 5th or 7th day of the month, depending on the month, in Roman dating |
Non-essential note | see 'non-harmonic note' |
non essere d'accordo con | (Italian) to part company with, to disagree with, to not go along with |
non essere in linea con | (Italian) out of step with (have a different opinion) |
non essere in relazione con | (Italian) to not relate to |
Nonet | a group of nine players, a piece written for such a group to perform |
in opera, a musical number for nine solo singers. There is a fine example in act one scene two of Falstaff by Giuseppe Verdi (1813-1901) |
Noneto | (Spanish m.) nonet |
Nonett | (German n.) nonet |
Nonette | (French m.) nonet |
Nonetto | (Italian m.) nonet |
non fig. | (Italian) in piano music, do not figurate (for example, after a passage which was marked arp., possibly including simile) [suggested by Joseph Tatroult] |
Non-finite form | in grammar, a category of verbs that includes the infinitive and participle forms. Basically, a non-finite form is any form of a verb that doesn't indicate person, number, or tense |
Nonfluent aphasia | see 'Broca's aphasia' |
Non-functional chords | non-functional harmony is a characteristic of modal jazz, hard bop, jazz-rock fusion, and other post-bebop styles. In these genres, the expression 'non-functional harmony' refers to the use of chords in such a way that their horizontal association is more aptly referred to as a succession rather than a progression. A single chord may be considered non-functional if it does not interact with its fellow chords in a key-defining, goal-oriented manner |
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there are three basic types of non-functional chord: |
auxiliary chord | auxiliary chords are formed by the stepwise movement (up or down) of one or more of the voices away from a harmony note in one chord to form a new chord. The voice(s) then return to the originals note(s) to re-form the original harmony. The auxiliary chord is thus made up solely of notes from the original chord plus notes involved in the auxiliary movement. Auxiliary chords are non-functional whereas the chords surrounding them are functional. This is because the auxiliary chord merely elaborates the main functional chord, its purpose being to prolong the functional harmony. Auxiliary chords are used extensively to prolong the tonic harmony in static harmony. They can also be used to extend the dominant to form a dominant prolongation. Sometimes auxiliary chords can be used to decorate individual chords in dynamic harmony especially where this is slow moving |
passing chord | passing chords are formed by the stepwise movement of one or more of the voices from a harmony note in one chord to form an intermediate chord or chords on the way to becoming a harmony note in another chord. In other words, passing chord(s) are formed by the stepwise filling in of notes between chords. The stepwise movement may be a filling in by one step or multiple steps. If the filling-in is by multiple steps one refers to this as a linear progression. One or more voices may be involved in similar or contrary motion. This type of chord has its origins in a contrapuntal technique called second species counterpoint. For a chord to be a passing chord it must normally be made up solely of notes from the preceding chord plus linear moving notes (the one exemption to this is that chromatic auxiliary notes are sometimes used). The passing chords so formed are thus non-functional and the chords on which the movement starts and ends are functional chords |
appoggiatura chord | the appoggiatura chord is named by analogy with the appoggiatura note. An appoggiatura note does not create a sense of a change in harmony. However, an appoggiatura chord is an extension of the appoggiatura such that the duration of the appoggiatura(s) and/or the way the notes sound in conjunction with the other notes of the chord create a sense of a change in harmony. Appoggiatura chords are non-functional and the chord onto which they resolve are functional. This is because the appoggiatura chords merely elaborate the main functional harmony. Their purpose is to prolong the functional chord. Appoggiatura chords are used most commonly to decorate and extend the perfect cadence |
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- Harmony.org from which these definitions have been taken. The referenced site has a large number of useful illustrations
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Nong-ak | Korean rural band music |
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Nongan | the kenong, a type of gong used in the Indonesian gamelan, usually has a specific part in the colotomic structure of the gamelan, marking off parts of a structure smaller than a gongan (the space between each strike of the gong). The contents of each part between strikes of a kenong is called a nongan. In a fast, short structure these can only last a second or so; in a longer gendhing (the longest and most complicated of the gendhing structures), particularly in a slow irama, they can last several minutes. There are usually two or four nongans in a gongan |
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Non-harmonic arpeggio | in a melody a non-harmonic arpeggio is an arpeggio whose notes or chord does not appear in the harmony of the accompaniment |
Non-harmonic modulation |
though modulation generally refers to changes of key, any parameter may be modulated |
metric modulation | tempo modulation, change in tempo |
timbral modulation | gradual changes in tone color |
spatial modulation | changing the location from which sound occurs |
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Nonharmonic note | or nonchord note or non-harmony note, a note (tone) that does not belong to the chord with which it sounds, for example, a passing note or an appoggiatura |
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Non-harmonic tone | the term used in North America for a 'non-harmonic note' |
non-idiomatic improvisation | in jazz, a form of improvisation in which no concessions are made to the conventions of any particular style |
Non-idiomatic music | a term formulated by Derek Bailey applied to a freely improvised music, independant of all existing musical languages. For others, it is synonymous with 'abstract music' |
Non-imitative polyphony | a common feature of medieval polyphony, two or more independent melodic lines that do not share material with one another |
Nonmetric | music lacking a strong sense of beat or meter, common in certain non-Western cultures |
non-legato | (Italian) or slegato (Italian), not slurred, ungebunden (German), non lié (French) |
Non licet | (Latin) it is not allowed |
non lié | (French) as in clavicorde non lié, meaning 'unfretted clavichord', which denotes that each note has its own string |
non-legato (Italian), slegato (Italian), not slurred, ungebunden (German) |
Nonlinear music | see 'interactive music' |
non mi garba | (Italian) I don't like it |
non molto allegro | (Italian) not very quick |
Nonnengeige | (German f., literally 'Nun's violin') tromba marina |
Nonnentrompete | (German f., literally 'Nun's trumpet') tromba marina |
nono (m.), nona (f.) | (Italian) ninth |
Nonoctave | see 'pseudo-octave' |
no nos anticipemos a los acontecimientos | (Spanish) let's not jump the gun |
no nos apresuremos demasiado | (Spanish) let's not be hasty |
nonostante | (Italian) in spite of, although |
non ped. | (Italian) in piano music, release the right pedal |
non più con noi | (Italian) no longer with us |
Non placet | (Latin, literally 'it does not please [me]') the formula used in giving a negative vote in university or ecclesiastical assemblies |
Non plaudite | (Latin) don't applaud |
Non plus ultra | (Latin) nothing above that (in other words, the ultimate) |
(Italian m.) height, highest pitch, perfect specimen |
non presto | (Italian) not fast |
non procedere con | (Italian) not proceed with |
non può trattenere le lagrime | (Italian) cannot hold back the tears |
non qualifié (m.), non qualifiée (f.) | (French) unqualified, unskilled |
Nonretrogradable rhythm | or 'non-retrograde rhythm', a rhythmic pattern that sounds the same whether played forward or backwards and so the retrograde version cannot be distinguished from the original version |
Non-rhotic | in linguistics, any dialect lacking an /r/. Some dialects of English are non-rhotic. Others only pronounced the /r/ before a vowel sound |
non sans mal | (French) not without difficulty |
Non-sens | (French m.) absurdity |
Non sequitur | (Latin) it does not follow (a false or erroneous line of argument, a conclusion which does not follows from the premisses) |
non sta bene | (Italian) it is not right |
non tanto | (Italian) not too much, moderately, not so much |
non tanto allegro | (Italian) not so quick, not too quick |
non temere! | (Italian) never fear! |
non tempéré | (French) untempered, for example, pure intervals |
Non-tempered | in tuning, 'just' |
Non-tertian chords | chord structures not based on thirds; e.g. quartal chords |
Nontraditional time signatures | meters (time signatures) using values other than 2, 3, 4, 6, 9, 12 for the top number |
non tratto | (Italian) do not drag |
non troppo | (Italian) not too much, moderately |
