Name | Born | Died | Information |
B. (de), Mlle | fl. late 17th century | | composer of songs and airs who published in Paris in 1696 |
Baal, Johann | 1657 Germany | 1701 Bamburg | German violinist and composer |
Baán, Jozef more... | 1964 Bratislava, Slovakia | | Czech composer |
Baaren, Kees van more... | 22 Oct. 1906 Enschede, The Netherlands | 2 Sep. 1970 Oegstgeest, The Netherlands | composer whose works include Variations for orchestra, a piano concerto and a wind quartet |
Babadjanian (or Babadzhanyan), Arno more... | 22 Jan. 1921 Yerevan, Armenia | 15 Nov. 1983 Yerevan, Armenia | his father was an accomplished folk musician, capable of a variety of folk instruments. During childhood, Babadjanian witnessed the Westernisation of music in Armenia: with the creation of the Armenian Philharmonic and the Union of Armenian Composers was formed in 1932; the opening of the Opera Theatre in Yerevan in 1933; and the première of Arno Babadjanians Symphony No. 1 in 1934. Babadjanians first formal lessons were at the Yerevan Conservatory with Vardkes Talian (1896-1947). Talian instilled a sense of Armenian musical history in Babadjanian by insisting that his young student study the folk traditions of his country, in addition to the music of the great Armenian composer and ethnomusicologist, Vartabed Komitas (1869-1935). He studied piano with Konstantin Igumnov (1873-1948) at the Moscow Conservatory |
Babán, Gracián | c. 1620 Spain | 2 Feb. 1675 Spain | Spanish composer |
Babayev, Andrei | 27 Dec. 1923 Azerbaijan | 21 Oct. 1964 Moscow, Russia | Russian composer |
Babbi, (Pietro Giovanni) Cristoforo (Bartolomeo Gasparre) | 6 May 1745 Cesena | 19 Nov. 1814 Dresden | Italian violinist and composer |
Babbi, Gregorio | c. 1770-75 | c. 1815 | Italian bass singer, violinist, composer, and organist |
Babbitt, Milton more... | 10 May 1916 Philadelphia, USA | 29 Jan. 2011 Princeton, USA | trained as a mathematician; his music is highly abstract, including the use of electrophonics |
Babekov, Stoyan more... | 16 Oct. 1936 Sofia, Bulgaria | | Bulgarian composer and conductor |
Babell, Charles | fl. 1707-1714 | | known primarily as an editor of musical collections |
Babell, William | c. 1690 Canonbury, England | 23 Sep. 1723 Canonbury, London | English composer and organist, his father and Dr. Pepusch being among his teachers. From some time after 1710, a musician in London concert halls 1718-23: Organist of All Hallows, Bread Street (London). Extant works include The Third Book of the Ladys Entertainment (1709); The Fourth Book of the Ladys Entertainment (1716); The Harpsichord Master Improved (1718) |
Babin, Victor | 13 Dec. 1908 Moscow, Russia | 1 Mar. 1972 Cleveland, OH, USA | pianist, in particular as a duo with his wife Vitya Vronsky (b. 22 Aug. 1909, Russia; d. 28 Jun. 1992, Cleveland, OH, USA); compositions include a concerto for two pianos |
Baboni Schilingi, Jacopo more... | 4 Apr. 1971 Milan, Italy | | Italian composer, now resident in both France and Italy, of mostly chamber, vocal, piano and electroacoustic pieces |
Babou, Thomas | 12 Feb. 1656 | c. 1740 | French organist and composer |
Baca-Lobera, Ignacio more... | 28 Jun. 1957 Mexico City, Mexico | | Mexican composer of mostly orchestral, chamber and electroacoustic works |
Bacalov (Bacalof), Luis more... | 30 Mar. 1933 San Martin, Argentina | | composer of over 112 Argentinean and American film scores including those for Il Postino and The Love Letter |
Bacarisse, Salvador | 12 Sep. 1898 Madrid, Spain | 5 Aug. 1963 Paris, France | Spanish conductor and composer, a member of the Group of Madrid, who left Spain during the Spanish Civil War to live and work in France |
Baccelli, Matteo Pantaleone [Papia Leone] | 1690 Lucca, Italy | c. 1760 Lucca, Italy | Italian composer |
Bacchini, Girolamo M. [Fra Teodoro del Carmine] | fl. 1588-1605 | | Italian singer, composer, and theorist |
Bacchius (Bacchus, Bachus, Bachi, Bachy), Johannes de | | before 29 Jan. 1557 | composer, possibly French |
Bacchus, Z | late nineteenth century | | composer of Dr. Hekok Jig a violin solo taken from Dan Emmett's manuscript tune book of American Minstrel Show tunes |
Bacchylides more... | c.507 BC Ceos, Greece | after 452 BC | ancient Greek lyric poet, composer, choreographer and impressario |
Baccusi, Ippolito | c. 1550 | 1609 | Italian composer |
Bacevicius, Vytautas more... | 9 Sep. 1905 Lodz, Poland | 15 Jan. 1970 New York, USA | one of the leading Lithuanian composers of the interwar period advocating modern composition techniques. After the outbreak of the WWII, Bacevicius settled in the USA in 1940. He taught at the New York and Brooklyn conservatoires, as well as Long Island Music Institute, wrote articles and gave lectures. In 1942 he established a private piano studio |
Bacewicz, Grazyna more... | 5 Feb. 1909 Lodz, Poland | 17 Jan. 1969 Warsaw, Poland | violinist and composer sister of Vytautas Bacevicius. Her compositions include 4 symphonies, a cello concerto, 4 violin concertos, 4 string quartets |
Bach family (see listing) | | | |
Bach, August Wilhelm more... | 4 Oct. 1796 Berlin, Germany | 15 Apr. 1869 Berlin, Germany | German organist, teacher and composer who succeeded Zelter as director of the Institute for Church Music (1832). He was Felix Mendelssohn-Bartholdy's organ teacher. He is, however, unrelated to the famous Bach family |
Bach, Carl Philipp Emanuel (see Bach, Karl Philippe Emanuel) | | | |
Bach, Christoph more... | 19 Apr. 1613 Arnstadt, Germany | 12 Sep. 1661 Eisenach, Germany | German organist and composer, grandfather of JS Bach who left several distinguished pieces for organ |
Bach, Georg Christoph more... | before 8 Sep. 1642 Eisenach, Germany | 24 Apr. 1697 | German composer, eldest son of Christoph Bach, he held the post of Kantor at Schweinfurt. His motet, Siehe, wie fein und lieblich, for two tenors and bass, accompanied by violin, three 'celli, and continuo, is in the Bach Archives |
Bach, Georg Friedrich | 17 Mar. 1793 | 2 Oct. 1860 | German flautist, music teacher, music director, theorist, and composer |
Bach, Heinrich more... | 16 Sep. 1615 | 10 Jul. 1692 Arnstadt, Germany | German organist and composer. Third son of Hans Bach, brother of Johann Bach and Christoph Bach. From 1641, organist of Arnstadt church a post he held for 51 years, until his death. He left organ pieces, and hymn-tunes in manuscript |
Bach, Jan (Morris) more... | 11 Dec. 1937 Forrest, Illinois, USA | | American composer who studied with Roberto Gerhard, Aaron Copland, Kenneth Gaburo, Robert Kelly, and Thea Musgrave |
Bach, Johann | 1621 | 12 Sep. 1686 | German Kantor, composer, and minister |
Bach, Johann(es) (Hans) more... | 26 Nov. 1604 Weimar, Germany | buried 13 May 1673 Erfurt, Germany | German organist and composer, son of Hans Bach II (born: Weimar 1626) |
Bach, Johann Bernhard more... | 25 Nov. 1676 Erfurt, Germany | 11 Jun 1749 Eisenach, Germany | Johann Bernhard studied briefly with his second cousin Johann Sebastian in Weimar, later becoming organist and court musician in Eisenach, the city of that cousin's birth. His excellent instrumental oeuvre is very much in the style of Telemann. Johann Sebastian performed four of his instrumental suites with his Collegium Musicum in Leipzig. Johann Bernhard was the father of Johann Ernst who became his colleague during the last year of his life |
Bach, Johann Bernard | 24 Nov. 1700 | 12 Jun. 1743 | German organist and composer |
Bach, Johann (John) Christian more... | 5 Sep. 1735 Leipzig, Germany | 1 Jan. 1782 London, England | J.S. Bach's eleventh son, for a time organist at Milan Cathedral; as music master to the family of George III, J.C. Bach became known as 'The English Bach', he wrote operas, symphonies and works for keyboard, also successfully promoting concerts in London with Abel, the viola da gamba virtuoso. He also influenced the young 8 year-old Mozart on his visit to London |
Bach, Johann Christoph I more... | 6 Dec. 1642 Arnstadt, Germany | 31 Mar. 1703 Eisenach, Germany | cousin of J.S. Bach's father; he wrote music appreciated by both J.S. and C.P.E. Bach, including motets on religious themes and works for keyboard. One of his finest works is a lament, Ach, dass ich Wassers g'nug hätte, with an accompaniment written for a consort of viols |
Bach, Johann Christoph II | 16 Jun. 1671 Eisenach, Germany | 22 Feb. 1721 Ohrdruff, Germany | composer and organist. Brother of J.S. Bach who studied in Erfurt with Johann Pachelbel and went on to become assistant to Hans Bach in Arnstadt. He was appointed organist at Ohrdruff, a position he held for the rest of his life. J.S. Bach took clavichord lessons with him. |
Bach, Johann Christoph Friedrich more... | 21 Jun. 1732 Leipzig, Germany | 26 Jan. 1795 Bückeburg, Germany | J.S. Bach's ninth son; he wrote chamber music, concertos, symphonies and keyboard works |
Bach, Johann Ernst (of Arnstadt) more... | 5 Aug. 1683 Arnstadt, Germany | 21 Mar. 1739 | composer and organist |
Bach, Johann Ernst more... | 30 Jan. 1722 Eisensach, Germany | 1 Sep. 1777 Eisenach | studied law at Leipzig for six years, returning to Eisenach and practicing as advocate. In 1748 was appointed assistant to his father, Johann Bernard, organist of St. George's church; in 1756, appointed honorary Kapellmeister at Weimar, with pension. Published compositions include sonatas for clavecin with violin., etc; many others exist in manuscript |
Bach, Johann Friedrich | c. 1682 | buried 8 February 1730 | a German organist and composer |
Bach, Johann Jacob | 1682 possibly Eisenach, Germany | 1732 | a German musician, composer and an older brother of Johann Sebastian Bach |
Bach, Johann Lorenz | 10 Sep. 1695 Schweinfurt, Germany | 14 Dec. 1773 Lahm, Germany | organist and composer; one of J. S. Bach's cousins who studied with J. S. who was at that time court organist and court harpsichordist at Weimar |
Bach, Johann Ludwig more... | 4 Feb. 1677 Thal, Germany | bur. 1 Mar. 1731 | Johann Sebastian's second cousin was Kapelldirektor and court cantor in Meiningen. For this reason he is called "Meiningen Bach." in 1726, Johann Sebastian performed eighteen of his cousin's church cantatas, which like all his music is a fusion of Italian and German styles |
Bach, Johann Michael I more... | baptised 9 Aug. 1648 Arnstadt, Germany | 17 May 1694 Gehren, Germany | German composer, son of Heinrich Bach (1615-1692), and distant relative of J.S. Bach, he was taught by his father and in 1665 became organist at Arnstadt castle, to be succeeded by J.S. Bach himself. His finest works are his motets although he wrote over 70 organ chorales, choral concerts and many instrumental works |
Bach, Johann Michael II | 9 Nov. 1745 Struth, Germany | 1820 Elberfeld, Germany | organist and composer, who appears to be unrelated to the Bachs listed above |
Bach, Johann Nicolaus (Nikolaus) more... | 10 Oct. 1669 Eisenach, Germany | 4 Nov. 1753 Jena, Germany | organist and composer, son of Johann Christoph I |
Bach, Johann Sebastian more... | 21 Mar. 1685 Eisenach, Germany | 28 Jul. 1750 Leipzig, Germany | virtuoso instrumentalist, particularly on organ and harpsichord - he was probably one of the greatest exponents of these two instruments of his day; a prolific composer of instrumental, vocal, church and keyboard music of an extraordinarily high quality, but which proved to be the apogee of a contrapuntal style that was soon to be swept away by the musical style developed by his sons and adopted by their contemporaries |
Bach, Johannes | 1612 | Dec. 1632 | |
Bach, Karl (Carl) Philipp Emanuel | 8 Mar. 1714 Weimar, Germany | 14 Dec. 1788 Hamburg, Germany | J.S. Bach's third son; for 28 years at the court of Frederick the Great (C.P.E. accompanied his father on the occasion of the first performance of Bach's extemporisation on a 'musical subject' offered by Frederick, and which Bach later presented to Frederick entitled the Musical Offering; modern scholars believe the theme rather than being an invention of the King, was actually composed either by C.P.E. Bach or J.S. himself. C.P.E. Bach has left us detailed written evidence of performance practices of his day, as well as being the chief founder of the new sonata-symphony style which became, in the hands of Haydn and Mozart, what we call today the Classical style |
Bach, Leonhard Emil | 11 Mar. 1849 Poznan, Poland | 15 Feb. 1902 London, England | Polish composer |
Bach [Bachtischa], Michael more... | 1958 Germany | | German cellist and composer who writes using the pseudonym 'Michael Bach Bachtischa' |
Bach, P.D.Q. (see Schickele, Peter) more... | | | |
Bach, Wilhelm Friedemann | 22 Nov. 1710 Weimar, Germany | 1 Jul. 1784 Berlin, Germany | J.S. Bach's second son, principally known as a harpsichordist; he wrote numerous keyboard works, 9 symphonies and church cantatas but died in poverty |
Bach, Wilhelm Friedrich Ernst more... | 27 May 1759 | 25 Dec. 1845 | son of Johann Christoph Friedrich Bach who was one of J.S. Bach's sons, the last musically notable member |
Bacharach, Burt more... | 12 May 1928 Kansas City, Mo. USA | | pianist and highly successful song writer. Along with a great many hit songs, this composer has won three Academy Awards; one for the song Raindrops Keep Falling On My Head; one for the film score to Butch Cassidy and the Sundance Kid, and one for the title tune to Arthur. His song Don't Make Me Over made singer Dionne Warwick a superstar, while his score for the Broadway play Promises, Promises gave a Tony Award to Jerry Ohrbach as best actor in a musical play |
Bache, Francis Edward | 14 Sep. 1833 Birmingham, England | 24 Aug. 1858 Birmingham, England | pianist and composer whose early death disappointed those expecting notable developments |