non trippo presto | (Italian) not too quick |
Nonuplet | a group of notes dividing a bar or part of a bar into nine rather than eight or six equal portions |
nonus | (Latin) ninth |
Nonverbal | pertaining to communication that does not involve the use of spoken language |
Non vib. | abbreviated form of non vibrato an expression mark directing that the player uses no vibrato |
non voler avere più nulla a che fare con | (Italian) done with |
Non-Western music | forms of music and sounds alien to the Western tradition of music, including music and instruments of Asia, the Middle East, Africa, the Pacific Islands, the Native Americans, etc. |
Non-Western sounds | sounds that form part of Non-Western music |
Noo | see noh |
Noodling | a kind of musical doodling, for example, random, improvised musical phrases a musician might play while warming up |
Noon | (Dutch) the interval of a ninth |
Nooni | (Finnish) the interval of a ninth |
Noot | (Dutch) note |
Nootballetje | (Dutch) note head |
Nootnamen | (Dutch) pitch names |
Nootwaarde | (Dutch) note value, note duration |
no pararse en barras | (Spanish) stop at nothing |
nopeasti | (Finnish) allegro |
no pude llegar antes | (Spanish) I couldn't arrive earlier |
no puede evitar hacer alarde de sus conocimientos | (Spanish) she can't help showing off her knowledge |
no puedo aguantar este dolor de muelas | (Spanish) this toothache's unbearable |
no puedo aguantar más tu prepotencia | (Spanish) I can't stand your arrogance any longer |
no puedo pagar tanto | (Spanish) I can't afford (to pay) that much |
no quiero ni acordarme | (Spanish) I don't even want to think about it |
Nor. | abbreviation of 'Norwegian' |
noranta | (Catalan) ninety |
Nordic culture | or 'Scandinavian culture', a collective term that covers cultural material from Denmark, Iceland, Norway, Sweden, and Finland |
Nori | sheets of Japanese seaweed used in the making of sushi |
Norma | (Italian f.) rule, instruction |
Normal | the scales of C major and A minor are called 'normal' because all the other major and minor scales are fashioned after them |
Normal diesis | see diesis |
Normal form | when applied to chords, synonymous with 'root position' |
Normalize | to boost the volume of a track on a recording so that it's as loud as possible without distortion. This maximizes sound quality, eliminates noise, and produces an even volume among tracks from different sources |
Normal mode | see 'natural frequency' |
Normalton | (German m.) concert pitch (the pitch, in particular that of the note A, to which instruments in an orchestra would be tuned) |
Normaltonarten | (German f.) the natural or normal keys - C major and A minor |
Normaltonleiter | (German f.) the natural or normal scales - those of C major and A minor |
Norman | an inhabitant of Normandy, a region along the northern coast of France. The word Norman comes from a cognate for "northmen," for the Norman aristocracy of the region originally descended from Danish (i.e. Viking) settlers who took over the region in the ninth and tenth centuries |
the term is used for Romanesque architecture in Britain |
Normande | a term applied to dishes that contain apple or apple derivatives (named after the French province Normandy which is famous for its apples) |
Norman French | form of French spoken by the Norman conquerors of England; also referred to as Anglo-Norman |
in terms of English's linguistic development, Norman French profoundly influenced our language after the Norman Invasion of 1066 |
Norman invasion | Duke William of Normandy's conquest of England from 1066-1087 which had profound impact on English by importing Norman-French vocabulary into Anglo-Saxon, bringing about the formation of Middle English |
Normaphon | a brass instrument looking like a saxophone but with valves like a trumpet, invented by Richard Oskar Heber (1872-1938) of Markneukirchen, according to Ines Ann Heber, the great-granddaughter of the inventor. Between 1924-1930, Heber built the Normaphon in four sizes |
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Normed | referring to a test or assessment instrument on which data from a broad population have been gathered and used in interpreting a test taker's performance |
Nori | sheets of Japanese seaweed used in the making of sushi |
Norsecore | a style of black metal |
Nortec | (from the combination of "norteño" and "techno") an electronic musical genre from Tijuana (a city in the north of Mexico) that first gained popularity in the late 1990s. Nortec music is characterized by hard dance beats and samples from traditional forms of Mexican music such as La Banda Sinaloense and Norteño - unmistakably Mexican horns are often used |
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Norteño | (Spanish, literally 'northern') also known as conjunto, a traditional style of Mexican music that originated in rural northern Mexico in the early twentieth century, a form of music based largely on corridos and polka. Performed characteristically on accordion and bajo sexto, norteño is extremely popular among first-generation Mexicans in both the inner city barrios and the rural countryside of the United States and Mexico |
- Norteño from which this extract has been taken
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North American drum | also called a 'deerskin drum', this untuned hand drum originates from the native peoples of the West Coast of Canada is a type of frame drum |
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North American whistle | a cedar whistle from the native peoples of the West Coast of Canada |
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Northern dialect | a dialect of American English stretching through the northernmost sections of the United States |
Northern soul | the success of the 'Motown Sound' inspired many musicians in the United Kingdom to adopt a similar sound, resulting in the genre of Northern soul |
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North Germanic | the sub-branch of the Germanic languages that contains Swedish and Old Norse |
North Midland dialect | a dialect of American English spoke in a strip of land just south of the Northern Dialect. This should not be confused with the Midlands dialect of English spoken in Britain |
Northumbrian | the Old English dialect spoken in the kingdom of Northumbria (i.e., north of the Umber river) |
Northumberland-Dudelsack | (German m.) Northumbrian smallpipes |
Northumbrian smallpipes | an English bellows-blown bagpipe with a small cylindrical closed-end chanter, and 3 or 4 drones |
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Norwegian | a person from Norway |
the language spoken mainly in Norway. There are two official forms of written Norwegian: Bokmål (literally "book language") and Nynorsk (literally "new Norwegian"). Bokmål is the form generally taught to foreign students. It is based on the language spoken by the urban upper and middle class in East Norway, whereas Nynorsk is more common in rural areas. A 2005 poll indicates that 86.3% of Norwegians use primarily Bokmål as their daily written language, whereas 7.5% use primarily Nynorsk, and 5.5% use both. Bokmål is used in 92% of all written publications and Nynorsk in only 8%, but all governmental agencies are required to support both written languages |
of or pertaining to Norway |
Norwegian hip hop | |
Norwegian music | |
Norwich Sol-fa | the solmization system developed by Sarah Glover of Norwich (1785-1867) and described in her book Scheme for Rendering Psalmody Congregationally (1835) which formed the basis for a system promoted by John Curwen (1816-1880) |
no sabes aguantar una broma | (Spanish) you can't take a joke |
nos amenazó con llamar a la policía | (Spanish) he threatened to call the police |
¿nos arriesgamos? | (Spanish) shall we risk it o take a chance? |
nos colmaron de atenciones | (Spanish) we were showered with attention(s) |
nos conocimos por accidente | (Spanish) we met by chance, we met by accident |
nos cortaron la luz sin previo aviso | (Spanish) they cut our electricity off without notice |
nos dio alojamiento | (Spanish) he put us up |
no se admiten mascotas | (Spanish) no pets allowed |
no se alejen demasiado | (Spanish) don't go too far |
no seas aprovechado | (Spanish) don't take advantage (of the situation) |
no seas así | (Spanish) don't be like that |
¡no seas pelma! | (Spanish) don't be such a bore |
no se asuste, no es nada grave | (Spanish) there's no need to worry, it's nothing serious |
no se dio por aludido | (Spanish) he didn't take the hint |
Nose flute | popular musical instrument played in Polynesia and the Pacific Rim countries. Other versions are found in Africa, China and India [entry prompted by O. Ware Page] |
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no se le puede decir nada, en seguida se amohína | (Spanish) you can't tell her anything; right away she starts to sulk |
no se lo des antes (de) que yo lo vea | (Spanish) don't give it to him until I've seen it |
no se me da un bledo | (Spanish) I couldn't care less |
nos están apurando para que lo terminemos | (Spanish) they're pushing us to finish it |
Nose whistle | a wind instrument of the woodwind family. The nose provides the air into the open mouth, which acts as a soundboard |
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nos hacía señales para que nos acercáramos | (Spanish) she was signaling for us to come nearer, she was gesturing for us to come nearer |
nos hallamos ante un problema | (Spanish) we are faced with a problem |
nos han avisado que ... | (Spanish) they've notified us that ... |
no soy de aquí | (Spanish) I'm not from these parts, I'm not from around here |
no soy muy ahorradora | (Spanish) I'm not very good at saving (money) |
nos pintó un panorama muy poco alentador | (Spanish) he painted a very bleak picture of the future |
¿nos podría anticipar de qué se trata? | (Spanish) could you give us an idea of what it is about? |
Nostalgia | (English, Italian f.) homesickness, yearning for an earlier time |
Nostalgie | (French f.) nostalgia |
Nostalgie de la boue | (French f., literally 'yearning for mud') ascribing higher spiritual values to people and cultures considered "lower" than oneself, the romanticization of the faraway primitive which is also the equivalent of the lower class close to home, the yearning of civilized man for physical degradation |
Nostos | the theme or motif of the homecoming - a return to one's family, community, or geographic origins after a long time away |
Nostratic | a hypothetical superfamily of languages that might embrace other large family language groups - including Indo-European, Finno-Ugric, possibly Afroasiatic, and other family groups. Its existence is highly contested, however, since its origins would go back beyond the 5,000 BC marker - long before written records existed to help corroborate that nostratic ever really existed |
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Nostrum | (Latin, literally 'ours') a secret medicine prepared by the person who recommends it, a patent medicine, any remedy or specific cure recommended by its inventor |
Not | (Swedish) note |
Not | non (Italian), nicht (German), non (French) |
Nota | (English) an English dance form that dates from the late thirteenth century. Like the estampie and istanpita, the nota has several verses. It does not appear to have the alternate endings that characterise the other forms. Each verse may consist of the same phrase with different counterpoints above or below. One example has five verses, with the same melody occupying the bottom part of verses 1 and 2 and the upper part of verses 3 through 5 (and transposed a fifth). As with ductia, there are no surviving pieces labelled as notas in period, and identification is based on the c. 1300 description given by Johannes de Grocheio |
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Nota | (Latin, Spanish f., Italian f., Portuguese f.) note, sign |
(Latin) an abbreviation or shorthand sign (particularly one adopted by the medieval scribes from the ancient Roman system of Tironian notes (Latin: notae Tironianae), a system of shorthand said to have been invented by Cicero's scribe Marcus Tullius Tiro. Tiro's system consisted of about 4,000 signs, somewhat extended in classical times to 5,000 signs. In the Medieval period, Tironian notes were taught in monasteries and the system was extended to about 13,000 signs. The use of Tironian notes declined after A.D. 1100 but some use can still be seen used as late as the seventeenth century |
Nota abbieta | (Italian f.) a useless or chancelled note |
Nota abjecta | (Latin) a useless or chancelled note |
Nota accentata | (Italian f.) an accented note |
Nota al aire | (Spanish f.) unstopped note (on a string instrument) |
Nota ausiliare | (Italian f.) auxiliary note |
Nota auxiliar | (Spanish f.) auxiliary note |
Nota bene | (Latin, 'note well') or N.B., note well, take a careful note, observe carefully |
an abbreviation denoting that the reader of an article should make a particular note of the article mentioned |
Nota bianca | (Italian f.) a minim |
Notabilia | (Italian) noteworthy things, remarkable things |
notable | (French) remarkable |
Nota blues | (Spanish f.) 'blues' note |
Nota buona | (Italian f.) an accented note, a strong note |
Nota cambiata | (Italian f., literally 'changed note') a contrapuntal device where, expecting a consonant note, a dissonant note has been used. Allowed in 'third species counterpoint', the nota cambiata is a five note figure whose contour is a step down, a leap down a third followed by two upward steps. The first, third and fifth notes must be consonances but the second and fourth can be dissonant |
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Nota caratteristica | (Italian f.) the leading note |
Nota cattiva | (Italian f.) a weak or an unaccented note |
Notación | (Spanish f.) notation |
Notación inglesa | (Spanish f.) the naming of notes using letters of the alphabet (i.e. C, D, E, F, G, A, B) |
Notación musical | (Spanish f.) musical notation |
Notación neumática | (Spanish f.) neumatic notation [entry supplied by Donald Skoog] |
Nota con dos puntillos | (Spanish f.) double dotted note |
Nota con puntillo | (Spanish f.) dotted note |
Nota contra notam | (Latin, literally 'note against note') see 'counterpoint' |
Nota cromatico | (Italian f.) synonymous with nota nere |
Nota d'abbellimento | (Italian f.) a grace note |
Nota del diablo | (Spanish f.) the name formerly given to the seventh degree of the scale, the note which, in solfeggio, is today called Si |
Nota de paso | (Spanish f.) a passing note, note de passage (French), nota di passaggio (Italian), Durchgangston (German), Übergangsnote (German) |
Nota di passaggio | (Italian f.) a passing note, note de passage (French), nota de paso (Spanish), Durchgangston (German), Übergangsnote (German) |
Nota di piacere | (Italian f.) an optional grace note |
Nota doppiamente puntata | (Italian f.) double dotted note |
Notae | (Latin pl.) note, sign |
Notae Tironianae | (Latin) Tironian notes, a system of shorthand said to have been invented by Cicero's scribe Marcus Tullius Tiro |
Nota falsa | (Italian f.) a changing note, wrong note, false note |
Nota fondamentale | (Italian f.) or tonica, the key note of a scale, the first degree of a scale |
Nota inaccentato | (Italian f.) an unaccented note |
Nota nere (s.), Note nere (pl.) | (Italian f., literally 'black notes') crotchets (quarter notes), quavers (eighth notes), etc., notes with black, filled-in note heads as opposed to 'white notes' like breves (double whole notes), semibreves (whole notes) and minims (half notes) |
Nota principale | (Italian f.) an essential note |
nota puntata | (Italian f.) dotted note |
Nota romana | (Italian f.) synonymous with neuma |
Notas | (Portuguese f. pl., Spanish f. pl.) notes |
Nota semiminima | (Italian f.) a crotchet |
Nota sensibile | (Italian f.) the leading note |
Nota sensibis | (Latin) the leading note |
Notas guia | (Spanish f. pl.) cue notes |
Notas individuales | (Spanish f. pl.) individual notes |
Notas ligadas | (Spanish f. pl.) slurred notes |
Nota sostenuta | (Italian f.) a sustained note |
Nota tapada | (Spanish f.) stopped notes |
Notatie | (Dutch) notation |
Notation |
(English, German f., French f.) the method used to write down music specifically to determine eight variables: |
pitch | in distematic or intervallic notation, the higher the symbol is on the staff, the higher the pitch. In addition, inflections (double flat, flat, sharp and double sharp) are also used to indicate the required pitch |
duration | the choice of note symbol and whether or not the note is followed by one or more dots |
articulation | for example, notated using some form of tenuto or staccato sign |
tempo | for example, through the use of phonetic tempo markings, the choice of metronome marking, etc. |
dynamics | for example, through the choice of phonetic dynamic marking i.e. p, f, etc. |
silence | using rests, fermata, caesura, G.P., etc. |
timbre | for example, on a bowed stringed instrument, by using the mute or by moving the bow closer to, or further away from the bridge, on a brass instrument, by using a mute or placing a hand into the bell |
order | using supplementary information describing the order of different sections, for example through the use of repeat, first time section and second time section marks, da capo and dal segno signs, through the presence of guida or presa symbols, or by employing certain forms where the order is understood, as in a rondo, minuet and trio, pair of dances in eighteenth-century suites, etc. |
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information is provided in three distinct domains: |
logical domain | describes a piece of music as the composer might think of it; e.g. a note is a crotchet (quarter note) |
performance (also called gestural) domain | describes it as sound waves or manipulations
of a musical instrument; e.g. a note lasts 3 seconds |
the graphic (also called visual) domain | describes it as a collection of marks
on paper; e.g. slurs, beams, octave signs, ornaments, etc. |
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a fourth domain has been proposed by Sloan (1997) |
analytical domain | information about the work, which might include bibliographic information, as well as interpretive information that ranges from phrase markers and roman numeral analysis of underlying harmony to a Schenkerian graph |