Bacheler (or Batchelar), Daniel | c. 1574 Aston Clinton, England | 1619 Lee, Kent, England | English lutenist and composer whose composition date from 1588. Thestyle of some of his lute solos suggests that he was still composing in the last years of his life. More than 50 lute solos survive, in manuscript form. Some of his pieces require considerable technical skill, and he was one of the first lutenists to explore the lower sonorities of the instrument, occasionally taking a melody down to the fourth and fifth courses. He was probably the first English lutenist to play unmeasured preludes. His best known composition is probably Monsieurs Almain |
Bachelet, Alfred | 26 Feb. 1864 Paris, France | 10 Feb. 1944 Nancy, France | French composer |
Bachmann, Arthur Marc more... | 27 Mar. 1961 Calgary, Canada | | Canadian violist and composer |
Bachmann, Elise | 1838 Germany | | composed and published a melodrama, songs and piano pieces in the popular style |
Bachmann, Judith | fl. late 18th century | | an exceptionally fine pianist whose compositions were published in Austria in 1796 |
Bachmann, Sixt [Joseph Siegmund Eugen] | 18 Jul. 1754 Ketterhausen, Germany | 18 Oct. 1825 Reutlingendorf, Germany | German composer. A child prodigy, he took part in an organ contest with the young W.A. Mozart in 1766; both emerged with credit. He later became a priest in Ober Marchthal, where he taught music and composed keyboard, sacred and other works |
Bachofen, Johann Caspar [Hans Kaspar] | 26 December 1695 | 23 June 1755 | Swiss composer and music pedagogue |
Bachrich, Sigmund [Sigismund] | 23 Jan. 1841 Zsambokreth | 16 Jul. 1913 Vienna, Austria | Austrian composer |
Bachschmidt (or Bachschmid), (Johann) Anton (Adam) | 11 Feb. 1728 Melk, Nieder-Österreich, Austria | 29 Dec. 1797 Eichstätt | a composer known chiefly for his sacred music although he also wrote a number of fine early-classical concertos |
Bacilieri, Giovanni | (fl. 1607-19) | | Italian composer |
Bacilly, Bénigne de | c. 1625 | 27 Sep. 1690 | French singing teacher, composer and theorist |
Back, Konrad | 23 Jun. 1749 | 10 Apr. 1810 | South German monastic musician and composer |
Bäck, Sven-Erik | 16 Sep. 1919 Stockholm, Sweden | | pupil of Petrassi; works include a symphony for strings, a sonata for solo flute and an opera entitled Crane Feathers |
Backer-Gröndahl, Agathe Ursula more... | 1 Dec. 1847 Holmestrand, Norway | 4 Apr. 1907 Ormoen, Norway | Norwegian pianist, pupil of von Bülow; composer of songs and piano music |
Backer-Gröndahl, Fridtjof | 1885 Oslo, Norway | 1959 Oslo, Norway | son of the above, Norwegian pianist and composer |
Bäckström, Ola | 1959 Ore, Sweden | | fiddler and composer, a member of the folk group SWÅP |
Bacon, Ernst more... | 26 May 1898 Chicago, USA | 16 Mar. 1990 Orinda, California, USA | conductor and musical journalist; composer of symphonies, theatre music and song |
Bacri, Nicolas more... | 23 Nov. 1961 Paris, France | | French composer, former winner of the Prix de Rome |
Baculewski, Krzysztof more... | 1950 Warsaw, Poland | | Polish composer and musicologist. He studied composition under the direction of Witold Rudzinski at the Warsaw Academy of Music and he graduated in 1974. Then he continued his studies in Vienna and in Paris, where he focused on composition and music analysis under Olivier Messiaen's direction, and studied electronic music at the Groupe de Recherches Musicales |
Badajoz, Manolo de | 1892 Badajoz, Spain | 1962 Madrid, Spain | his full name - Manuel Alvarez Sorubet, a gipsy flamenco guitarist |
Badajóz el músico [Joao de Badajos] | fl. c. 1520 | | Spanish or Portuguese composer and poet |
Badalamenti, Angelo more... | 22 Mar. 1937 New York, USA | | composer of film music, particularly working with David Lynch |
Badalbeyli, Afrasiyab | 1907 | 1976 | contributed to the development of music theatre in Azerbaijan. He wrote the first ballet Qiz Qalasi or Maiden's Tower (1940) |
Badalla, Rosa Giacinta more... | c. 1660 Bergamo, Italy | c. 1715 Milan, Italy | Italian composer of motets for the Monaca di S. Radegonda in Milan where she was based. Her music was published in Venice in 1684 |
Badarzewska-Baranowska, Tekla | 1834 Warsaw, Poland | 29 Sep. 1861 Warsaw, Poland | composer of songs and 34 piano pieces, including the very popular composition for piano, The Maiden's Prayer |
Badelt, Klaus more... | 1968 Frankfurt, Germany | | film composer Klaus Badelt gained recognition in his native Germany for scoring dozens of films and commercials. In 1998, he accepted Oscar-winner Hans Zimmer's invitation to relocate to Santa Monica, USA in order to work at Media Ventures. He has since collaborated with Zimmer on scores for Gladiator, The Thin Red Line, The Prince of Egypt, Mission: Impossible 2, Hannibal and Pearl Harbor. In addition, he has also completed a variety of independent projects, including K-19: The Widowmaker, The Recruit and Basic |
Baden, (Peter) Conrad (Krohn) more... | 31 Aug. 1908 Drammen, Norway | 11 Jun. 1989
| the son of Olaf Jørgensen, organist in Strømsø Church, Conrad Jørgensen later assumed the older family name of Baden. He trained in Oslo as an organist and later as a composer at the Leipzig Academy studying with Günter Raphael and Kurt Thomas. Later he studied also with Per Steenberg, Bjarne Brustad and in 1950 he travelled to Paris, to study under Jean Rivier and attended classes in composition under Honegger. Baden was also active as a writer. He was music critic for the newspapers Drammens Tidende, Vårt Land and Morgenbladet, as well as contributing editor to Nordisk Musikkkultur, Norsk Kirkemusikk and Norsk Musikktidskrift |
Badia, Carlo Agostino | 1672 possibly Venice, Italy | 23 Sep. 1738 Vienna, Austria | Italian composer noted for his operas |
Badian, Maya more... | 1945 Bucharest, Romania | | Romanian composer now living in Canada. Her diversified output includes more than eighty major compositions for orchestra, for soloist(s) with orchestra, for choir, music for instrumental and vocal ensembles of various combinations, and works for multimedia |
Badings, Henk more... | 17 Jan. 1907 Bandoeng, Indonesia | 26 Jun. 1987 Maarheeze, The Netherlands | trained as an engineer; prolific composer of music for orchestra, chamber ensemble, piano and organ |
Badinski, Nikolai | 19 Dec. 1937 | | Bulgarian composer |
Baena, Lope de | fl. c. 1475-c.1508 | &nbs; | Spanish composer |
Baer, Abel | 10 Mar. 1893 Baltimore, Maryland | 5 Oct. 1976 New York, NY | composer and lyricist, was most active during the 1920s into the 1940s and whose most famous song is There Are Such Things (1942) |
Baert, Bernard more... | 10 Apr. 1963 Waregem, Belgium | | Belgian pianist and composer |
Baervoets, Raymond | 6 Nov. 1930 | | Belgian composer |
Baes, Jonas more... | 1961 Los Banos, The Philippines | | Philippine ethnomusicologist, writer and composer |
Baeyens, August Louis more... | 5 Jun. 1895 Antwerp, Belgium | 17 Jul. 1966 Antwerp, Belgium | Belgian composer |
Baez, Joan more... | 9 Jan. 1941 Staten Island, NY, USA | | American composer and performer of popular music |
Báez, Joan Chandos more... | 9 Jan. 1941 New York ,USA | | an American folk singer and songwriter known for her highly individual vocal style. She is a soprano with a three-octave vocal range and a distinctive throat vibrato. In addition, she is noted for her activism in the areas of nonviolence, civil and human rights and, in more recent years, the environment |
Bagadurov (or Bagodurov, Bagaduroff), Vassili | 22 Feb. 1878 Nishi Novgorod, Russia | 10 Oct. 1954 Moscow, Russia | Russian composer and teacher of singing |
Bagatti, Francesco [Bagati] | fl. 1658-c. 1680 | | Italian composer and organist |
Bagge, Charles Ernest, Baron de [Bach] | 14 Feb. 1722 | 24 Mar. 1791 | French dilettante, amateur violinist, composer, patron of the arts, and instrument collector |
Baggiani, Guido | 4 Mar. 1932 | &nbs; | Italian composer |
Bagley, Edwin Eugene | 1857 Craftsbury, VT, USA | 1922 Keene, NH, USA | composer, particularly of military marches such as National Emblem March |
Baglioncella, Francesca | 16th century Italy | | composer of madrigals |
Baglioni, Girolamo | c. 1575 | 1608 | Italian composer |
Bagni, Benedetto [Bagnius, Benedictus] | fl. 1608 | | Italian composer and organist |
Baguer, Carlos | Mar. 1768 Barcelona, Spain | 29 Feb. 1808 Barcelona, Spain | a pupil of his uncle, Francesco Mariner who was organist of Barcelona Cathedral, Carlos succeeded him in 1786. By 1789 he had become principal organist of the Cathedral, a post he held until his death in 1808. Baguer was one of the most important musical figures in Catalonia at this time, his reputation enhanced particularly by his interpretations and improvisations on the organ. As the composer of nineteen symphonies, he is the principal symphonist of Spain during the classical era. These works show strongly the influence of Josef Haydn. In addition, his compositions include many works for keyboard, for church use, an opera (La principesa filósofa o sea El desdén con el desdén, 1797) and chamber music |
Bahr, Johann [Bähr] | c. 1610 Germany | 3 Jun. 1670 | Swedish organist and composer |
Baif, Jean Antoine de | 1532 Venice, Italy | 1589 Paris, France | born in Venice where his father was the French ambassador, Baif was a guitarist, composer and poet. He wrote a method for the four string guitar entitled Instrucction pur apprendre la tablature de guiterne |
Bailey, Derek more... | 29 Jan. 1932 Sheffield, England | | jazz guitarist and composer |
Bailey, Parker more... | 1 Mar. 1902 Kansas City, Missouri | 1982 USA | Bailey came to Yale College in 1919 to study with Horatio Parker, who died that year. He studied instead with David Stanley Smith from 1920 to 1925, with Quincy Porter from 1925 to 1930, and with Roger Sessions. Following his musical studies he received an LL.B degree from the Cornell Law School in 1934 and practiced law the remainder of his life. He published a number of musical works |
Bailie, Joanna more... | 1973 London, UK | | the composer writes: "my music has been changing a great deal over the last few years, mainly because of a shifting from my initial interest in New Complexity to something less stylistically definable. Exposure to Feldman, the later works of Karel Goeyvaerts and above all the music of the Italian composer Aldo Clementi resulted in a fascination with the ideas of obsessive repetition and monotony. In fact, someone once told me that they thought that Clementi's music was "an interesting shade of grey", an aesthetic that I've attempted to adopt for myself, as a kind of reaction against the ubiquitous "contrast" that dominates mainstream modernism, the idea that somehow we have to fit the entire universe of sounds into one piece." |
Bailleux, Antoine | c. 1720 | c. 1798 | French publisher, composer, and teacher |
Baillon, Pierre-Jean more... | fl. late 18th century | | French composer, author of Nouvelle méthode de guitarre selon le sisteme des meilleurs auteurs, contenant les moyens les plus clairs et les plus aises pour apprendre a accompagner une voix et parvenir a jouer tout ce qui est propre a cet instrument (first edition 1781). An important aspect of Baillon's method is that in it we find the first reference to the use of single strings on the guitar, although he states that he prefers the sound of double courses |
Baillot, Pierre (Maire François de Sales) more... | 1 Oct. 1771 Passy, Paris, France | 15 Sep. 1842 Paris, France | virtuoso violinist pupil of Viotti who composed 9 violin concertos. Building on the pedagogical work he and his colleagues had accomplished at the Paris Conservatoire in the 1790s, he would later write one of the greatest treatises on violin playing, l'Art du violon (1834) |
Baillou, Luigi de [Baylou, Baillon, Ballion, Ballioni, Baglioni; Louis] | c. 1735 Milan, Italy | c. 1809 Milan, Italy | Italian violinist and composer |
Bailly, Henri le | date unknown France | 1637 Paris, France | one of the senior musicians (singer-composers), in the service of the French Kings Henri IV (r. 1589-1610) and Louis XIII (r. 1610-1643), who composed in the style that dominated secular vocal music in France in the early 17th century, 'courtly song' |
Bainbridge, Simon more... | 1952 London, England | | studied composition at the Royal College of Music with John Lambert from 1969-72. In 1973 and 1974 he studied with Gunther Schuller at Tanglewood, and from 1976-78 he was the Forman Fellow in Composition at Edinburgh University. In 1978, Bainbridge returned to the USA on a US/UK Bicentennial Fellowship. Back in England, he worked for a time at the National Theatre, before taking up a post as composer-in-residence for Southern Arts (1983-85). In 1987 he was awarded the Gemini Fellowship by the Worshipful Company of Musicians [taken from Chester/Novello website biography] |
Baines, William more... | 26 Mar. 1899 Horbury, England | 6 Nov. 1922 York, England | composer of interesting piano works who died as a result of tuberculosis. He composed chamber music, some songs and a few orchestral pieces, Baines was primarily a miniaturist, writing mainly for the piano. He had a particular gift for melody, and owed something to both Chopin and Scriabin in his musical language. Handsome tributes were paid to the young composer at his death: Frederick Dawson going so far as to declare that "he was the greatest composer of pianoforte music the English have ever had" |
Baini, Giuseppe (Giacobbe Baldassarre) | 21 Oct. 1775 | 21 May 1844 | Italian musicologist and composer |
Bainton, Edgar Leslie | 14 Feb. 1880 London, England | 8 Dec. 1956 Sydney, Australia | pianist and prolific composer |
Bainville, François | 1 Apr. 1725 | 26 Sep. 1788 | French organist and composer |
Baird, David Olen more... | 1951 Oklahoma, USA | | American composer who in 1996 received international notice when he was named one of the top composers by the International Clarinet Association for his jazz inspired chamber work, Crosstalk. He has also composed two symphonies, a string quartet, and several chamber music works. His efforts included works for piano, works for chorus, and works for organ as well as compositions for both rock and jazz ensembles |