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Notation | (French f.) notation, remark |
Notation abrégée | (French f.) abbreviated notation (for example, where ornaments are indicated symbolically rather than by being written out explicitly as groups of smaller notes |
Notation, action | see 'action notation' |
Notation allemande | (French f. literally 'German notation') system of pitch-naming of notes using the letters of the alphabet (for example, A, B, C, D, E, F, G) |
Notation anglo-saxonne | (French f., literally 'Anglo-Saxon notation') system of pitch-naming of notes using the letters of the alphabet (for example, A, B, C, D, E, F, G) |
Notation à pointes liés | (French f., literally 'notation of dots bound together') the French term for Norman neume notation although this is misleading as the Norman notation is of the 'accent-neume' form |
Notation à pointes superposés | (French f.) the French term for 'point-neumes', a form of neume notation |
Notation, Boethian | see 'Boethian notation' |
Notation, chord diagram | see 'chord diagram notation' |
Notation, classical guitar | see 'classical guitar notation' |
Notation, common practice | see 'common practice notation' |
Notation, dance | choreology |
Notation, distematic | see 'distematic notation' |
Notation, figured bass | see 'figured bass notation' |
Notation, Gregorian chant | see 'Gregorian chant notation' |
Notation, guitar | see 'guitar notation' |
Notation, Helmholtz pitch | see 'Helmholtz pitch notation' |
Notation, mensural | see 'mensural notation' |
Notation, microtonal | see 'mictrotonal notation' |
Notation musicale | (French f.) musical notation |
Notation, neumatic | see 'neumatic notation' |
Notation neumatique | (French f.) neumatic notation |
Notation, process | see 'process notation' |
Notation, proportional | see 'mensural notation' |
Notation, Roman | see 'Roman notation' |
Notation, scientific pitch | see 'scientific pitch notation' |
Notation, slash | see 'slash notation' |
Notation, standard | see 'standard notation' |
Notation, TAB | see 'TAB' |
Notation, tablature | see 'tablature' |
Notausgang | (German m.) emergency exit, emergency door |
Notazione | (Italian f.) marking, notation |
Notazione musicale | (Italian f.) or semiografia, musical notation |
Notched flute | or 'end-blown notched flute', refers to any vertical flute provided with an edge (or 'notch') cut on one side of the open upper end across which the player must direct the airstream. The Japanese shakuhachi may be the most efficient instrument using this principle. Its relatively thick bamboo wall affords a wide, deep, clean edge with a relatively shallow notch. Other instruments in this category made from thinner-walled materials involve a narrower and more steeply cut notch, making them harder to play. An elegant example of this type is the Chinese jade flute, feng huang xiao |
Note | nota (Italian f.), Note (German f.), note (French f.) |
(German f.) a score, a mark, a note (musical), a grade, a character, a bill |
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(English, French f., German f.) a single sound of a particular pitch and length which is notated with a symbol made up of a notehead (in all cases), a stem or tail (in some cases) and a flag (in some cases), and which with notes bearing flags are grouped together using a beam |
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Note accentuée | (French f.) an accented note |
Note à eviter | (French f.) avoid note |
Note-against-note | see 'homorhythm' |
Note-against-note organum | the oldest written organum (c. 900), which evidently reflects a prevailing improvisational practice, consists of two lines moving simultaneously, note against note, the added line often paralleling the chant line a fourth or a fifth below |
later, note-against-note organum progressed to become a succession of consonant intervals by a mixture of contrary, oblique, similar and parallel motions in the parts |
Note ajoutee | (French f.) added note |
no te amargues la existencia | (Spanish) don't get all uptight about it (familiar) |
no te atarantes | (Spanish - Chile) don't rush into it (colloquial) |
no te atolondres, piénsalo bien | (Spanish) don't rush into it, think it over carefully |
Note auxiliaire | (French f.) auxiliary note |
¿no te avergüenza salir así a la calle? | (Spanish) aren't you ashamed to go out looking like that? |
Note bémolisée | (French f.) flattened (or flatted) note |
Note bouchée | (French f.) stopped note |
Note caracteristique du blues | (French f.) blue note |
Note changeante | (French f.) a changing note |
Note changée | (French f.) an auxiliary note |
Note-cible | (French) guide note, guide tone |
Note cluster | or 'tone cluster', a group of notes played together that lie adjacent on the piano keyboard usually with the forearm or a piece of wood, a concept pioneering in 1912 by the American composer Henry Cowell (1897-1965) |
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Note constitutive | (French f.) see note réelle |
Note cromatico | (Italian f. pl.) plural form of nota cromatico, synonymus with note nere |
Note d'agrément | (French f.) a grace note, nota d'abbellimento |
Note d'appogiature | (French f.) a changing note |
Note de bas de page | (French f.) footnote |
Note de l'accord | (French f.) chord note |
Note de passage | (French f.) passing note, nota di passaggio (Italian), nota de paso (Spanish), Durchgangston (German), Übergangsnote (German) |
Note diésée | (French f.) sharpened (or sharped) note, a note marked with a sharp |
Note doublement diésée | (French f.) double sharpened (or double sharped) note |
Note doublement bémolisée | (French f.) double flattened (or double flatted) note |
Note doublement pointée | (French f.) double dotted note |
Note duration names | see 'duration names' |
Note écrite | (French f.) written note |
Note en bas de la passage | (French f.) a footnote |
Note entendue | (French f.) the note heard, sounding note |
Note étrangère (à l'accord) | (French f.) nonharmonic note, inharmonic note |
Note fantôme | (French f.) ghost note |
Note frappée | (French f.) an accented note |
Note head | the head, or round part of the note symbol as distinguished from the stem or any other part of the note; other note heads have been used including diamond shaped and square shaped |
Note inférieure | (French f.) lower note (of an interval) |
Note intégrante | (French f.) an essential note |
Note jalon | (French f., jalon, literally 'marker') landmark note |
Note jouée | (French f.) note played |
Note liée | (French f.) tied note |
no te lo aconsejo | (Spanish) tI don't advise it |
Note names | see 'pitch names' |
Note naming | see 'pitch names' |
although upper or lower case naming can be used when naming notes there are certain conventions that is is well to be aware of when one case or the other might be used selectively. Major chords and chords that have a major 3rd such as G, G7, GMaj7, can be identified quickly because they are written in upper case. Minor chords and chords that have a minor 3rd are written: gm, gm7, gm7b5. Case is also used to indicate register (for example, CC C c c' c''). In form analysis, upper case is often used to indicate larger sections and lower case to indicate phrase structure |
Notenarchiv | (German n.) music archive, music library |
Notenarchivar | (German m.) music archivist, music librarian, orchestral librarian |
Notenausgabe | (German f.) sheet music, music |
notenbalk | (Dutch) staff |
notenbalken | (Dutch) staves |
Notenbezeichnung | (German f.) (musical) note name |
Notenbild (s.), Notenbilder (pl.) | (German n.) the score image (work-as-score : spatialisation, as distinct from work-as-performance : temporality) |
Notenbildung | (German) the score layout |
Notenblatt | (German n.) a sheet of music |
Notenbuch | (German n.) a music book, a note book |
Notenbuchlein | (German n.) a musical score in booklet form |
Notendruck | (German m.) an engraving, music publishing |
no tener abuela | (Spanish) to blow one's own trumpet (figurative) |
no tener arte ni parte | (Spanish) to have nothing to do with |
no tener desperdicio | (Spanish) to be good all the way through |
Note nere | (Italian f.pl.) plural form of nota nere |
no tener pelos en la lengua | (Spanish) to be outspoken |
Notengestell | (German) a music stand |
no tengo ánimo(s) de nada | (Spanish) I don't feel up to anything |
no tengo ánimo(s) para nada | (Spanish) I don't feel up to anything |
no tengo por qué aguantar esto | (Spanish) I don't have to put up with this |
Notenhals | (German m.) the stem (of a note) |
Notenhalter | (German m.) a music lyre (for holding music when playing) |
Notenkopf | (German m.) a note head |
Noten lesen | (German) to read music |
noten lezen | (Dutch) to read music |
Notenlinie | (German f.) the line (on a staff) |
Notennamen | (German m.) a note name (for example, C, D, etc.) |
Note non accentuée | (French f.) an unaccented note |
Notenpapier | (German n.) music paper |
Notenplan | (German m.) the stave, the scale |
Notenpult | (German n.) music desk |
Notenrolle | (German f.) a piano roll |
Notenschlüssel | (German m.) clef |
Notenschreiber | (German m.) music copyist |
Notenschrift | (Dutch, German f.) staff notation |
Notenständer | (German m.) music stand, pupitre (French m.) |
Notenstecher | (German m.) a music engraver |
Notensystem | (German n.) system |
Notentext | (German m.) notation |
Notenübersicht | (German f.) musical score summary |
Notenwert | (German m.) note value, note duration |
Notenzeichen | (German n.) note sign (i.e. note symbol itself) |
Notenzeiger | (German m.) custos, direct, guidon (French m.) |
Notenzeile | (German f.) staff |
Note-octave notation | an alternative term for 'scientific pitch notation' |
Note of anticipation | see 'anticipation' |
Note pointée | (French f.) dotted note |
no te pongas así | (Spanish) don't get so worked up |
Note portée | (French f.) a note to be played with a legato accent, a note to be played portamento style |
Note principale | (French f.) essential or principal note |
Note réelle | (French f.) or note constitutive, harmonic note or essential note, a note that belongs to the sequences of thirds that make up triads and seventh, ninth or eleventh chords |
Note repetition | successive notes are identical, movement is stationary, and, as a result, there is no motion |
Note résolutive | (French f.) resolution, note that resolves a discord |
Note ribbattute | (Italian f. pl.) an instrumental effect, the rapid repetition of a single note |
Note row | a sequence of the twelve notes of the dodecuple scale (in effect the chromatic scale), each and every note (or one of its octaves) appearing only once in the sequence, to form the basis of a musical composition, a concept 'invented' by Arnold Schönberg (1874-1951) and championed by, what is sometimes called, the 'second Viennese school' |
Note sans timbre | (French f.) ghost note |
Notes de goût | (French f. pl.) notes of embellishment |
Notes de passage, les | (French f. pl.) passing notes |
Notes du medium | (French f. pl.) a term applied to the notes in the range of a voice type that are most easily achieved, being neither too weak, as with the notes towards the bottom of the range, nor prone to 'yelling' as with the notes towards the top of the range |
Note secondaire | (French f.) auxiliary note |
Note sensible | (French f.) the leading note, nota sensibile |
Notes extrêmes | (French f.) also degrés extrêmes or pôles, the notes the furthest apart in a scale or row |
Note sign | |
Notes inégales | (French f. pl.) see inégal, inégale |
Notes liées | (French f. pl.) "Notes liées are two or several notes that are played with a single bowstroke on the violin and cello, or with a single tongue stroke on the flute and oboe. In short, all the notes under a slur." - Rousseau (1768) |
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notés l'un au dessus de l'autre | notated one on top of the other |
Notes mobiles | (French f. pl.) or degrés mobiles, the sixth and seventh degrees of the scale, so called because according to the particular form of minor scale these notes may be altered (that is, raised or lowered) |
Notes piquées | (French f. pl.) "Series of notes ascending or descending diatonically or on the same note (tone), over each of which a dot is placed. Sometimes it [the dot] is elongated to indicate that they must be played equally by tonguing or bowing with dry and detached strokes, without lifting the bow or pushing it back, but by making it move and jump on the strings as many times as there are notes, in the same direction as he began his bowing." - Rousseau (1768) |
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Note supérieure | (French f.) upper note (of an interval) |
Note sur une corde à vide | (French f.) unstopped note (on a string instrument) |
Note value | in music notation, a note value indicates the relative duration of a note, using the color or shape of the note head, the presence or absence of a stem, and the presence or absence of flags. A rest indicates a silence of an equivalent duration |
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Noteur | (French m.) music copyist |
Note voisin | (French f.) auxilary note, neighbouring note |
notevole | (Italian) remarkable |
¡no te vuelvas a aparecerse por aquí! | (Spanish) don't you dare show your face round here again! |
Notfall | (German m.) emergency |
notfalls | (German) if need be |
notgedrungen | (German) of necessity |
Notgroschen | (German m.) nest-egg |
Nothuvud | (Swedish) note head |
Noticia (s.), Noticias (pl.) | (Spanish f.) piece of news, item of news, news (most commonly using the plural form) |
noticia lo afectó mucho, lo | (Spanish f.) the news upset him terribly |
Noticias de acutualidad, las | (Spanish f.pl.) today's news, this weeks news |
Noticias de última hora, una | (Spanish f.pl.) a late-breaking news item, a last-minute news item |
no tiene alimento ninguno | (Spanish) it has no nutritional value |
no tiene autorización de sus padres | (Spanish) he doesn't have his parents' permission |
no tiene idea alguna | (Spanish) he hasn't any idea at all |
no tiene quien lo atienda | (Spanish) he has no one to look after him |
no tienes pruebas | (Spanish) you have no evidence |
notieren | (German) to notate, to note down, to quote |
nötig | (German) necessary |
nötigen | (German) to force, to press |
nötigenfalls | (German) if need be |
nötig haben | (German) to need |
Nötigung | (German f.) coercion |
Notine | (Italian m.) cue notes, small notes used to indicate the preparation(s) to an ornament (for example, the appoggiatura to a trill) |
Notiz (s.), Notizen (pl.) | (German f.) note, programme note, item |
Notizblatt | (German n.) notepad |
Notizblock | (German m.) notepad |
Notizbuch | (German n.) notebook |
Notizia | (Italian f.) (piece of) news, information |
Notiziario | (Italian m.) news |
Notizkalender | (German f.) diary |
Notiz nehmen von | (German) take notice of |
Notizzettel | (German m.) notepad |
Notlage | (German f.) plight |
notlanden | (German) to make a forced landing |
Notlandung | (German f.) forced landing |
notleidend | (German) needy |
Notlinje | (Swedish) line (on a staff) |
Notlösung | (German f.) stopgap |
Notlüge | (German f.) white lie |
notorisch | (German) notorious |
no trabajo por amor al arte | (Spanish) I'm not working for the good of my health (ironic) |
Notre Dame organum | in the late twelfth century, at the great Paris cathedral of Notre Dame, the most elaborate style of organum, polyphony based on plainchant, developed, incorporating rhythmic passages and florid melismas in the added voices |
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Notre Dame school | The group of composers working at or near the Notre Dame Cathedral in Paris from about 1170 to 1250, along with the music they produced, is referred to as the Notre Dame school, or the Notre Dame School of Polyphony |
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Notre-Dame-Schule | (German f.) Notre Dame school |
Notruf | (German m.) emergency call, distress call, emergency services number |
Notsignal | (German n.) distress signal |
Not so much | non tanto (Italian), gemässigt (German), pas tant (French) |
Notstand | (German m.) state of emergency |
Notsystem | (Swedish) staff |
Nottryck | (Swedish) engraving |
Notturnino | (Italian) diminuative of notturno |
Notturno (s.), Notturni (pl.) | (German n., Italian m., literally 'noctural') from the eighteenth century, a work, usually instrumental, composed to be played at night (a serenade) |
Notunterkunft | (German f.) emergency accommodation |
no tuvimos alternativa | (Spanish) we had no choice |
no tuvo ninguna atencione con ella a pesar de su hospitalidad | (Spanish) he didn't show the slightest appreciation despite her hospitality |
Notvärde | (Swedish) note value |
Notwehr | (German f.) self-defence |
notwendig | (German) necessary, essential, urgently |
Notwendigkeit | (German f.) necessity |
Notzucht | (German f.) rape |
nou | (Catalan) nine |
Nougat | (French m.) a sweetmeat made of almonds and other nuts in a sugar paste |
Nouille | (French f.) idiot (familiar) |
Nouilles | (French f. pl.) noodles |
Noumenon (s.), Noumena (pl.) | (Greek) in psychology, an object of purely intellectual intuition |
Nounours | (French m.) teddy bear |
nourri | (French) intense (figurative) |
nourri au sein | (French) breastfed |
Nourrice | (French f.) child-minder, wet-nurse |
nourrir le son | (French) (in singing) to commence or attack a note forcibly and then sustain it |
nourrir | (French) to feed, to provide for, to nourish (also figurative), to be nourishing |
nourrissant (m.), nourrissante (f.) | (French) nourishing |
Nourrisson | (French m.) infant |
Nourriture | (French f.) food |
Nous | (Greek) mind, intellect, commonsense, shrewdness |
(French) we, (to) us, ourselves, each other |
Nouseva intervalli | (Finnish) ascending interval |
nous-mêmes | (French) ourselves |
Nous serions très heureux de vous y accueillir (chez nous). | (French) We would be very happy to welcome you (to our home). |
nous sommes (date) | (French) it's (date) |
Nous vous sommes extrêmement reconnaissants. | (French) We are very grateful to you. |
Nouveau-né (m.), Nouveau-née (f.) | (French) new-born baby |
nouveau-né (m.), nouveau-née (f.) | (French) new-born |
Nouveau riche (m.), Nouvelle riche (f.), Nouveaux riches (pl.) | (French) an indivudal or a group of individuals, of humble origin, who has (or have) acquired wealth (the implication being that their wealth does not conceal their origins) |