Baird, Michael more... | 1954 Lusaka, Zambia | | composer and percussionist, Michael Baird moved to England in 1964 and to Holland in 1967. Michael started playing drums in 1968 and is self-taught, except for a few private lessons with jazz-drummer Art Taylor and workshops led by Afro-Caribbean percussionist Raul Burnet |
Baird, Tadeusz more... | 26 Jul. 1928 Grodzisk Mazowiecki, Poland | 2 Sep. 1981 Warsaw, Poland | a Polish composer. In 1956, with Kazimierz Serocki he founded the Warsaw Autumn international contemporary music festival |
Bairstow, Edward Cuthbert | 22 Aug. 1874 Huddersfield, England | 1 May 1946 York, England | church organist, voice trainer, choral conductor and composer of church music |
Baj, Tommaso [Bai, Baij] | c. 1650 | 22 Dec. 1714 | Italian composer and singer |
Bajamonti, Julije [Giulio] | 4 Aug. 1744 Split, Croatia | 12 Nov. 1800 Split, Croatia | a Croatian by birth and a medical doctor by profession, Bajamonti wrote an article entitled Il medico e la musica ('The physician and music', 1796), the earliest essay on music therapy in which he showed that music has therapeutic strength. He composed more than two hundred works (many are only fragmentary) including sacred music to texts in Latin, Italian, and Croatian: for example, La passione de Gesu Cristo (a cantata to words written by Pietro Metastasio), Requiem (composed on the occasion of death of Rugjer Boskovic and commissioned by the Dubrovnik Senat in 1787) and spiritual songs to Croatian verses. In 1767 he composed an oratorio which constitutes the first Croatian opera. He also wrote the first Croatian oratorio, La translation di San Diomo |
Bajic, Isidor | 1878 | 1915 | a student of the Pest conservatory, he proved himself a skilled organiser in the musical life of Novi Sad, where he started the 'Serbian Music Journal', produced an edition of music from the Serbian Musical Library and founded the Music School. He directed, wrote articles and textbooks. His compositions include the opera 'Prince Ivo of Semberija' |
Bajon Louis, Marie Emmanuelle (see Bayon Louis, Marie Emmanuelle | | | |
Bajoras, Feliksas Romualdas Konstantinas more... | 7 Oct. 1934 Alytus, Lithuania | | Lithuanian composer who between 1984 and 1988 lived in the United States |
Bakaleinikoff, Constantin more... | 26 Apr. 1898 Moscow, Russia | 3 Sep. 1966 Los Angeles, CA, USA | sometimes credited as: Constantine Bakaleinikoff, and very early in his career as just plain Bakaleinikoff, his nickname was Costia, or Mr. B. Constantin. He was a conductor, musical director (mostly at RKO (1939-1956)) and composer. He was nominated 4 times for the Oscar. He should not be confused with Mischa Bakaleinikof who was also very active in the Hollywood studios, but only as a musical director |
Baker, Chet more... | 23 Dec. 1929 Yale, Oklahoma, USA | 13 May 1988 Amsterdam, Holland | born Chesney H. Baker, jazz trumpeter and composer |
Baker, Claude | 1948 | | Baker earned his doctoral degree from the Eastman School of Music. As a composer, he has received a number of accolades, which have included an Academy Award in Music from the American Academy of Arts and Letters, two Kennedy Center Friedheim Awards, and numerous commissions and fellowships. He won the first ever Barto Prize for his composition Flights of Passage: From Silent Sun to Starry Night. Baker has also served on the faculties of the University of Georgia and the University of Louisville, and was a Visiting Professor at the Eastman School of Music. Currently, Baker is Professor of Composition in the Jacobs School of Music at Indiana University, Bloomington |
Baker, David Nathaniel jr. more... | 1931 Indianapolis, USA | | David Baker received his B.M.E. (1973) and M.M.E. (1954) from Indiana University (Bloomington) and has had private study with George Russell, Bernard Heiden Gunther Schuller, John Lewis, William Russo, and others. He has served as chairman of the Jazz Studies Department at Indiana University. Baker's extensive compositional output covers a wide range of genres and styles, including works for jazz, orchestra, solo voice, chorus, piano, and chamber ensemble. Several instumental combinations, i.e., "Black America," "Levels," and "Psalm 22." He has received commissions from Janos Starker, Harvey Phillips, Natalie Hinderas, and other artists. Baker is nationally recognized as a composer, lecturer - clinician, and writer of more than one hundred books and articles on jazz and other subjects in Afro - American music |
Baker, George | fl 1720 | | English psalmodist, 'A collection of the best and most musical psalms' (1720) |
Baker, Sir Henry Williams | 27 May 1821 London, England | 12 Feb. 1877 Leominster, England | an eminent English clergyman, son of Sir Henry L. Baker; educated at Trinity College, Cambridge, where he graduated B.A. in 1844. He took holy orders in 1844, and became vicar of Monkland, Herefordshire, in 1851, which benefice he held until his death. He succeeded to the baronetcy in 1851. He is best known as editor in chief of Hymns Ancient and Modern, to which he contributed several of his hymns |
Baker, Kenny | 1 Mar. 1921 Withernsea, Yorkshire, England | 7 Dec. 1999 Felpham, West Sussex, England | English trumpeter and composer. who, though uncredited, composed the dance music for the very successful film The Red Shoes (1948). Baker also composed the night club music in the British film 'The Small Back Room' (1949) |
Baker, Michael Conway more... | 13 Mar. 1937 West Palm Beach, FL, USA | | American composer, now based in Canada, noted for his film, television and video music scores as well as for his symphonic work |
Baker, Richard more... | 1972 England | | English composer and professor of composition |
Baker, Thomas more... | 1944 Toronto, Canada | | Canadian composer, conductor, pianist and organist |
Baker, Tom more... | 1965 USA | | Tom Baker has been active as a composer, performer and music producer in the Seattle new-music scene since 1994. Tom has appeared as guest conductor for the Seattle Creative Orchestra and has served as composer-in-residence for the a cappella vocal ensemble The Esoterics. As the artistic director and curator of the new-music concert series, the Seattle Composers' Salon, he is dedicated to producing and promoting the new and adventurous music that is being created in the Pacific Northwest. Tom is also the co-director of the Seattle EXperimental Opera (SEXO) and a co-founder of the new-music recording label Present Sounds. For the past several years, Tom has been performing on and composing for the fretless guitar; his first solo CD Sounding the Curve was released in October 2003 |
Bakfark (or Bachfarrt, Backvart, Bekwark), Bálint Valentin more... | 1507 Brasov, Hungary | 15 or 22 Aug. 1576 Padua, Italy | he was educated in Buda at the royal court of Janos Zapolya and spent some time of his life in the late 1540s in Paris. He was appointed as a court musician (lutenist) at the court of Krakow in 1549; he was famous for his virtuosity on the instrument as well as also for his compositions of which there exist several printed collections that are attributed to his name. He fled Poland in 1565 after his house in Vilnius had been plundered by soldiers |
Bakhmetyev, Nikolai Ivanovich | 1807 Bakhmetevka, Saratov, Russia | 31 Aug. 1891 St. Petersburg, Russia | Russian violinist and adminstrator of church publications |
Bakikhanov, Tofig | 1930 | | Azerbaijani a composer and professor at the Baku Academy of Music. He is remembered for his short ballet, called Caspian Ballad |
Bakke, Ruth more... | 2 Aug. 1947 Bergen, Norway | | Norwegian composer and organist who received most of her training in the United States. Since 1973, she has worked as an organist and choir conductor in Bergen. She also teaches music theory at Bergen Teacher's Training College and Bergen Music Conservatory |
Baklanova (or Baklanowa), Natalya (or Natalja) more... | 1902 | 1985 | composer particularly of pedagogical works for the violin |
Baksa, Robert more... | 1938 New York City, NY, USA | | one of America's most prolific composers, Baksa grew up in Tucson, Arizona and eventually earned a BA in Composition at the University of Arizona. He returned to live in New York City in the early 60s. He has written more than 500 pieces of music since his first efforts as a teenager. Since his earliest New York reviews critics have noted his melodic gifts, the structural clarity and harmonious nature of his music. His first pieces, short piano pieces written in the early 1950s which he later arranged for wind trio, are in fact still being performed around the world. His numerous choral pieces have been performed in many countries and his art songs have been featured in two recent studies on the subject of American Art Song |
Bakshi, Alexander more... | 1952 Sakhumi, Georgia | | Georgian-born Russian composer mainly of orchestral and stage works |
Bal y Gay, Jesús | 23 Jun. 1905 | | Spanish musicologist and composer |
Balada, Leonardo more... | 22 Sep. 1933 Barcelona, Spain | | Catalan composer who came to New York in 1956 to study composition, has been a powerful creative force for more than three decades. His highly personal avant-garde techniques in the sixties dramatically as well as rhythmically imposing sets his works like Guernica and María Sabina apart from composers of the time. Later, in the seventies, he was credited as a pioneer in blending the avant-garde with folkloric ideas mixing the new with the old now a very fashionable trend in works like Sinfonía en Negro-Homage to Martin Luther King (1968) and Homage to Casals and Sarasate (1975). He is University Professor of Composition at the Carnegie Mellon University in Pittsburgh, Pennsylvania, USA |
Balakauskas, Osvaldas more... | 19 Dec. 1937 Miliunai, Lithuania | | Lithuanian composer, who studied in Vilnius from 1975 to 1961 and later at the Conservatory in Kiev (composition with Boris Ljatoschinsky and Miroslav Skorik). Until 1972 he was active as an editor for the music publisher Ukraina in Kiev but some years later he returned to Vilnius, where he was engaged as an art counsellor for the composers association. Since 1988 he is the leader of the composition class at the conservatory of Vilnius |
Balakiref (or Balakirev, Balakirew, Balakireff), Mily Alexeyevich more... | 2 Jan. 1837 Nijni-Novgorod, Russia | 29 May 1910 St. Petersburg, Russia | member of the group called 'The Five', later in life had a breakdown and became a railway official; composer of brilliant piano music, 2 symphonies, the symphonic poem Tamara, songs and folksong arrangements |
Balakrishnan, David more... | 1954 | | violinist and member of the Turtle Island String Quartet, David Balakrishnan, co-founder of the quartet, has also collaborated with such ensembles as the Modern Jazz Quartet and Manhattan Transfer. In addition, he has made a name for himself as a successful composer and arranger |
Balanchivadze (or Balancsivadze), Andrey (Melitonovich) | 1 Jun. 1906 St Peterburg, Russia | 28 Apr. 1992 Tbilisi | Russian composer and conductor |
Balanchivadze, Meliton (Antonovich) | 24 Dec. 1862 Banodzha | 21 Nov. 1937 Kutaisi | Georgian composer and singer |
Balanescu, Alexander more... | 1950 Bucharest, Romania | | Romanian violinist and composer, leader of the Balanescu Quartet. Recordings of Balanescus original work appear on his albums for MUTE (possessed, Luminitza, 'Angels and Insects) as well as his tribute to YMO East meets East (Con-Sipio), his score for the Italian war film Il Partigiano Johnny (Virgin, Italy) and collaborations with electronica artist Lume, Lume (Staubgold) as well as guesting on albums by To Rococo Rot , Spiritualized, Rabih Abou-Khalil and The Pet Shop Boys |
Balart, Gabriel | 8 Jun. 1824 Barcelona, Spain | 5 Jul. 1893 Barcelona, Spain | Spanish composer |
Balasanian, Sergey Artem'yevich | 26 Aug. 1902 Ashkhabad | 3 Jun. 1982 Moscow, Russia | Russian composer |
Balasanyan, David to listen to his music... | 10 Oct. 1983 Yerevan, Armenia | | studied composition and piano with Ashot Ghazaryan at a music school at "Mkhitar Sebastatsi" educational centres in Yerevan from 1991-98 and composition with Ashot Ghazaryan and piano with Avetik Pivazyan at the Romanos Melikyan Music College in Yerevan (1998-2000). He studied composition with Prof. Ashot Zohrabyan at the Yerevan Komitas State Conservatory (2000-05), and continued there for post-graduate studies (2005-2008). He is currently completing his musicology-thesis. He participated with Ashot Zohrabyan as an Armenian delegate to the European Composers Congress in Vienna (2006) and he has been a member of the Armenian Composers Union since 2006.
He has been awarded:
- 2nd Prize at 'The 90th Anniversary of Benjamin Britten Competition' for chamber works (2003, Yerevan, Armenia) for his 'Composition' for woodwind quintet;
- 'Naregatsi Young Composers Award' (2006, Yerevan, Armenia) for 'Postlude in memoriam...' for violin and piano;
- 3nd Prize at 'The 6th Sichuan Conservatory of Music Students Composition Competition (2010, Chengdu, China) for 'Flower Garden In The Dark' for flute, clarinet, violin, cello and piano.
Since 2009 David Balasanyan has been working as an assistant at the chair of composition of Yerevan State Conservatory after Komitas.
His composition "The Pillow Tagh", composed in 2013, was a commission from the Ensemble "Oktoplus" (NDR Radiophilharmonie).
He also writes poems, many of which appear in his book 'Arahetner' ('Paths') (Pub. 'Mitk'; Yerevan; 2001).
His works have been performed in Armenia, Georgia, Brazil, Italy, Lebanon, USA, Germany, Greece and some of them are published in Swiss Musical Publishing House 'Sordino' .
[e-mail: davbal@yandex.ru] |
Balassa, Sándor | 20 Jan. 1935 Budapest, Hungary | | composer of Iris for orchestra, a trio for violin, viola and harp and Requiem for Lajos Kassák |
Balatka, Hans more... | 26 Feb. 1826 Hoffnungsthal, Moravia | 17 Apr. 1899 Chicago, USA | Moravian conductor and composer, active in the United States [birth date corrected by W. Pin] |
Balazs, Arpad more... | 1937 Hungary | | Hungarian composer |
Balbastre, Claude-Bénigne more... | 22 Jan. 1727 France | 9 May 1799 France | French organist and composer. Balbastre taught the harpsichord to Marie-Antoinette and the Duke of Chartres. He was organist at the Chapelle Royale where he performed his own works at Christmas, as did his colleagues, Louis Claude Daquin and Jean-François Dandrieu. It is reported that the improvisations by Balbastre at Christmas attracted so many people, it was feared disorder would be caused in the church, to the point where he was twice refused access to the organ loft at Notre-Dame Cathedral during midnight mass, by order of the Archbishop of Paris |
Balbi, Igazio | fl. 1720-75 | | Italian composer |
Balbi, Lodovico | c. 1545 | before 15 Dec. 1604 | Italian composer and friar |
Balbi, Luigi [Alviso, Alciso, Aluigi, Aloysius] | fl. 1585-1621 | | Italian composer, organist and friar |
Balbi, Melchiore | 4 Jun. 1796 Venice, Italy | 21 Jun. 1879 Padua, Italy | Italian composer |
Balbulus, Blessed Notker (Stammerer) more... | c. 840 Jonswil, Switzerland | 912 St. Gall Switzerland | it is practically accepted that he is the "monk of St. Gall" (monachus Sangallensis), author of the legends and anecdotes Gesta Caroli Magni. The number of works ascribed to him is constantly increasing. He introduced the sequence, a new species of religious lyric, into Germany. It had been the custom to prolong the Alleluia in the Mass before the Gospel, modulating through a skillfully harmonized series of tones. Notker learned how to fit the separate syllables of a Latin text to the tones of this jubilation; this poem was called the sequence, formerly called the 'jubilation'. (The reason for this name is uncertain.) Between 881-887 Notker dedicated a collection of such verses to Bishop Liutward of Vercelli, but it is not known which or how many are his. Ekkehard IV, the historiographer of St. Gall, speaks of fifty sequences attributable to Notker. The hymn, Media Vita, was erroneously attributed to him late in the Middle Ages. Ekkehard IV lauds him as "delicate of body but not of mind, stuttering of tongue but not of intellect, pushing boldly forward in things Divine, a vessel of the Holy Spirit without equal in his time".
[taken from Catholic Encycolpedia]
|
Balciunas, Linas more... | 1973 Lithuania | | Lithuanian composer |
Baldan, Angelo | 1753 | 23 Apr. 1803 | Italian composer, teacher and priest |
Baldassare, Pietro [Baldassari] | c. 1690 Rome, Italy | c. 1768 | he worked as a choirmaster in Brescia between 1721 and 1725 and is believed to have composed oratorios although none appear to have survived |
Baldi, Joao José | 1770 | 18 May 1816 | Portuguese composer |
Baldrati, Bartolomeo [Baldradi] | c. 1645 | | Italian (?) composer |
Baldwin, Anthony more... | late 20th century London, UK | | his early years were spent as a choirboy at Southwark Cathedral, London. At the age of 17, he was awarded the Associateship Diploma of the Royal College of Organists, winning the prize for harmony and counterpoint, and earned the Fellowship a year later. He studied at the Universities of Oxford and Durham, and afterwards embarked upon a career in teaching, organ-playing and choir-training. Baldwin has made regular visits to the United States as a recitalist and formed his own chamber choir in California. He is currently Organist at the American Church in London. As a composer, Baldwin has written anthems, carols, carol arrangements and organ music. He won the Royal School of Church Musics Harold Smart Competition in 1996 and 1998 |
Baldwin, John [Baldwine, Baldwyn, Baudewyn, Bawdwine] | before 1560 | 28 Aug. 1615 | English anthologist, singer and composer |
Baley, Virko more... | 1938 Ukraine, Russia | | composer, conductor and pianist, who trained in (West) Germany and at the Los Angeles Conservatory of Music, was the first American to be awarded the coveted Shevchenko Prize for Music (1996) |
Balfe, Michael William more... | 15 May 1808 Dublin, Ireland | 20 Oct. 1870 Rowney Abbey, Herts. | baritone singer, violinist and composer of popular operas including The Bohemian Girl (1843) |
Baliani, Carlo [Bagliani, Balliani, Basiliani] | c. 1680 possibly Milan, Italy | 16 Feb. 1747 Milan, Italy | Italian composer |
Balissat, Jean | 15 May 1936 | | Swiss composer and conductor |
Balius y Vila, Jaime | 3 Nov. 1822 | | Spanish composer |
Ball, Christopher more... | England | | English-born recorder player, teacher and composer particularly of works including the recorder |
Ball, Eric more... | 31 Oct. 1903 Kingswood, Bristol, UK | 1 Oct. 1989 | in 1919, Eric Ball took a job in The Salvation Army Musical Instrument Department at Judd Street in central London. He soon progressed to The Musical Editorial Department where he would spend twenty eight years, and where he worked alongside such well known Salvation Army composers as Philip Catelinet, Bramwell Coles, Albert Jakeway and George Marshall, as well as Henry Hall, later to become famous as a band leader. He was a bandmaster of the International Staff Band of The Salvation Army and a prominent figure in the brass band world. A prolific composer and arranger, many of his works remain in the repertoire |
Ball, Ernest R. more... | 21 Jul. 1878 Cleveland, Ohio, USA | 3 May 1927 Santa Ana, CA, USA | American composer who co-wrote i>When Irish Eyes Are Smiling (1912) |
Ball, Michael more... | 1946 Manchester, England | | while attending the Royal College of Music, he studied with Herbert Howells, Humphrey Searle and John Lambert. In 1970 he was one of four students selected to take part in master classes with Nadia Boulanger on her visit to the RCM and in the same year was awarded all the major composition prizes of the College, including the Octavia Travelling Scholarship, which he used to study with Franco Donatoni in Italy during the summers of 1972 and 1973. Whilst he was there, he participated in master classes with Luciano Berio and György Ligeti. He has written works for orchestra, windband and brassband as well as an opera The Belly Bag for younger musicians |
Ballabene, Gregorio [Bellabene] | c. 1720 | c. 1803 | Italian composer |
Ballantine, Edward | 6 Aug. 1886 | 2 Jul. 1971 | American composer |
Ballard, Robert more... | c. 1575 France | in or after 1650
| French composer and lutenist, probable pupil of Adrian le Roy and son of Robert Ballard (c.1525-1588), was a lutenist at the royal court from 1612 until his death, taking part in performances of ballets de cour. He published two volumes of airs and dances for the lute. Robert snr. in partnership with Adrian le Roy who was his brother-in-law, was granted a privilege (license) for printing music from the French king Henri II on July 14, 1551. In 1553, Le Roy and Ballard received the title of music printer to the king, which was re-affirmed in 1568 under Charles IX. A combination of important court connections, shrewd choice of repertoire, technical expertise, and high artistic quality (some it due to their using movable type, cut in 1540 by Robert's father-in-law, Guillaume Le Bé (or du Gué)), gave Le Roy and Ballard a near-monopoly on music printing in France through the end of the 16th century. Under Henry IV in 1594, a few years after Robert's death, the same title was granted to the partnership of Le Roy and Lucrèce Ballard, Robert's widow. Members of the Ballard family were to bear the title of music printers to the king well into the 18th century. They held a virtual monopoly on music printing in France for two centuries, and continued in business into the second decade of the 19th century, when the final owner was the great-great-great-great grandson of Robert. Throughout this period the Ballard family exploited the role of family relationships in the French social system by establishing family ties to leading printers and publishers such as Boivin, Montéclair and Dumesnil |
Ballarotti, Francesco | c. 1660 | Apr. 1712 Bergamo, Italy | Italian composer |
Ballesteros, Antonio | | | published his Obra Para Guitarra de Seis Ordenes, a method book for the 6 string guitar, in 1780 |
Ballestra, Reimundo [Balestra, Armbruster?; Raimundo] | 2nd half 16th century | 11 Oct. 1634 | composer, probably German |
Balletti, Bernardino | fl. 1554 | | Italian lutenist and composer |
Ballière de Laisement, (Charles-Louis-)Denis | 9 May 1729 | 8 Nov. 1800 | French composer and theorist |
Ballif, Claude (André François) more... | 22 May 1924 Paris, France | 24 Jul. 2004 Poissons, Haute-Marne, France | Claude Ballif first studied music in Bordeaux, before entering the Paris Conservatory in 1948 to study composition with Tony Aubin, counterpoint and fugue with Noël Gallon and analysis in the class of Olivier Messiaen. From 1954 he followed the classes of Boris Blacher (composition) and Joseph Rufer (analysis) at the Berlin Conservatory. The following year he won First Prize for music composition in the Geneva International Competition for his orchestral work Lovecraft and his First String Quartet. From 1956 to 1959 he taught at the summer school in Darmstadt, alongside Luigi Nono, Luciano Berio and Karlheinz Stockhausen. Works include Journey of my ear for orchestra and various chamber works |
Ballis, Oliviero | fl. 1577-1609 | | Italian composer, singer and priest |
Ballou, Esther (Williamson) | 17 Jul. 1915 | 12 Mar. 1973 | American composer, pianist and educator |
Balmer, Luc | 13 Jul. 1898 Munich, Germany | | Swiss conductor and composer |
Balogh, Erno more... | 4 Apr. 1897 Budapest, Hungary | 2 Jun. 1989 Michellville, MD, USA | Erno Balogh, pianist, composer, editor and teacher. From an early age, he performed and composed music at the piano. Punishment for him was being denied access to the piano. His first compositions, two short piano pieces dedicated to his father, were written at the age of eight. For twelve years, 1905 to 1917, he attended the Budapest Conservatory, completing the Professor's Certificate and receiving the Franz Liszt Prize in piano and composition. During this period, he studied piano with Bela Bartok and composition with Zoltan Kodaly. Balogh became a close friend of both men and he was instrumental in bringing Bartok to the U.S. for his first concert tour in 1927 |
Balsach, Llorenç more... | 1953 Sabadell (Barcelona), Spain | | studied music with J. Poch, C. Guinovart, A. Argudo and J. Soler. and mathematics at Universitat Autònoma de Barcelona. He has received commissions from Radio Baden-Baden Orchestra, Valles Symphonic Orchestra, Catalonian Composers'Association, Spanish Ministry of Culture, National Radio of Spain and the Councils of Barcelona and Sabadell, among others |
Balsamino, Simone | fl. c. 1590-96 | | Italian composer and poet |
Baltakas, Vykintas more... | 10 Jul. 1972 Vilnius, Lithuania | | Lithuanian composer and conductor |
Baltan, Kid (see Raaijmakers, Dick) | | | |
Balthaus, Dirk more... | 1965 Oberhausen, Germany | | Jazz pianist, co-founder of Crossover Piano, a piano-duo, with the classical pianist Wolfgang Mechsner |
Baltzar, Thomas more... | 1631 Lübeck, Germany | bur. 27 July 1663 London, UK | German violinist and composer, he came from a family of Lübeck musicians: his father, David (d 1647), his grandfather, Hinrik Thomas, his great-grandfather, Hinrik, and his brothers Joachim and David were all musicians there. According to the English scientist Samuel Hartlib, Baltzar studied with Johann Schop, and he is recorded at the Swedish court in 1653. He probably returned home in summer 1654, after Queen Christina's abdication, and was briefly appointed a Lübeck Ratslutenist at the beginning of 1655. He travelled to England later in the year, where he remained until his death. Baltzar caused a sensation in England. John Evelyn heard him at Roger L'Estrange's London house on 4 March 1656, and wrote that he plaid on that single Instrument a full Consort, so as the rest, flung-downe their Instruments, as acknowledging a victory. Baltzar was in London in September 1656 to play in Davenant's The Siege of Rhodes, though Anthony Wood wrote that he spent about two years with Sir Anthony Cope at Hanwell House near Banbury. Presumably he was living there when he made his famous visits to William Ellis's Oxford music meetings in summer 1658. Wood compared him several times with the English violinist Davis Mell, who play'd farr sweeter than Baltsar, yet Baltsar's hand was more quick and could run it insensibly to the end of the finger-board. Mell was also in Oxford in 1658, and their divisions on John, come kiss me now, printed in Playford's The Division Violin (1684/R), probably record some sort of playing contest. They show that Mell was no match for Baltzar, as a composer as well as a player |
Balys, Eduardas | 20 Dec. 1919 | | Lithuanian composer |
Balzano, Domenico | fl. 1680 | | Maltese composer, brother of Giuseppe, known for his motet "Venite Omnes" (1680) scored for 2 canti and continuo |
Balzano, Giuseppe | fl. 1652 | | Maltese composer, brother of Dominico, known for his motet "Beatus Vir" (1652) scored for two tenors, a baritone and continuo |
Bamfi, Alfonso [Banfi, Banfo] | fl. 1641-55 | | Italian composer and organist |
Ban, Joan Albert [Bannius] more... | 1597/1598 The Netherlands | 27 Jul. 1644 The Netherlands | Dutch musical theorist and composer noted for his arguments with Mersenne and other French theorists |
Banasik, Christian more... | 1963 Siemianowice, Poland | | has lived in Germany since 1974. He studied composition with Guenther Becker and Dimitri Terzakis at the Robert Schumann Academy of Music in Duesseldorf. Computer music seminars with Clarence Barlow at the Music Academy in Cologne. Postgraduate studies with Hans Zender (composition) and Hans-Dieter Resch (conducting) at the University of Music and Performing Arts in Frankfurt. His instrumental and electronic pieces have been featured in concerts and radio programs throughout Europe (BBC London, SFB Berlin, HR Frankfurt, WDR Cologne, NDR Hamburg, VPRO Radio Holland, VRT Radio Belgium, Polskie Radio and Swedish National Radio), the Americas, Asia and Australia. He has developed an algorithmic composition software (AFSTS 1) for the Atari ST computers from 1991-1993. From 1994-1997 he was chairman of the music department in the guild of artist "Kuenstlergilde NRW". Banasik was the artistic director of the ensemble "go ahead" and organizer of multimedia events with new music, literature and fine arts as well as concerts of electroacoustic music. He has received national and international music awards and scholarships. Beside live electronics and computer music Banasik has produced works for tape, radio plays and film soundtracks |