Nouveau roman | (French m.) a novel in which conventional plot and structure (and sometimes grammar and punctuation) are discarded |
Nouveauté | (French f.) novelty, new thing |
Nouveau Testament | (French m.) New Testament |
nouveau venu (m.), nouvelle venue (f.) | (French) newcomer |
nouveaux (m.), nouvelle (f.) | (French) new |
Nouveaux Jeunes, Les | a group of composer assembled by Erik Satie around himself, forerunners of Les Six. The group broke up after only a year |
Nouveaux mariés | (French) newly-weds |
(le) Nouvel An | (French m.) New Year's Day |
Nouvelle | (French f.) short novel, short story (although looser in structure), (piece of) news |
Nouvelle chanson | (French f.) created as a counter-blast to "noise" music, rock and pop, nouvelle chanson was the very breath of Parisian bohemian nocturnal existence, a liberating change from the sweetly sentimental love ballads and comic patter songs of the pre-war era. Charles Trenet lead the way to these new musical expressions of satirical and experimental literary genius while great mid-century writers and poets like Jean-Paul Sartre, Louis Aragon, Guillevic, Raymond Queneau and Boris Vian turned their superb literary talents to the art of the 'new chanson' a combination that appealed to intellectuals, to the politically aware rebels of the 1968 street wars, as well as to the general public, the upper classes and the proletarians. Etienne Roda-Gil stands out as one of that period's immortals, a born parolier |
Nouvelle cuisine | (French f.) the name given to the style of food that became popular in the 1980s that gave back the flavours of the food. It stepped away from the heavy sauces, etc. of classical French cuisine |
nouvelle l'a un peu sonné, La | (French) He was rather taken aback by the news. |
nouvellement | (French) newly, recently |
nouvelle musique, la | (French f.) (the) new music |
Nouvelles | (French f. pl.) news |
Nouvelle Zélande | (French) New Zealand |
Nouvelle vague | (French f., literally 'new wave') a revolutionary techinque of film-making combining a small budget, non-professional or little-known actors and cinéma vérité camera-work |
Nouvelle version | (French f.) new version |
Nova | (Italian) a species of small flute or pipe |
Nova (s.), Novae (pl.) | (Latin) a new star (particularly one that becomes visible because of a temporary increase in brightness) |
Novaes, Guiomar (1895-1979) | Brazilian pianist noted for individuality of tone and phrasing, singing line, and a subtle and nuanced approach to her interpretations. She was one of the greatest pianists of the twentieth century. In 1922 she married Ocatavio Pinto, a civil engineer who was also a pianist and composer |
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novanta | (Italian) ninety |
no van a la iglesia | (Spanish) they don't go to church |
no van a llegar antes de dos horas | (Spanish) they won't be here for two hours |
Novato | (Portuguese) beginner |
Nove | (Italian) nine |
Novel | (from the French, nouvelle, Italian novella, 'new') Roman (German), roman (French), romanzo (Italian), an extended, generally fictional narrative in prose. Until the eighteenth century, the word referred specifically to short fictions of love and intrigue as opposed to romances, which were epic-length works about love and adventure. During the eighteenth century, the novel adopted features of the old romance and became one of the major literary genres. It is today defined mostly by its ability to become the object of literary criticism demanding artistic merit, a specific 'literary' style and a deeper meaning than a true story of the same content could claim to have |
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Novela | (Spanish f.) novel |
Novela corta | (Spanish f.) short story |
Novela de acción | (Spanish f.) adventure story |
Novelet | see 'novelette' |
Novelette | (French f.) a free-form romantic instrumental piece |
or 'novelet', a piece of short prose fiction |
the distinction between a novelette and other literary forms, like a novella, is usually based upon word count |
the word was used by the composer Robert Schumann as a title for some piano pieces (op. 21, and op. 99 no. 9); this music is more episodic than narrative in character |
- Novelette from which the second and third entries have been taken
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Novell | (Swedish) short story |
Novella (s.), Novelle (Italian pl.) | (Italian f.) short story, usually realistic, often satirical (the term originates as news of town and country life that was considered worth repeating for general amusement and edification) |
(English) a written, fictional, prose narrative longer than a novelette or short story but shorter than a novel, and which is called romanzo breve in Italian |
some scholars in previous generations made a distinction between what they called the novella (short stories in Italian, French, and German that served as later influences on English prose) and the novelette (English extended prose narratives shorter than a short story but not quite as long as a novel.) Today, most American critics use the two terms interchangeably |
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Novelle | (Danish, Norwegian, German f.) short story, usually incorporating the Wendepunkt (German: an unexpected turn of events) |
(German) novella |
Novellette | (German) a term first used by Schumann for his op. 21 for piano, which has come to mean a free-form romantic instrumental piece |
Novel of sensibility | see 'sentimental novel' |
Novelty card | any postcard created with features beyond a standard postal size or containing a simple picture. Many novelties were printed on unusual substances such as wood or leather, and were die cut into strange shapes or puzzles. Metallic powders, silk embroidery, coins, feathers, and many other items were often added to them. Many have moveable parts and some actually make sounds. These cards were often mailed in envelopes for protection of the card and the handler. Many forms of novalties began as advertising for products or businesses and only later moved onto postcards |
Novelty dances | see 'fad dances' |
Novelty piano | a genre of American music that was popular during the 1920s. A successor to 'ragtime' and an outgrowth of the piano roll music of the teens, novelty piano can be considered a pianistic cousin of 'jazz', which appeared around the same time. Its originators were mostly piano roll artists from the Chicago area, where two of the largest piano roll companies, QRS and Imperial, had their headquarters. It is distinct from stride piano, which was developed in New York at about the same time |
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novem | (Latin) nine |
Novembergruppe | (German) group of German artists named after the German Revolution of November 1918, founded in Berlin on 3 December 1918 and active until 1932. In the wake of World War I and the German Revolution, a number of Expressionist artists including Max Pechstein and César Klein invited all the 'revolutionaries in spirit (Expressionists, Cubists, Futurists)' to form an association of 'radical creative artists'. Their intention was not to form an exhibition society but to influence and demand participation in all activities of importance to the arts and to artists: in architecture as a public affair; in the reorganization of art schools; in the restructuring of museums; in new exhibition spaces; and in new laws to protect the arts and artists. A hope for a new and better society, a tendency towards socialism and a belief that the arts would be able to change society formed the Expressionist basis for the association. The composers Hanns Eisler and Kurt Weill also joined the group |
Novemole | (German) a nonuplet (a group of nine notes to be performed in the same time as six of equal value) |
Novena | (Latin) a devotion consisting of special prayers recited on nine successive days |
novena | (Spanish) the interval of a ninth, neuvième (French) |
noveno | (Spanish) ninth |
noventa | (Spanish) ninety |
Noverre, Jean-Georges (1727-1810) | a French dancer and ballet master, and is considered to be the creator of ballet d'action a precursor of the narrative ballets of the nineteenth century. His birthday is now observed as International Dance Day |
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Novio (m.), Novia (f.) | (Spanish) a fiancé (m.), a bridegroom (m.), a fiancée (f.), a bride (f.) |
Novísima Trova | (Spanish, literally 'newest song') used to describe a new generation of Cuban songwriters |
Novokomponovana muzika | (SFR Yugoslavia) extremely popular in the 1970s and 1980s, commercial folk, a blend of Roma music, Middle Eastern beats, Turkish & Greek pop music, and Serbian brass bands on one side, as well as rock and roll and contemporary electronic dance music on the other |
Novokomponovana narodna muzika | ('newly-composed folk music') a twentieth-century genre based on sevdalinka which is mixed with many other folk influences from the Balkan region |
novus | (Latin) new |
Novus homo (s.), Novi homines (pl.) | (Latin, literally 'new man') an upstart, a person of humble origins who has recently come to rank and dignity |