Banaster, Gilbert [Banastir, Banastro] | c. 1445 | between 19 Aug. and 10 Sep. 1487 | English composer |
Banchieri, Adriano (Tomaso) more... | 3 Sep. 1568 Bologna, Italy | 1634 Bologna, Italy | a man of considerable versatility, a composer, dramatist, organist and theorist, he spent almost his whole life at the monastery of San Michele in Bosco, near Bologna, becoming abbot in 1620. He founded the Accademia dei Floridi in Bologna |
Banci, Giovanni | fl. 1619 Italy | | Italian composer |
Bancquart, Alain more... | 1934 France | | one of the leading composers of microtonal music in Europe |
Bandiera, Lodovico | fl. 1663 | | Italian composer |
Bandolim, Jacob do more... | 13 Aug. 1918 Brazil | 14 Feb. 1969 Brazil | the most influential Brazilian artist on the instrument that became part of his name, Jacob elevated the mandolin (bandolim, in Portuguese) to a place of honour
[to hear extracts of his music click here] |
Banester, Gilbert more... | c.1445 probably London, England | 1487 probably Windsor, England | English composer Gilbert Banester was possibly born in London in 1445. He was Master of the Children of the Chapel Royal from 1478. He contributed a carol in florid style to the Fayrfax Manuscript, and wrote and produced pageants at Henry VII's court; his latin motets include one probably for Henry's wedding. He is represented in the Eton Choirbook. |
Banevich, Sergei | 2 Dec. 1941 Okhansk, nr. Perm | | composer |
Banfield, William more... | 1961 USA | | he earned a Bachelor of Music from the New England Conservatory of Music in 1983, a Master of Theological Studies from Boston University in 1987, and Doctor of Musical Arts from the University of Michigan in 1992. His diverse blend of musical influences were shaped by his teachers and mentors including T.J. Anderson, George Russell, Leslie Bassett, William Bolcolm, and William Albright. In 2000, he was a W.E.B. Dubois fellow at Harvard University where he worked on two operas, including Gertrude Stein Invents A Jump Early On. He has composed eight symphonies, six symphonic concertos, four operas, music for ballet, musicals, chorus, chamber ensembles, jazz ensembles, and song cycles for voice and keyboard |
Bangalter, Thomas more... | 3 Jan. 1975 Paris, France | | French electronic musician best known as a member of the French house music duo Daft Punk. He has also produced music for the band Stardust, as a member of the band Together, and for the film Irréversible. His music is sometimes known as French house |
Banister, Charles W. | fl 1792 | | English psalmodist, 'Twelve psalm and hymn tunes' (1792) |
Banister, Henry Charles | 13 Jun. 1831 | 20 Nov. 1897 | English composer and teacher |
Banister, John | c. 1625 London, England | 3 Oct. 1679 London, England | flageolet player, violinist, leader of Charles II band (based on the string band of the French court); composer and pioneering organiser of concerts to which the public paid an entry fee |
Banister, John | | c. 1725 | English composer, violinist and recorder player |
Bank, Jacques more... | 18 Apr. 1943 Amsterdam, The Netherlands | | Dutch composer. He studied composition with Ton de Leeuw and Jos Kunst at the Amsterdam Conservatory, where he was awarded the Composition Prize in 1974 |
Banks, Don (Donald Oscar) | 25 Oct. 1923 Australia | | pupil of Seiber and Dallapiccola; works include Four pieces for orchestra, a horn concerto, a violin sonaa and a Divertimento for flute and string trio |
Bannink, Harry more... | 10 Jul. 1929 Enschede, The Netherlands | 19 Oct. 1999 | Dutch composer, arranger and pianist who wrote about 3000 songs |
Banshchikov, Gennadi Ivanovich | 1943 Kazan, Russia | | composer of 5 cello concertos and operas |
Bantock, Sir Granville more... | 7 Aug. 1868 London, England | 11 Oct. 1946 London, England | born the son of eminent London gynaecologist, who forbade him to take up music professionally. Joined civil service and when failed to be tempted by the money on offer was reluctantly allowed to study at the RAM. While a student there his bottled-up musical ambition was released into 14 symphonic poems on Indian themes. Founded the New Quarterly Musical Review and took up conducting, transforming the New Brighton Orchestra from a shambolic mob to a competent orchestra. Introduced all-British programmes of music, an innovation at the time (1898). Championed British music al his life, along with other 'modern' composers such as Sibelius (who dedicated his 3rd Symphony to him), Strauss, Debussy etc. Succeeded Elgar as professor of music at Birmingham University. A great fan of the east, many of his works have an oriental theme - a famous photograph of him shows him dressed as a mullah, reading the Rubayat - which he eventually set to music. Later on he became interested in British folk culture too, especially Celtic |
Bantzer, Claus more... | 10 Oct. 1942 Marburg, Germany | | organist, conductor and composer of film scores |
Banwart, Jakob | 19 May 1609 | ca. 1657 | German composer |
Baptista, Gracia | | | nun and composer who published in Spain in 1557 |
Baptiste, Ludwig Albert Friedrich | 8 Aug. 1700 | c. 1764 | German composer, probably of French descent |
Baqueiro Fóster, Gerónimo | 7 Jan. 1898 | 29 May 1967 | Mexican musicologist and composer |
Barabba, Jason A. more... | 1970 US | | graduate of Occidental College with a Bachelor's Degree in Latin American Studies, Mr. Barabba subsequently attended the University of Chicago where he pursued his interest in music. He received a Master of Fine Arts Degree in Composition and Music Technology from the Claire Trevor School of the Arts, University of California at Irvine in 2004. He is currently attending the University of California at Los Angeles, where is pursuing a Ph.D. in Composition. In his formative years, Mr. Barabba received extensive instrumental training in piano and trombone |
Baranovic, Kreimir more... | 25 Aug. 1894 Sibenik | 17 Sep. 1975 Belgrade, Yugoslavia | much of the career of Croatian composer/conductor Kreimir Baranovic was spent with Zagreb Opera. He conducted there for almost 30 years between 1915 and 1943, and also directed the opera between 1929 and 1940. His opus contains two comic operas, 'Shorn-mown' and 'The Bride from Centigrad'. The first was premiered in Zagreb in 1932 and the second first saw the stage in Belgrade in 1951 |
Bararipton | 14th century | | composer in Avignon repertory |
Bararini Lupus, Manfred | fl. 1557-61 | | Swiss composer of Italian birth |
Barat, Joseph Edouard more... | 1882 | 1963 | best known through his compositions for solo winds and orchestra, Joseph Edouard Barat studied music in Paris with Paul Vidal and Emile Pessard. His affinity for wind music was partially influenced through his work as a bandmaster with the French Army. His Andante et Allegro for trombone and piano (orchestra) was composed for the annual trombone competition at the National Conservatory in Paris in 1935, and dedicated to Professor Henri Couillaud |
Barati, George more... | 3 Apr. 1913 Györ, Hungary | 22 Jun. 1996 San Jose, California, USA | Hungarian composer and cellist who worked from 1939 in the U.S.A. |
Barba, Daniel [Daniele] (Pius) dal | 5 May 1715 Verona, Italy | 26 Jul. 1801 Verona, Italy | Italian composer |
Barbara, Joan La more... | 8 Jun. 1947 Philadelphia, USA | | her career as a composer, performer and sound artist has been devoted to exploring the human voice as a multi-faceted instrument, going far beyond its traditional boundaries, creating works for voices, instruments and interactive technology. "One of the great vocal virtuosas of our time" (San Francisco Examiner) and an important pioneer in the field of contemporary classical music and soundart, she developed a unique vocabulary of experimental and extended vocal techniques, including multiphonics (the simultaneous sounding of two or more pitches), circular singing, ululation and glottal clicks that have become her "signature" sounds |
Barbarino, Bartolomeo (Il Pesarino) | c. 1568 | 1617 | Italian composer. Maestro di cappella at the cathedrals of Pesaro and (from 1605) Parma, he published some church music but is mainly important as one of the earliest and most prolific monodists, a follower of Caccini in his style of vocal composition, which is often dramatic, with extravagant word painting; in general, however, his best music is in a more melancholy and expressive vein |
Barbato, Angelo | fl. 1583-87 | | Italian amateur music editor and composer |
Barbe, Antoine | | 2 Dec. 1564 | Flemish composer |
Barbe, Antoine sr | before 1547 | 13 Feb. 1604 | Flemish composer and organist |
Barbe, Helmut | 28 Dec. 1927 | | German composer |
Barbella, Emanuele more... | 14 Apr. 1718 Naples, Italy | 1 Jan. 1777 Naples, Italy | Emanuele Barbella, originally trained by his father Francesco. After the premature death of his father in 1733, Barbella continued to study the violin with Angelo Zago and Pasqualino Bini (a student of Tartini), also studying composition with Michele Caballone, Leonardo Leo, and, probably, with Father Martini in Bologna. In 1753 he became first violin of Teatro Nuovo in Naples, and three years later he entered into the service of the Neapolitan Royal Chapel; starting in 1761, he played in the orchestra of Teatro S. Carlo, also teaching at the Conservatoire of S. Onofrio. Charles Burney, who got to know Barbella during his stay in Naples in October 1770, spoke of him as the kindest human being that Ive ever known, blessed with a character which was as sweet as the sound of his violin |
Barbella, Francesco | 1692 Italy | 1733 Italy | composer and Master of String Instruments at the Conservatoire of S. Maria di Loreto, father of Emanuele Barbella |
Barber, Charlie more... | | | a composer based in South Wales who is also the artistic director of Sound Affairs |
Barber, John | fl 1723 | | psalmodist of Castleton, Derbys. who published 'A book of psalmody' (1723) with Robert Barker |
Barber, Robert | fl 1723-53 | | psalmodist based in Castleton, Derbys, who published 'The psalm singer's choice companion' (1723), 'A book of psalmody 2nd edn' (1733) and 'David's harp well tuned' (3rd edn of A book of psalmody) (1753) |
Barber, Robert (ii) | c. 1750 | | English composer and organist |
Barber II, Samuel Osborne more... | 9 Mar. 1910 West Chester, PA, USA | 23 Jan. 1981 New York City, USA | major American composer whose predominantly lyrical and expressive works include a violin concerto and the famous Adagio for Strings |
Barberá, José | 21 Jan. 1876 | 1947 | Spanish composer and teacher |
Barberiis, Melchiore de | fl. c. 1545-50 | | Italian priest, composer, lutenist and 4 course guitarist who in the late 1540s published works for the lute |
Barbetta, Giulio Cesare | c. 1540 | after 1603 | Italian lutenist and composer |
Barbier, René (Auguste-Ernest) | 12 Jul. 1890 Namur, Belgium | 24 Dec. 1981 Brussels, Belgium | Belgian composer |
Barbieri, Carlo Emanuele [de Barbieri] | 22 Oct. 1822 Genoa, Italy | 28 Sep. 1867 Pest, Hungary | Italian conductor and composer |
Barbieri, Francisco Asenjo more... | 3 Aug. 1823 Madrid, Spain | 17 Feb. 1894 Madrid, Spain | he was central to the group of composers, including Oudrid, Gaztambide and Arrieta working from 1851 at the Teatro del Circo, directing the chorus as well as providing many original stage works. 1856 saw the founding of the Teatro de la Zarzuela, and from the 1860s Barbieri broadened his activities even further, founding the Society for Orchestral Music (1866) and introducing much of the German symphonic repertoire to Madrid, as well as publishing a wide variety of books on music, politics and much besides |
Barbieri, Gato more... | 28 Nov 1932 Rosario, Argentina | | Gato Barbieri is the second Argentinean musician to make a significant impact upon jazz - the first being Lalo Schifrin, in whose band Barbieri played as a teenager. His story has been that of an elongated zigzag odyssey between his homeland and North America. He started out playing to traditional Latin rhythms in his early years, turning his back on his heritage to explore the jazz avant-garde in the 1960s, reverting to South American influences in the early 1970s, playing pop and fusion in the late 1970s, only to go back and forth again in the 1980s |
Barbieri, Girolamo | 1808 Piacenza, Italy | 1871 Piacenza, Italy | he began his career as maestro di cappella at Caravaggio, subsequently took up the same position in Cremona and finally returned to his home town in 1847. Most of his energies were devoted to the composition of sacred music and piano pieces. He also held a post as organist and took an interest in organ building: he reviewed the inaugurations of new Lingiardi and Serassi organs for the Gazzetta musicale di Milano. His organ works, published by F. Lucca and Ricordi, amount to some 800 pieces |
Barbieri, Lucio [Luzio] | 24 Jul. 1586 | mid-November 1659 | Italian composer, organist and teacher |
Barbignant | fl. c. 1470 | | composer |
Barbio, Eustachius | | before 9 Jul. 1556 | Flemish composer and choirmaster |
Barbireau, Jacques [Barberianus, Barbirianus, Barbarian; Jacobus]>br>more... | 1455 probably Antwerp, Belgium | 7 Aug. 1491 | a Renaissance composer from the southern Netherlands. He was considered to be a superlative composer both by his contemporaries and by modern scholars, however his surviving output is small, and he died young |
Barbitonsoris | fl. late 14th century | | composer, probably from northern Italy |
Barbosa de Araújo, Damião | 27 Sep. 1778 Itaparica, nr. Salvador, Bahia, Brazil | 20 Apr. 1856 Salvador, Bahia, Brazil | Brazilian composer |
Barbour, J(ames) Murray | 31 Mar. 1897 | 4 Jan. 1970 | American acoustician, musicologist and composer |
Barce, Ramon | 6 Mar. 1928 Spain | | Spanish composer and writer on the Italian composer Boccherini |
Barcelata, Lorenzo [Lorenzo Barcelata y Castro] more... | 1898 Tlalixcoyan, Veracruz, Mexico | 13 Jul. 1943 Mexico |
composer and lyricist for the beautiful waltz Maria Elena (1940), a song that won him international fame |
Barchan, Stephen Mark more... | 1982 Middlesborough, UK | | English composer who studied at the University of Huddersfield with Richard Steinitz, where he was awarded the J Wood and Sons Prize for composition. His music has been played throughout Europe, Australia and the USA. He is currently working as a freelance composer and music copyist, alongside studying at the Birmingham Conservatoire with Edwin Roxburgh, and he has just been awarded a fellowship to attend Ostrava Days 2005 |
Barchet, Siegfried | 1918 Stuttgart, Germany | 1982 | German cellist, for more than thirty years solo cellist in the Stuttgart Chamber Orchestra, and composer whose works include: Sinfonie for strings (1968) - Serenata in modo classica (1964) - Introduction and Burleske (1968) - Images de Menton (1963) - Five Miniatures (1966) - Flute Quartet (1970) - Concertino (1973) - Quodlibet (1977) - Nonchalance (1945-60) - Nocturne (1945-60) - String Trio (1966) - Divertimento Op. 10a (1944) - Quartet (1973) |
Bardanashvili, Josef more... | 1948 Batumi, Georgia | | Georgian painter and composer now living in Israel |
Bardi, Agustin more... | 13 Dec 1884 Argentina | 1941 | one of a group of Argentinean composers of popular tangos |
Bardi, Giovanni de', Count of Vernio | 5 Feb. 1534 | Sep. 1612 | Italian literary critic, poet, playwright and composer |
Bárdos, Lajos more... | 1 Oct. 1899 Budapest, Hungary | 18 Nov. 1986 Budapest, Hungary | choir director, teacher and musicologist, he was professor at the Liszt Ferenc Academy of Music, composer and founder of a school of music theory in Hungary. In 1934, he organized with György Kertész the movement 'Singing Youth'. They also founded a periodical and a publishing house both named Magyar Kórus (Hungarian Chorus). Bárdos did his utmost to put into practice Zoltan Kodály's idea of 'singing Hungary' |
Bardwell, William | 26 Aug. 1915 | | English composer |
Barera, Rodiano [Barrera; Ahrodiano] | late 16th century | | Italian composer |
Bargeld, Blixa more... | 12 Jan 1959 Berlin, Germany | | German actor, composer and songwriter |
Barges, Antonino [Bargues; Antonio] | fl. 1547-65 | | Netherlands composer resident in Italy |
Bargiel, Woldemar | 3 Oct. 1828 Berlin, Germany | 23 Feb. 1897 Berlin, Germany | Woldemar Bargiel was the son of Marianne Tromlitz, first wife of Friedrich Wieck and mother of Clara Schumann and was taught by Moscheles and Niels W. Gade in Leipzig, before returning to his native Berlin, where he was later appointed professor of composition at the invitation of Joachim. His music is influenced by Schumann, who regarded him as one of the leading composers of the younger generation |
Bargielski, Zbigniew more... | 21 Jan. 1937 Lomza, Poland | | studied law at the Maria Curie-Sklodowska University in Lublin (1954-57). In 1958 he began studying composition at the State College of Music in Warsaw under Tadeusz Szeligowski. After his teacher's death he continued his studies under Boleslaw Szabelski at the State College of Music in Katowice, where he gearned a degree in composition in 1964. He continueded his studies under Nadia Boulanger in Paris (1966-67) on a French government scholarship, and also at the Hochschule fur Musik in Granz (1972). Since 1976 he has been living in Austria, where he is engaged in teaching |
Bargnani, Ottavio | c. 1570 | after 1627 | Italian composer and organist |
Bargy, Roy (Fredrick) more... | 31 Jul. 1894 Newaygo, Michigan, USA | 16 Jan. 1974 Vista, California, USA | an American composer and pianist |
Bari, Marco di | 1958 Italy | | his music exhibits his interest in scientific data, especially the dimension of fractals, from which to derive formal ideas |
Barié, Augustin | 1883 | 1915 | Augustin Barié was blind from his birth. He studied organ with Guilmant and Widor. Later he was appointed organist of the Eglise Saint-Germaine-des-Prés in Paris. He composed a few works and died at the early age of 32 years during the First World War |
Barilari, Elbio Rodríguez more... | 1953 Montevideo, Uruguay | | Uruguayan composer and jazz musician who now works the the United States |
Barilli, Bruno | 14 Dec. 1880 Fano, Italy | 15 Apr. 1952 Rome, Italy | Italian critic and composer |
Baring-Gould, Sabine more... | 28 Jan. 1834 Exeter, UK | 2 Jan. 1924 Lewtrenchard, Devon, UK | clergyman and composer of popular hymns including Onward, Christian Soldiers and Now the Day Is Over. He regarded as his principal achievement the collection of folk songs that he made with the help of the ordinary people of Devon and Cornwall. His first book of songs, Songs and Ballads of the West (188991), was the first collection published for the mass market. The musical editor for this collection was Henry Fleetwood Sheppard, though some of the songs included were noted by Baring-Gould's other collaborator Frederick Bussell. Baring-Gould and Sheppard produced a second collection called A Garland of Country Songs in 1895. A new edition of Songs of the West was proposed for publication in 1905. Sheppard had died in 1901 and so the collector Cecil Sharp was invited to undetake the musical editorship for the new edition. Sharp and Baring-Gould also collaborated on English Folk Songs for Schools in 1907. This collection of 53 songs was widely used in British schools for the next 60 years |
Bariolla, Ottavio [Bariola, Barioli, Bariolus] | fl. 1573-1619 | | Italian organist and composer |
Bariona, Madelka S. | fl. 16th century Germany | | a composer whose work was published in 1586 and is now in the Royal Library, Munich |
Bark, Jan (Helge Guttorm) | 19 Ap. 1934 | | Swedish composer |
Barkauskas, Vytautas more... | 25 Mar. 1931 Kaunas, Lithuania | | one of the most prolific Lithuanian contemporary composers and has written over 100 pieces of music. He is a graduate in mathematics (1953) and music composition (1959). He is professor in the Department of Composition of the Lithuanian Academy of Music |
Barkel, Charles (Alvinus) | 6 Feb. 1898 | 7 Mar. 1973 | Swedish violinist and composer |
Barker, George Arthur more... | 1812 | 1876 | composer of Bright be the place of thy soul! a hymn to words (1808) by Lord Byron |
Barker, John | between 1705 and 1710 | bur. 3 Apr. 1781 | English copyist, composer of psalm tunes and organist at Coventry, 1731-52 |
Barker, Paul more... | 1956 Cambridge, UK | | English composer who now lives in Mexico. He has composed music for orchestra, soloists, chamber music, choral music, for contemporary dance, and principally for opera and theatre. He has received several awards and scholarships including Royal Philharmonic Society Prize, Countess of Munster Trust Scholarship, Ralph Vaughan Williams Trust Scholarship, Arts and Humanities Research Award and a Djerassi Artistic Residency in California, USA |
Barker, Warren more... | 16 Apr. 1923 Oakland, CA | | composer, pianist and trumpeter, Warren studied with the composer Mario Castelnuovo-Tedesco. After the end of the Second World War, he began working for radio, TV and films |
Barkin, Elaine R(adoff) | 15 Dec. 1932 New York, USA | | American composer |
Barkhudaryan, Sergey Vasilyevich [Sarkis] | 8 Sep. 1887 | 25 Oct. 1972 | Georgian composer and teacher |
Barkworth, John (Edmond) | 20 May 1858 Beverley, England | 18 Nov. 1929 Geneva, Switzerland | English organist and composer |
Barlan, Otto | 22 Mar. 1860 | 19 Dec, 1943 | Swiss organist and composer |
Barlow, Clarence Albertson more... | 27 Dec. 1945 Calcutta, India | | alternatively Clarens Baarlo, Klarens Baarlo, Klarenz Barlow, born in India into a family of European descent and culture. Composer mostly of orchestral, chamber, piano, and electroacoustic works. He has lived in Cologne since 1968 and in Amsterdam since 1990 |
Barlow, David (Frederick) more... | 20 May 1927 Rothwell, Nortants | 9 Jun. 1975 Newcastle upon Tyne, England | English composer whose songs including I have desired to go to words by Gerard Manley Hopkins (1844-1889) |
Barlow, Fred | 2 Oct. 1881 Mulhouse | 3 Jan. 1951 Boulogne, France | French composer of English and Alsatian origin |
Barlow, Samuel Latham Mitchell | 1 Jun. 1892 New York, USA | | American composer and pianist who wasa student of Ottorino Respighi |
Barlow, Wayne | 6 Sep. 1912 | | American composer and teacher |
Bärmann, Heinrich Joseph | 1784 Potsdam, Germany | 1847 Munich, Germany | one of the great clarinet virtuosi of the nineteenth century for whom Weber wrote clarinet works. He wrote music for ensembles including clarinet |
Bärmann, Karl | 1839 Munich, Germany | 1913 Boston, Mass., USA | pianist, grandson of the above who wrote and published many pieces for piano |
Barmotin, Semen | 1877 St. Petersburg, Russia | | Russian composer |
Barnard, Charlotte Allington (née Pye; Claribel) | 23 Dec. 1830 England | 30 Jan. 1869 | published a collection of over 100 ballads in 1858 and two volumes of verse |
Barnard, John I | 1591 England | c. 1641 England | music editor, publisher and composer of music for viol(s) and for voice(s) |
Barnby, Sir Joseph | 12 Aug. 1838 York, UK | 28 Jan. 1896 London, UK | organist and choral conductor who wrote many anthems, hymns, oratorios and popular part-songs |
Barnekow, Christian | 28 Jul. 1837 | 20 Mar. 1913 | Danish composer |
Bar-Nes, Lea | 1904 Jaffa, Israel | | Israeli composer |
Barnes, Milton more... | 16 Dec, 1931 Toronto, Canada | 27 Feb. 2001 Toronto, Canada | conductor, composer, jazz drummer |
Barnet, Charlie (Charles Daly) more... | 26 Oct. 1913 New York City, NY, USA | 4 Sep. 1991 | bandleader who used the pseudonym Dale Bennet on his songs to avoid the financial demands of his numerous ex-wives. The Barnet big band of 1939 to 1941 was his best known outfit, recording hits such as Cherokee and a spin off of the song called Redskin Rhumba, the latter used as the band's identifying song |
Barnett, Carol | 1949 | | composer and flutist, she received a Bachelor of Arts and Master of Arts degree from the University of Minnesota, where she studied with Dominick Argento, Paul Fetter and Bernhard Weiser. She served as composer-in-residence with the Dale Warland Singers from 1992 to 2001, and her works have been performed by the Saint Paul Chamber Orchestra, Womens Philharmonic of San Francisco, Westminster Abbey Choir, and the Ankor Children's Choir of Jerusalem. She is currently a studio artist and adjunct lecturer at Augsburg College in Minnesota. Barnett has composed many choral works, as well as works for orchestra and chamber ensemble |
Barnett, James G. | | 1885 USA | a composer, conductor, and organist in Connecticut during the latter half of the nineteenth century. Most of his compositions are sacred vocal works |
Barnett, John more... | 15 Jul. 1802 Bedford, England | 16 Apr. 1890 Cheltenham, England | father was born Bernhard Beer in Prussia. He moved to England to work as a jeweller and changed his surname to Barnett. The son was a boy vocalist who later became a singing teacher and composer of stage music, especially the work The Mountain Sylph (first performed at the Lyceum on 25 Aug. 1834) regarded as being the first modern English opera |
Barnett, John Francis more... | 16 Oct. 1837 London, UK | 24 Nov. 1916 | nephew of above, who was an eminent pianist who wrote various works including a cantata entitled The Ancient Mariner which was first performed at the 1867 Birmingham Festival |
Baron, Ernst Gottlieb more... | 17 Feb. 1696 Breslau, Germany | 12 Apr. 1760 Berlin, Germany | German lutenist, composer and writer on music |
Baroni-Cavalcabo (von), Julie | 1813 Poland | 1887 | a pianist who studied with the son of Mozart, she composed many fine songs. Schumann dedicated Humoreske to her |
Barra, Jehan de (Barrat, Hotinet; Jean) | fl. early 16th century | | French composer |
Barraine, Elsa | 13 Feb. 1910 Paris, France | 20 Mar. 1999 Strasbourg, France | French pianist and composer, she studied composition at the Paris Conservatoire with Paul Dukas. She received premiers prix in harmony in 1925 and in fugue and accompaniment in 1927. In 1929 she received the Prix de Rome for her cantata La vierge guerrière. She worked in French Radio as a pianist, sound recordist and vocal director (1936-40) then as a sound mixer after the war. From 1944 to 1947 she was musical director of the recording firm Chant du Monde. Later Barraine became professor of sight-reading and analysis at the Conservatoire, 1953-1974. Much of her output is for voice, in addition to works for orchestra, chamber ensemble, and dramatic works. Her Wind Quintet from 1931 is published in the famous wind quintet anthology compiled by Albert Andraud. Her solo organ works include: Sole organ works comprise: 1re Prélude et fugue (1928, publ. Durand); 2me Prélude et fugue (1930); Reflets magyars (unpublished, 1961); Musique rituelle for organ, tam-tam, xylophone (1968) [supplementary information provided by Terry L. Mueller] |
Barraqué, Jean | 17 Jan. 1928 Puteaux, France | 17 Aug. 1973 | born into a middle class family, Jean Barraqué had no intention - despite early piano and violin lessons - of becoming a composer until he was confronted with the "emotional shock" of hearing a gramophone recording of Schubert's Symphony No. 8 "Unfinished" at the age of 12. Schubert and Beethoven became inspirational guiding lights through his years as fledgling composer. Then, in 1948, Barraqué joined Messiaen's celebrated Paris Conservatoire class for analysis and rhythm, where he discovered simultaneously the work of Debussy (about whom he would write at length) and - newly imported into France - the music of Webern. From 1951 to 1954, Barraqué was a member of the ORTF Groupe de Musique Concrète and briefly made use in his music of electronic resources |
Barraud, Henry | 23 Apr. 1900 Bordeaux, France | 28 Dec. 1997 | worked under Dukas and Aubert and has written orchestral and chamber works |
Barré, Antonio more... | fl. 1551-64 | | French singer, printer, and composer resident in Italy |
Barre, Michel de la | 1675 | 1743 | an important French composer and flautist. A highly renowned performer, La Barre played in the Académie Royale de Musique, the Musettes et Hautbois de Poitou and court chamber music. Barres suites for two unaccompanied flutes (the first of their kind in France) and flute solos and trio sonatas established a French flute style and contributed to the instrument's popularity. La Barre also wrote songs and two opéra-ballets. Rameau's La Vénitienne, in which rondeau form is used for the first time, was certainly inspired by Michel de la Barres opera-ballet of the same name written in 1705 |
Barré, Leonardo [Barrae, Barret] | fl. 1537-after 1555 | | Netherlands composer and singer resident in Italy |