No Wave | a short-lived but influential offshoot of punk rock centered in New York City during the late 1970s and early 1980s |
- No Wave from which this comment has been taken
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Nowell (English) | a Christmas carol, noël |
Nowell Codex | the common scholarly nickname for the medieval manuscript that contains Beowulf. The official designation for this manuscript is Cotton Vitellius A.xv. |
Noun class | see 'gender' |
Noyard | (French) execution by drowning |
Noyau | (French m.) stone or kernel of a fruit, a liqueur made by steeping the kernels of certain fruits in brandy, nucleus of a cell (biology), group, core (figurative: centre) |
noyauter | (French) to infiltrate |
Noyé (m.), Noyée (f.) | (French) drowning person, drowned person |
noyer | (French) to drown, to flood, to inundate |
n.p. | abbreviation of 'no place of publication' |
NPR | abbreviation of 'National Public Radio' |
n.pub. | abbreviation of 'no publisher' |
nr | abbrevation of 'near' |
Nr. | abbrevation of Nummer (German: number, numéro (French)) |
NRK | abbreviation of Norsk Rikskringkasting (Norwegian broadcasting system) |
N.S. | abbreviation of Nostro Signore (Italian: Our Lord) |
Nsansi | a thumb piano from Mozambique |
n.s.g. | abbreviation of 'not so good' |
N.S.G.C. | abbreviation of Nostro Signore Gesù Cristo (Italian: Our Lord Jesus Christ) |
n-TET | the usual mnemonic for n equal steps to an octave |
Graham writes "I prefer 'n-equal' because it's easier to say. Also, the first "T" stands for "tone" which is an Americanism in this context. And the other "T" stands for temperament. Well, single interval scales needn't be temperaments. That is, they needn't imitate integer frequency ratios. So, 'n-equal' covers the full generality" |
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Nuance | (French, German f., from Latin nubes, 'cloud') a shade of colour or tone, a delicate gradation, a fine shade or small difference of meaning, shading |
in music, a symbol added on the score to indicate the volume or tempo at which, or degree of accent with which, a note or a series of notes are to be played or sung |
Nub | point or gist (of a matter or story), (also nubble) small lump, especially of coal |
Nuba (s.), Nubat (pl.) | or nuuba (s.), nuubaat (pl.), a "musical suite" in a single mode or maqam. In the ancient classical music of Andalusia, al-âla (or aala, 'instrumental'), there used to be twenty-four nubat linked to each hour of the day, but only four nubat have survived in their entirety, and seven in fragmentary form. An entire nuba could last six or seven hours and they were divided into as many as five parts called mizan, each with its corresponding rhythm. Today, thirteen nubat make up the core of the Tunisian maluf (or malouf, 'customary'). In Algeria, gharnati (or gharnaattii, 'Granadan') is also arranged in nubat; there are four unfinished and twelve complete. The lyrics to these nubat, however, consist almost entirely of zajals and muwashshahs, Andalusian poetic forms that swept through the entire Arab-speaking world during the late Middle Ages and rapidly became two of the most common of Arabic literary genres |
Nubby | homespun, (of textiles) having a rough surface |
Nubile | ready for marriage, of a marriageable age or condition |
(when used of young women) sexually mature and attractive) |
Nubility | the state of being marriageable |
Nuclear family | a couple and their child or children |
Nude | painting, sculpture, etc. of a nude human figure |
naked, bare, unclothed |
Nudillo | (Spanish m.) finger joint (knuckle) |
Nudge | prod, gentle push |
to prod gently with the elbow to attract attention, to push gradually |
Nueva canción | (Spanish f., literally 'new song') the Nueva canción movement in the late 1960s brought about a revival of the traditional music of the Andes and infused it with lyrics that dealt with the ideals and struggles of the times (In Chile & Argentina dictatorships were brutally repressing democracy and musicians were often forced into exile or, in the case of the great Victor Jara, even tortured and killed). The most renowned exponents of Andean music today are veterans of that era. They have incorporated the traditional music of the Andes Cordillera (Bolivia, Chile, Peru, Ecuador), of the Inca, Aymara and other indigenous peoples, which, like the mountains themselves, has an ancient, mystical quality, especially the flutes and panpipes known as quenas and zampoñas and the small mandolin-like instrument called the charango |
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Nueva trova | (Spanish f.) a movement in Cuban music that emerged in the mid-1960s, and combined traditional folk music idioms with progressive and often politicized lyrics. Though originally and still largely Cuban, nueva trova is popular across Latin America, especially in Puerto Rico and Venezuela |
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Nueva versión | (Spanish f.) new version |
nuevo | (Spanish) nine |
(Spanish) new |
Nuevo flamenco | (Spanish m.) the name given, during the 1980s, to a younger generation of flamenco artists who were influenced by other contemporary and traditional forms of music, jazz in particular, but also rock and pop, as well as the South American mix of salsa and rumba. One of the most popular performers associated with this genre are the Gypsy Kings |
Nuevo ritmo | (Spanish m.) the D section added to the end of the danzón in the late 1930s and early 1940s, that served as the takeoff point for the mambo or montuno section and, later, the cha-cha |
Nuevo Testamento | (Spanish m.) The New Testament |
nuire à | (French) to harm |
Nuit | (French f.) night |
Nuit blanche | (French f.) a sleepless night |
Nuit de noces | (French f.) wedding night |
Nu-jazz | sometimes called 'electro-jazz' or 'phusion', the term nu-jazz was coined in the late 1990s to refer to styles which combine jazz textures and sometimes jazz instrumentation with electronic music. Like the term 'electronica', 'nu jazz' is a loosely defined umbrella musical style |
- Nu-jazz from which this extract has been taken
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Nul (m.), Nulle (f.) | (French) no one |
nul (m.), nulle (f.) | (French) no, nil, useless, null |
Nul autre | (French) no one else |
nul en | (French) no good at |
Nullah | (Hindi) a watercourse, a gully |
nullement | (French) not at all |
Nulle part | (French) nowhere |
Nullifidian | a sceptic, an unbeliever, of no faith, not trusting to faith for salvation |
nulli secondus | (Latin) second to none (i.e. the best) |
Nullité | (French f.) uselessness, a useless person |
Nullpunktabweichung | (German f.) zero error |
Number | a musical item taken from an opera or oratorio, for example, an aria, a chorus |
a single piece in a concert programme |
an opus number |
Numbered musical notation | see jianpu |
Numbering-at-press | to number a job on the printing machine by means of numbering boxes |
Number opera | a term applied to eighteenth-century operas, and, in particular, opera seria, where the arias, ensembles and, where they are included, choruses are self-contained while the recitative or spoken dialogue stands apart |
Number pieces | the American composer John Cage (1912-1992), wrote some 45 of these pieces over the last five years of his life, aided by software developed by his long-time assistant Andrew Culver. By then, Cage was about to turn 80 and had started to become almost respectable in proper music circles. All of the elements that had interested him as a composer throughout his mature career - indeterminacy, nonunderstanding, inconsistency, imitation, variable structure, contingency, anarchy - are present. The title of each work in the 'Numbers Series' is a number written out as a word (One, Two, Fourteen etc.). That indicates the number of performers for which the piece was composed. If Cage wrote several works for the same number of performers, he would make a further distinction in the title by adding a superscript numeral; for instance, Four (1989) is for string quartet, while Four4 (1991) is a quartet for percussion. All the late Number Pieces use what Cage called 'time brackets'. The instrumentalists are assigned parts which contain mostly single notes and chance-distributed time brackets indicating the period of time (as measured by a stopwatch) within which the notes are to be played |
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Numen | (Latin) divine power |
Numeración | (Spanish f.) numbering, numeration |
Numeración cronológica | (Spanish) chronological numeration |
Numéraire | (French m.) cash |
Numéral (s.), Numéraux (pl.) | (French m.) numeral |
numerato | (Italian) figured (as in figured bass) |
numerico | (Italian) numerical |
numérico | (Spanish) numerical |
numérique | (French) digital (clock, watch), numerical |
numerisch | (German) numerical |
Numero | (Italian m.) number, numeral, issue (of a magazine,etc.) |
Número | (Portuguese m., Spanish m., French m.) number, numeral, issue (of a magazine,etc.), act (spectacle) |
Numéro | (French m.) number, numeral, issue (of a magazine,etc.) |
Numero arretrato | (Italian m.) back number |
numérater | (French) to number |
Numeroitu basso | (Finnish) figured bass, thorough bass |