Barrense Dias, Jose | 1932 Campo Alegre, Bahia, Brazil | 1969 Switzerland | Brazilian guitarist, composer and arranger |
Barrera Gómez, Enrique | 26 Apr. 1844 Valladolid | 3 Jul. 1922 Valladolid | Spanish composer |
Barrett, John | 1674 | between 1719 and 1735 | English composer and organist, a pupil of John Blow, who contributed songs to Mercurius Musicus. In 1700 he collaborated with Blow, Jeremiah Clarke, Francis Piggott, and Croft in a Choice Collection of Ayres for the Harpsichord or Spinnet. He was for some time music master of Christ's Hospital, and later organist of Christ Church, Newgate Street (London) and St. Mary-at-Hill, Billingsgate (London) |
Barrett, Natasha more... | 1972 Norwich, UK | | her compositional output consists of works for instruments and live electronics, sound installations, dance, theatre, and animation projects, but all activity is rooted in her work with acousmatic tape composition, which features most strongly amongst her creations |
Barrett, Richard more... | 7 Nov. 1959 Swansea, Wales | | British composer, now resident in Germany, of mostly chamber, vocal and electro-acoustic works |
Barri, Odoardo (real name: Edward Slater) more... | 1844 Dublin, Ireland | 1920 London, UK | popular composer of Edwardian drawing-room songs. Barri himself claimed to have been born in Como. Supposedly he was trained by the Jesuits, became an oratorio singer in Italy and Spain, and was for a time a tenor soloist at the Vatican. He is said to have fought at the battle of Solferino in 1859 before settling in London, where he headed the Odoardo Barri School of Voice Culture for over fifty years. Of his religious, theatre and drawing-room music, little is now heard beyond the stirring setting of The Old Brigade |
Barrière, Etienne-Benard-Joseph | 7 Oct. 1748 Valenciennes | 1816 or 1818 possibly Paris, France | French composer and violinist |
Barrière, Françoise more... | 1944 Paris, France | | composer, co-founder and director of the International Institute of Electroacoustic Music of Bourges, director of the International Festival Synthèse and the Bourges Competitions |
Barriere, Jean | 18 Jul. 1670 France | 6 Jul. 1747 France | Barriere left a legacy of important cello works. His 4 books of sonatas escaped the prevalent Italian shadow and made him France's most important composer for the cello |
Barrière, Jean-Baptiste more... | 1958 Paris, France | | French multimedia artist and musician |
Barrios, Angel | 1882 Granada, Spain | 1964 Spain | the son of a flamenco guitarist, Barrios studied in Paris. In 1900 Barrios founded the Trio Iberia for which he made many arrangements. The Trio enjoyed a very favorable reputation all over Europe. Barrios was quite a productive composer. Barrios's works include operas, zarzuelas, a number of orchestral scores and solo works for piano and guitar. They are all written in a style influenced by the Romantic era, and relied heavily on a populist Spanish folk influence |
Barrios Fernandez, Angel | 4 Jan. 1882 Granada | 17 Nov. 1964 Madrid | Spanish composer, guitarist and violinist |
Barrios (Mangoré), (Pio) Agustin more... | 5 May 1885 San Bautista de las Misiones, Paraguay | 7 Aug. 1944 San Salvador, El Salvador | a virtuosic guitarist and an innovative composer |
Barris, Harry more... | 24 Nov. 1905 New York, NY, USA | 13 Dec. 1962 Burbank, CA. USA | bandleader, pianist and composer, Barris joined with Bing Crosby and Al Rinker to form a group called the Rhythm Boys |
Barron, Bebe more... | 1927 | 20 Apr. 2008 USA | composer of electronic music much of it in association with her husband Louis (1920-1989) including that for the film 'Forbidden Planet' |
Barron, Kenny more... | 1943 Philadelphia, USA | | while a teenager, Barron started playing professionally with Mel Melvin's orchestra. This local band also featured Barron's brother Bill, the late tenor saxophonist. At age 19, Kenny moved to New York City and was hired by James Moody after the tenor saxophonist heard him play at the Five Spot. He then joined Dizzy Gillespie's band in 1962, where he developed an appreciation for Latin and Caribbean rhythms. After five years with Dizzy, Barron played with Freddie Hubbard, Stanley Turrentine, Milt Jackson, and Buddy Rich. In 1971 he joined Yusef Lateef's band. It is Lateef who Kenny credits as a key influence in his art for improvisation. Kenny was professor of music at Rutgers University (1973-200) |
Barron, Louis more... | 23 Apr. 1920 | 1 Nov. 1989 | composer of electronic music much of it in association with his wife Bebe (b. 1927) including that for the film 'Forbidden Planet' |
Barroso, Ary more... | 7 Nov. 1903 Ubá, Minas Gerais, Brazil | 9 Feb. 1964 Rio de Janeiro, Brazil | composer who was most productive during the 1940s and 50s. He is, perhaps, best known for his composition Aquarela do Brasil (1939) |
Barroso, Jose | 1901 Tehuacan, Puebla, Mexico | | guitarist, composer, cellist, composer of Bullerias y Cancion Tehuacan |
Barroso, Sergio more... | 4 Mar. 1946 Havana, Cuba | | composer and synthesist who, after studies 1950-66 in Havana and 1966-8 in Prague, began a career in teaching, composing, and performing, with a particular emphasis on electroacoustic music. He now lives in Canada |
Barroso Neto, Joaquim António | 30 Jan. 1881 | 1 Sep. 1941 | Brazilian composer and pianist |
Barrozo, Teresa more... | 1982 The Philippines | | Philippine composer, member of the International Alliance for Women in Music (IAWM), Asian Composers League (ACL) and ACL Philippines |
Barrow, John | fl 1730-40 | | psalmodist from Leominster, Herefordshire who published 'A new book of psalmody' (1730), 'The psalm-singer's choice companion 2nd edn.' (c 1747) and 'The psalm-singer's choice companion 3rd edn.' (1755) |
Barry, Gerald more... | 1952 County Clare, Ireland | | studied composition with Stockhausen and Kagel. He first came to public attention in 1979 with his radical ensemble works '__________' and 'Ø'. Lecturer UCC 19826. Has written orchestral, chamber, instrumental, vocal and choral works, which include 2 operas, The Intelligence Park (19829), commissioned by the Institute of Contemporary Arts, London, and The Triumph of Beauty and Deceit (19912), commissioned by Channel 4 TV, London; Chevaux de frise for orchestra (1986), Hard D for chamber ensemble (1992) and The Conquest of Ireland for bass and orchestra (1995), all commissioned by the BBC; piano works, Swinging Tripes and Trillibubkins (1986) and Triorchic Blues (1990), the latter commissioned by the GPA Dublin International Piano Competition; Flamboys (1991) for orchestra, commissioned by TCD; and Piano Quartet (1992) |
Barry, James more... | 1969 Newport, RI, USA | | American composer who is also a member of the NYC based new music group Forecast Music |
Barry, John more... | 3 Nov. 1933 York, UK | 30 Jan. 2011 Oyster Bay, New York, USA | composer noted most for his film scores, amongst which are the 'James Bond' movies (including the theme song for 'Goldfinger'), the expansive scores for Born Free (1966) and Dances with Wolves (1990) depicting majestic savannahs or prairies respectively, the more claustrophobic themes for Midnight Cowboy (1969) and The Ipcress File, the big love themes for Out of Africa (1985) and Somewhere in Time, the jazz influenced Body Heat (1981) and of course The Cotton Club named after that hotbed of early jazz development, and the historical dramas The Lion in Winter (1968), Robin and Marian (1976) and Mary Queen of Scots. With such an illustrious career it is a little jarring to note that he also did Howard the Duck! |
Barrymore, Lionel [born Lionel Herbert Blythe] more... | 28 Apr. 1878 Philadelphia, Pennsylvania | 15 Nov. 15, 1954 Van Nuys, California | Barrymore won the Academy Award for his role in the early talkie A Free Soul (1931); but he is probably best remembered for playing Dr. Gillespie in the Doctor Kildare series of films, for his role playing the mean Mr. Potter in It's A Wonderful Life (1946), and for his sympathetic role in Key Largo (1948), with Humphrey Bogart and Lauren Becall. Lionel was also a composer of classical music |
Barsanti, Francesco | c. 1690 Lucca, Italy | late 1772 London, UK | performer on the oboe and the flute, Francesco Barsanti, who lived in Edinburgh from 1735 to 1743 is best-known to recorder/flute players for his sonatas. However, he adapted many Scottish slow airs in various arrangements for vocal and instrumental performance |
Barsotti, Roger | 1901 London | | of Italian extraction, Barsotti was brought up musically in military bands and eventually became Director of Music of the Metropolitan Police Band between 1946 and 1968. He was a prolific composer for brass band and to a lessor extent for orchestra. His compositions included many marches, waltzes, polkas, dances in Latin American rhythm, instrumental solos, popular pot-pourris and the attractive suites Three Women, Carnaval du Bal and the Neapolitan Suite |
Bart, Lionel | 1 Aug. 1930 London, England | 3 Apr. 1999 London, England | English composer and lyricist, composed music for Oliver (1963) and wrote theme song for the James Bond movie, From Russia With Love |
Bárta (or Barrta, Bartha, Bartta), Josef | c. 1746 Prague, Czech Republic | 13 Jun. 1787 Vienna, Austria | Czech composer |
Bárta, Lubor | 8 Aug. 1928 | 5 Nov. 1972 | Czech composer |
Bartalus, István | 23 Nov. 1821 | 9 Feb. 1899 | Hungarian musicologist, teacher and composer |
Bartay, András | 7 Apr. 1799 Széplak, Hungary | 4 Oct. 1854 Mainz, Germany | Hungarian composer, theater director and collector of folksongs |
Bartay, Ede | 6 Oct. 1825 | 31 Aug. 1901 | Hungarian musical administrator, composer and teacher |
Bartei, Girolamo | c. 1516 | in or after 1618 | Italian composer and organist |
Bartels, Wolfgang von | 21 July 1883 Hamburg, Germany | 19 Apr. 1938 Munich, Germany | German composer |
Barth, Christian Frederik | 24 Feb. 1787 | 17 Jul. 1861 | Danish oboist and composer |
Barth, Christian Samuel | 11 Jan. 1735 | 8 Jul. 1809 | Danish oboist and composer |
Barth, Elise | | 1800 Prague | a pianist who published several piano works |
Barth, Hans more... | 1897 Leipzig, Germany | 1956 Jacksonville, Fla., USA | pianist; composed microtonal music and invented a quarter-tone piano |
Barth, (Frederick) Philip (Carl August) | 21 Oct. 1774 | 22 Dec. 1804 | Danish oboist and composer |
Barth, Richard | 5 Jun. 1850 | 25 Dec. 1923 | German violinist, conductor and composer |
Barthe, Grat-Norbert | 7 Jun. Bayonne | 13 Aug. 1898 Asnières, Seine | French composer |
Barthélemon, Cecilia Maria | 1770 | 1840 | born into a musical family Cecilia made her debut in London in 1779, performing a vocal duet with her mother Mary. Joseph Haydn was a family friend and listed Cecilia as one of the London musical personalities in his 1792 London Notebook. She in turn dedicated her keyboard Sonata op. 3 to him and was a subscriber to his Creation |
Barthélemon, François-Hippolyte | 27 Jul. 1741 Bordeaux, France | 20 Jul. 1808 London, England | violinist; wrote operas, stage music and violin pieces as well as the tune to Ken's Morning Hymn |
Barthélemon, Mary Polly (nee Young) | 1749 | 1799 London | composer who began her public life as a singer-actor in opera and other music theatre |
Bartholomee, Pierre more... | 5 Aug. 1937 Brussels, Belgium | | chief conductor of the Orchestre Philharmonique de Liège et de la Communauté française (OPL) and composer |
Bartholomew, Greg more... | 1957 USA | | American composer who has participated in composition workshops, seminars and symposia with Krzysztof Penderecki, George Crumb, Bob Chilcott, Steven Sametz, Robert Kyr, R. Murray Schafer, Tan Dun, Gregg Smith, Hummie Mann and Brent Michael Davids. Bartholomew received ASCAP Awards in 2003 and 2004 for the recent performances of his music |
Bartholomew, Marshall | 1885 USA | 1978 USA | composer and interpreter of American folk music, he was director of the Yale Glee Club and of undergraduate musical activities at Yale from 1921 to 1953. He founded the International Student Musical Council in 1931 to promote international good will through singing, and he served in various relief capacities during both World Wars. All of his life he was especially active as a composer and arranger of songs for singing groups. His final major project was research into the history of music at Yale in preparation for a book on the subject, which was not completed |
Bartholus (de Florentia) | fl. c. 1330-60 | | Italian composer |
Bartlet, John (also Bartlett) | fl. 1606-1610 | | lutenist and composer of ayres |
Bartlett, Homer Newton | 28 Dec. 1845 Olive, N.Y., USA | 3 Apr. 1920 Hoboken, N.J., USA | American composer |
Bartochowicz, Walenty [Bartochowski, Bartoszewski] | fl. first half of 17th century | | Polish writer, ?composer and editor |
Bartók, Béla more... | 25 Mar. 1881 Nagyszentmiklós (Sînnicolau Mare), Hungary | 26 Sep. 1945 New York, NY, USA | collector of Hungarian, Slovak and Rumanian folk songs and later of Arabic music; his early works betray the strong influence of late Romantic composers such as Brahms, Lizst and Wagner, although his later style as expressed, for example, in his 6 string quartets, marks him out as one of the most original voices of the early 20th century |
Bartoli, Erasmo [De Bartolo; "Padre Raimo"] | 1606 | 15 Jul. 1656 | Italian composer and singer |
Bartoli, Giovan Battista | fl. 1617 | | Italian composer |
Bartolini, Orindio | c. 1580 | 1640 | Italian composer |
Bartolino da Padova [Magister Frater Bartolinus de Padua, Frater carmelitus, Frater Bartholomeus; erroneously, Dactalus de Padua] | fl. c. 1365-1405 | | Italian composer |
Bartolomeo da Bologna [Bartholomeus de Bononia] | fl. ca. 1410-25 | | Italian composer |
Bartolomeo degli Organi [Baccio Fiorentino] | 24 Dec. 1474 | 12 Dec. 1539 | Italian composer, organist and singer |
Bartolotti, Angelo Michele | c. 1615 Bologna, Italy | after 1669 | composer and one of the most significant Baroque guitar virtuosos of his time. He published two books of tablature for the guitar. The first, published in Florence in 1640, begins with twenty-two passacaglie in as many keys, which are followed by six suites each made up of allemanda, two correnti and sarabanda. The volume closes with a follia set. The second book, which appeared in Rome in the 1650s, contains approximately twenty-five suites, the dance titles in French with but few exceptions. Bartolotti moved to France in 1656, and from that point he seems to have been known as a theorbist; in 1669 he published a book on basso continuo for the theorbo, at which point he disappears from history |