Numerology | number symbolism, especially the idea that certain numbers have sacred meanings |
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Números de Fibonacci | (Spanish m. pl.) Fibonacci numbers |
Números primos | (Spanish m. pl.) prime numbers |
Numerus | (Latin) number (used to denote rhythm, musical time and harmony) |
Numerus clausus | (Latin) a fixed or limited number (of vacancies in a school, class, etc.) |
Nu-metal | also called 'aggro metal' or 'nü-metal', a popular music genre that has origins in the mid 1990s. It typically fuses influences from the grunge and alternative metal of the early 1990s with hip-hop, electronic music, thrash metal and death metal amongst other metal genres |
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Nummer (s.), Nummern (German pl.) | (German f., Norwegian) number, act (in the circus), issue (periodical) |
Nummeroper | (German f.) number opera |
Numnah | (Hindi) or numdah (which is more correct, but rare), a saddle-cloth of thick felt, a felt pad placed under the saddle to prevent soreness |
Nun | a female living in a regular order under vows of poverty, chastity and obedience |
Nunc | abbreviation of Nunc dimittis (Latin) |
nunca desayuno, pero almuerzo algo a las once | (Spanish) I don't have breakfast, but I have something at eleven |
nunca digas de esta agua no beberé | (Spanish) you never know when the same thing might happen to you |
Nunc dimittis | (Latin, literally 'now let [thy servant] depart' - a declaration of willingness or joy at the prospect of departing from life or from some occupation) one of the 'Evangelical Canticles', sung at the service of Compline in the Roman Catholic Church, or Evensong in the Anglican Church, and often coupled in musical settings with another of the same Canticles, the Magnificat |
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Nuncio | (old Latin) or nuntio, a permanent diplomatic representative of the Pope, nunzio (Italian) |
Nunnery | an establishment of nuns |
Nu-NRG | a form of electronic dance music that evolved from the 1980s hi-NRG |
- Nu-NRG from which this extract has been taken
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Nun's fiddle | Nonnengeige, tromba marina |
Nunzio | (Italian m.) nuncio |
Nuo dance | (China) the nuo dance was originally performed to drive away evil spirits at sacrificial rituals during ancient times. The nuo ceremony was first recorded on bones and tortoise shells during the Shang Dynasty (sixteenth to the eleventh century BC), and flourished in the Zhou Dynasty (eleventh century to 256 BC). As the number of its participants increased from 100 to 1,000, the ceremony became more and more magnificent. At the time, besides the grand nuo ceremony held by the royal court, the folk nuo ceremony also appeared in the countryside |
- Nuo dance from which this extract has been taken
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Nuotin aika-arvo | (Finnish) note value |
Nuotin pää | (Finnish) note head |
Nuotti | (Finnish) note |
Nuottiavain | (Finnish) clef |
Nuottijärjestelmä | (Finnish) system, a collection of staves used to write notation music |
Nuottipalkki | (Finnish) stem (of a note) |
Nuottiviiva | (Finnish) line (on a staff) |
Nuottiviivasto | (Finnish) staff |
nuovamente | (Italian) again, anew |
Nuova versione | (Italian f.) new version |
Nuova musica | (Italian f.) the new music |
Nuove musiche | (Italian) stile moderno, seconda prattica |
nuovo (m.), nuova (f.) | (Italian) new |
nuovo di zecca | (Italian, literally 'newly minted') brand-new |
nu-pieds | (French) see pieds nus |
Nuque | (French f.) nape (of the neck) |
nur | (German) only |
nur 2 Spieler | (German)
only 2 players |
nur die ersten 2 Pulte | (German)
only the first 2 desks |
nur die Hälfte | (German)
only half (the section) |
nur Pedale | (German)
only pedals |
Nursery rhyme | a traditional song or poem taught to young children, originally in the nursery. Learning such verse assists in the development of vocabulary, and several examples deal with rudimentary counting skills. ("Eeny, meeny, miny, moe" is an example of a counting-out game.) In addition, specific actions, motions, or dances are often associated with particular songs |
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Nurturance | physical and emotional care and nourishment |
nuschelm | (German) mummble, speak indistinctly |
Nu skool breaks | a form of breakbeat music genre, combining the futuristic sense of drum and bass, the sounds of techno, the bass of dub and the beats from real drummers and drum machines. The genre also prominently features electro and hip hop influences and tracks typically run at 130 to 140 bpm |
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Nüstern | (German f. pl.) nostrils |
Nut (s.), Nuten (pl.) | (German f.) groove |
Nut | capotasto (Italian), Sattel (German), sillet (French), a slightly raised bar at the top of a violin (or guitar, mandolin, etc.) neck, or between the tuning pins and the bridge of a keyboard instrument, that forms one end of the vibrating or speaking string length, the other end being at the bridge. Its other purpose is to provide proper string height and spacing before the strings enter the pegbox or machine, heads, tuners, etc. |
an alternative name for the 'frog' on bow, where one end of the hair is held and which, by turning a screw allows the tension in the hair to be adjusted |
the lower nut is to be found on members of the violin family - a ridge that lies between the tailpiece and the tailpin (or button) |
Nutcrack Night | see 'All Hallows Eve' |
Nute (s.), Nuten (pl.) | (German f.) groove |
Nutrendo | (Italian) full rich or well-sustained tone |
Nutria | the light brown fur of the coypu |
nutriente | (Italian) nourishing |
Nutrients | components of food required for good health; proteins, fats, vitamins, carbohydrates, mineral salts and water |
nutrire | (Italian) to nourish, to harbour (affections, etc.) |
nutritif (m.), nutritive (f.) | (French) nutritious, nutritional |
nutritivo | (Italian) nourishing |
Nutrimento | (Italian m.) nourishment |
nutrito | (Italian m., 'nourished') full rich or well-sustained (tone) |
nutrito con cereali | (Italian) grain-fed |
nutrito con foraggio | (Italian) grass-fed |
Nutrizione | (Italian f.) nutrition |
Nut- und Federbrett | (German n.) tongue and groove board |
Nuuba (s.), Nuubaat (pl.) | see 'nuba (s.), nubat (pl.)' |
Nuu isuisuha | `Are`are (Malaita, Solomon Islands) vocal music |
Nuuriyat al-tubuu` | a term used in Algeria for some of the 'suites' or nubat drawn from the Andalusian tradition |
Nuvola | (Italian f.) cloud |
nuvoloso | (Italian) cloudy |
ny | (Danish, Norwegian, Swedish) new |
Nyanssiosoitus | (Finnish) expression marks |
Nyanyero | a Gambian one-string violin |
Nyatiti | an eight-stringed double-necked lyre with a skin resonator and a metal ring tied to the toe on one neck, of the Luo of Kenya |
Nyckelharpa | keyed fiddle used throughout Scandinavia and N. Germany. The modern nyckelharpa has 16 strings - three melodic, one drone and 12 sympathetic. It has 37 wooden keys arranged to slide under the strings. The player uses a short bow with the right hand and pushes the keys with the left |
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Nylonsaite | (German f.) nylon string, corda di nylon (Italian f.), corde de nylon (French f.) |
Nylon string guitar | an acoustic guitar that has three nylon strings |
Nyonganyonga | a lamellaphone, an instrument consisting of thin metal or split cane tongues mounted on a resonating board or box. Depressing the free ends of the tongues with the thumbs produces a gentle ringing sound, sometimes augmented by jingling objects attached to the board. The instrument may be amplified by holding it in a hollow gourd. |
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Nymphaeum (s.), Nymphae (pl.) | (Latin, from the Greek) a gallery in a Roman villa decorated to simulate the grotto of a nymph |
Nymphe | (French f.) nymph |
Nynorsk | (Norweigan, literally 'New Norwegian') one of the two official written standards of the Norwegian language, the other being Bokmål. Just above 10% of the Norwegian population use Nynorsk as their primary written language. Nynorsk is based on Norwegian dialects and was created by Ivar Aasen during the 1800s to provide a Norwegian alternative to the Danish language (upon which Bokmål is based) which was commonly written in Norway at the time |
- Nynorsk from which this material has been taken
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Ny trychning | (Swedish) reprint |
Nytryk | (Danish) reprint |
Nyunga nyunga | see karimba |
n'y voir goutte | (French) to not see a thing |
n'y voir que du feu | (French) to be completely fooled |
Nzele | a Kenyan music style created in the late twentieth century by Uyoga, a famous Kenyan band. Nzele essentially borrowed its rhythmic beats from mwanzele. Nzele's most distinct facet is the call and response style. This involves the lead singer, who lyrically calls out and the backing vocals answer in a chorus response. The instrumental accompaniment revolves around the bass guitar, drums, percussion, keyboards, flute, horns (sax/trumpet) and what Uyoga refers to as a 'stinging' rhythm guitar strum |
nuziale | (Italian) nuptial |