Bartolotti, Signora | fl. 18th century Italy | | composer of the ballet music to the opera Dario in 1764 |
Bartolozzi, Bruno | 8 Jun. 1911 Florence, Italy | 12 Dec. 1980 Fiesole, Italy | violinist and composer particularly of music for wind-instruments using new techniques. He wrote an influential book on new woodwind techniques. It was translated and edited by Reginald Smith Brindle and published in English as New Sounds for Woodwinds |
Bartos, Frantisek | 13 Jun. 1905 Brnenec | 21 May 1973 Prague, Czech Republic | Czech composer and writer |
Bartos, Jan Zdenek | 4 Jun. 1908 Dvur Kralove nad Labem, Czechoslovakia | 21 May 1973 Prague, Czech Republic | violinist; also original composer of concertos, including one for accordion and From Petrarch's Sonnets for Laura for tenor, bass, violin, cello and harpsichord |
Bartulis, Vidmantas more... | 1954 Lithuantia | | Lithuanian composer |
Barvynsky, Vasyl' Oleksandrovich | 20 Feb. 1888 | 9 Jun. 1963 | Russian composer, pianist, musicologist and teacher, who studied in Lviv and then in Prague. He was the director of the Lysenko Music Institute from 1915, and exerted a strong influence on Ukrainian art music. Deeply admired for his teaching, Barvinsky later showed great heroism during his years in a Soviet concentration camp |
Barwick, John | fl 1763 | | Kent psalmodist who published 'Harmonia cantica divina' (c 1783) |
Baryphonus, Henricus [Pipegrop, Pipgrop, Pipgroppe; Heinrich] | 17 Sep. 1581 | 13 Jan. 1655 | German theorist and composer |
Bas, Giulio | 21 Apr. 1874 | 27 Jul. 1929 | Italian organist, teacher and composer |
Baseggio, Lorenzo [Basseggio] | c. 1660 | in or after 1715 | Italian composer |
Basegmezler, Nejat more... | 17 May 1950 Eskisehir, Turkey | | Turkish violinist and composer of orchestral music, chamber music and teaching material |
Baselli, Constantino [Boselli, Bosello] | fl. 1600-40 | | Italian composer and singer |
Baselt, Fritz (Friedrich Gustav Otto) | 26 May 1863 Öls, Germany | 11 Nov. 1931 Frankfurt, Germany | German composer |
Baseo, Francesco Antonio | fl. 1573-82 | | Italian composer |
Basevi, Abramo | 29 Nov. 1818 Livorno, Italy | 25 Nov. 1885 Florence, Italy | Italian composer |
Baseya, Joan | fl. 1679 | | Spanish composer and organist |
Basha, Mohamed Saad more... | 22 Sep. 1972 Cairo, Egypt | | Egyptian percussionist and composer of chamber and vocal music |
Bashmakov, Leonid more... | 1 Apr. 1927 Finland | | "It just was not my thing," said Bashmakov tersely, describing his encounter with row technique. His dodecaphonic period was brief; its main work being the First Symphony (1963). Bashmakov's stylistic roots are in the Neo-Classicism of the 1950s, which his dodecaphonic transition period distilled and concentrated into his later highly expressive free-tonal style. Bashmakov writes absolute music symphonies, concertos and chamber music although he has also written a number of extensive vocal works, most significantly the Requiem (1988) for soloists, choir and orchestra, which despite its title, it is a setting not of the traditional liturgical text but of the eponymous poem by Lassi Nummi |
Basie, Count (William James) more... | 21 Aug. 1904 Red Bank, New Jersey, USA | 26 Apr. 1984 | American Jazz band leader and pianist, composer of One O'Clock Jump and Jumpin' at the Woodside. The story goes that an emcee or radio announcer dubbed him 'Count', figuring there was already a 'King' (of swing, Benny Goodman), a 'Duke' (Ellington) and an 'Earl' (Hines) |
Basile, Andreana | c. 1580 | 1640 | composer |
Basile, Lelio | c. 1575-85 | after 1623 | Italian composer and poet |
Basili (or Basilj, Basily), Andrea | 16 Dec. 1705 | 28 Aug. 1777 | Italian composer and theorist |
Basili (or Basilii, Basilj, Basily), Francesco | 31 Jan. 1767 Loreto, Italy | 25 Mar. 1850 Rome, Italy | Italian composer and conductor |
Basilio, Padre (Miguel Garcia) | | | guitarist, organist, composer, teacher |
Basin, Adrien more... | fl. 1457-76 | after 1498 | Franco-Flemish composer, singer, and diplomat of the Burgundian school of the early Renaissance. He was listed along with Antoine Busnois and Hayne van Ghizeghem as one of the personal singers to Charles the Bold, Duke of Burgundy |
Basiron, Philippe (Philippon de Bourges) more... | c.1449 Bourges, France | before 31 May 1491 Bourges, France | a French composer, singer, and organist of the Renaissance. He was an innovative and prominent composer of the late 15th century, and was praised by many of his contemporaries |
Basner, Veniamin Efimovich | 1 Jan. 1925 Yaroslavl' | | Russian composer |
Bassano, Orazio (Bassani) | c. 1540-50 | before 1609 | Italian instrumentalist and composer |
Bassano, Giovanni (Bassani, Bassiani) | late 16th century | early 17th century | Venetian instrumentalist and composer |
Bassano, Giovanni Battista (Bassani, Bassiani) | c. 1647 Padua, Italy | 1 Oct. 1716 Bergamo or Ferrara, Italy | violinist, organist and composer who wrote operas, masses and many works for violin |
Bassano, Giovanni (Bassani) more... | c. 1588 | c.
summer 1617 | an Italian Venetian School composer and cornettist of the late Renaissance and early Baroque eras. He was a key figure in the development of the instrumental ensemble at St. Mark's basilica, and left a detailed book on instrumental ornamentation, which is a rich resource for research in contemporary performance practice. It is not known if he was related to Anthony Bassano a member of a well-known Venetian family of musicians |
Bassengius, Aegidius [Bassengo; Passenger] | fl. 1588-94 | | Flemish composer |
Bassere, Jo. | fl. c. 1450 | | composer, maybe French |
Bassett, Leslie more... | 22 Jan. 1923 Hanford, CA, USA | | after spending 38 months in army bands during World War II as trombonist, arranger and composer. he enrolled at California State University, Fresno. Graduate study at the University of Michigan under Ross Lee Finney was interrupted by a Fulbright Fellowship to Paris and work with Arthur Honegger and Nadia Boulanger. He joined the Michigan faculty in 1952, then held the Prix de Rome at the American Academy in Rome, 1961-63. He has also worked with the Spanish-British composer Roberto Gerhard and with Mario Davidovsky in electronic music. At Michigan he became chairman of composition, the Albert A. Stanley Distinguished University Professor of Music, and the 1984 Henry Russel Lecturer. He has composed electronic music and written for plays, film, and all performing ensembles with the exception of opera. He frequently serves as guest composer with performing ensembles and universities |
Bassi, Dionisio | fl. 1604) | | Italian composer |
Bassiak, Cyrus (pseudonym for Rezvani, Serge) more... | 1928 Tehran, Iran | | Iranian-born composer now based in France |
Bassman, George more... | 7 Feb. 1914 New York, USA | 26 Jun. 1997 Los Angeles, California, USA | American composer and arranger |
Bastard, Jean [Bastart] | fl. 1536-52 | | French composer |
Bastiaans, Johannes Gijsbertus | 31 Oct. 1812 | 16 Feb. 1875 | Dutch organist, composer and theorist |
Bastianelli, Giannotto | 20 Jun. 1883 San Domenico di Fiesole, Florence, Italy | 22 Sep. 1927 Tunis | Italian critic, composer and pianist |
Bastini, Vincentio [Bastaini; Vincenzo di Pasquino] | c. 1529 | 1591 | Italian cornettist and composer |
Baston, John | fl. 1708-1733 | | English composer, recorder player and violoncellist |
Baston, Josquin | fl. 1542-63 | | composer probably from the Netherlands |
Baszny, Józef | | after 1862 Lvov | Polish composer, teacher and flautist, probably of Czech descent |
Bat Chaim, Ora more... | 20th century Israel | | Israeli poet, musician and composer. Bat Chaim, whose family has been living in Israel for six generations now, became widely known for more than 400 compositions. Two CDs of her music won the prestigious Echo Classical Award: Silence and Beyond (1997) and Love (2003), and her contributions to the sound tracks of Jenseits der Stille (Beyond Silence) and Comedian Harmonists further added to her popularity. Her music can be described as contemporary classical with strong roots in Jewish mysticism and the philosophy of Yoga |
Bataille, Gabriel | c. 1575 | 17 Dec. 1630 | French composer, lutenist and poet |
Bataille, Mlle Gabriel | | | composer who published in Paris between 1699-1704 |
Batatzes, Joannes | 15th century | | composer of Byzantine chant working in Crete |
Batard, Audefroi le more... | fl. end of 12th century | | French trouvère who was born at Arras. Of his life nothing is known but he was the author of at least five lyric romances: Argentine, Belle Idoine, Belle Isabeau, Belle Emmelos, and Biatrix |
Batchelar, Daniel (see Bacheler, Daniel) | | | |
Bate, Stanley Richard more... | 12 Dec. 1913 Plymouth, UK | 19 Oct. 1959 London, UK | pianist and composition pupil of Ralph Vaughan Williams and Nadia Boulanger; composed 4 symphonies, concertos, chamber and incidental music |
Bateman, Robert | fl. 1609 | 11 Feb. 1618 | English composer |
Bates, Charles L. more... | 1896 nr. Villisca, IA, USA | 1937 New York, NY, USA | pianist, vaudeville accompanist and composer of many popular hits including Hard Hearted Hannah (The Vamp of Savannah G-A) written together with Tin Pan Alley men Milton Ager, Jack Yellen and Robert Wilcox Bigelow |
Bates, Django more... | 2 Oct. 1960 Beckenham, London, UK | | a composer, virtuoso multi-instrumentalist and band leader. He plays the piano, keyboards and the tenor horn |
Bates, Guillermo | | | a contemporary of Antonio Guerrero, who composed an opera Pharnaces in 1736 and wrote 18 Duettinos for two guitars, two french horns and two clarinets |
Bates, Thomas | fl. c. 1650-80 | | English viol player, teacher, and composer |
Bates, William (Jack Catch) | fl. c. 1750-80 | | English composer and singing teacher |
Bateson, Thomas | c. 1570 England | Mar. 1630 Dublin, Ireland | organist of Chester Cathedral and then Christ Church Cathedral, Dublin; composer of madrigals |
Bath, Hubert more... | 6 Nov. 1883 Barnstaple, UK | 24 Apr. 1945 Uxbridge, UK | composer of stage, film and light music, including a symphony for brass band entitled Freedom and the piano concerto, Cornish Rhapsody, played on screen by Stewart Granger in the film Love Story (1944) but performed on the soundtrack by Harriet Cohen |
Báthory-Kitsz, Dennis more... | 1949 USA | | American composer and photographer. He has worked under a number of pseudonyms including Dennis Kitsz, Kalvos Gesamte, D. B. Cowell, Brady Kynans, Kalvos Zondrios, Báthory Denes and Orra Maussade |
Bati, Luca | c. 1550 Florence, Italy | 17 Oct. 1608 Florence, Italy | Italian composer |
Batiste, Antoine (Édouard) | 1820 Paris, France | 1876 Paris, France | organist; composed many works for the organ mainly of a lighter nature including a work entitled Andante |
Bâton, Charles (le jeune) | early 18th century | after 1754 | French composer and vielle player |
Baton, René more... | 1879 France | 1940 | French conductor and composer. His first important post was that of director of the chorus at the Opera-Comique, Paris, France |
Battanchon, Felix more... | 9 Apr 1814 Paris, France | 1893 | French cellist and composer. His compositions consist of Etudes, which are fully adapted to the object in view and of which several books have been published; Caprices, Duets, Trios (for three Violoncellos), and light pieces of various kinds. His Op. 4, which contains twenty-four Studies, has been introduced into the Paris Conservatoire |
Batta, Alexander more... | 9 Jul 1816 Maestricht, Belgium | 1902 | his father, a singing master, gave him first instruction in music and he studied the violin. When his father was appointed professeur de solfege at the Brussels Conservatoire, the family Batta moved to Brussels. There the talented boy heard the cello master, Platel, play, and he succeeded in inducing his father to let him share Platel's instruction at the Conservatoire. In 1885 he moved to Paris. At this time the tenor, Rubini, was flourishing in Paris. All vied in doing him homage, and Batta became such an unbounded admirer of him, that he copied his manner of rendering. It is known that instrumentalists can learn a great deal from good singers. Rubini, however, with all the advantages of his manner of singing, had the failing of making excessive contrasts of forte and piano without the use of intermediate gradations, in order to produce startling effects upon the public. Batta, appropriated this merely for the sake of attaining an easy effect, and therefore became for a time the recognized darling of the Parisian public, and especially of the ladies, whom he knew how to captivate by his sweetly coquettish style of playing. He naturally possessed also valuable artistic qualities, but an apparently virtuoso tendency ever after clung to him. Batta, published a respectable list of Drawing-room pieces and transcriptions, as well as a Concerto and a couple of Concert Etudes> for his instrument. These productions were for a time made use of by violoncellists: now they have ceased to excite any interest |
Batten, Adrian [Battin, Battyn] | bap. 1 Mar. 1591 | 1637 London, UK | organist and composer of church music |
Battiato, Franco more... | 23 Mar. 1945 Jonia di Riposto, Sicily, Italy | | Italian singer-songwriter, composer, filmmaker and (as Süphan Barzani) painter |
Battiferri, Luigi | 1610-10 | 1682 or later | Italian composer and organist |
Battishall, Jonathan | May 1738 London, England | 10 Dec. 1801 London, England | organist, theatre composer; composer of music for church and stage as well as for glee clubs including the anthem O Lord, look down from Heaven |
Battistelli, Giorgio more... | 1953 Albano Laziale, Italy | | Italian composer who, in 1974, was among the founders of the Edgar Varèse Musical Research and Experimentation Group and of the Beat 72 Instrumental Group in Rome |
Battistini, Gaudenzio [Girolamo Gaudenzio] | 30 Jun. 1722 | 25 Feb. 1800 | Italian organist and composer |
Battistini, Giacomo | c. 1665 | 5 Feb. 1719 Novara | Italian composer |
Battistini, Giuseppe | c. 1695 | 13 Apr. 1747 | Italian organist and composer |
Batton, Désiré-Alexandre | 2 Jan. 1798 Paris, France | 15 Oct. 1855 Versailles | French composer |
Battu, Pantaléon | 4 Apr. 1799 Paris, France | 17 Jan. 1870 Paris, France | violinist and composer of concertos, etc., for violin |
Bauckholt, Carola more... | 21 Ayg. 1959 Krefeld, Germany | | German composer, multi-media artist and publisher |
Baudiot, Charles Nicolas | 29 Mar. 1773 Nancy, France | 26 Sep. 1849 Paris, France | French violoncellist. He was also author of method books for cello (incl. one with Baillot and Levasseur) and a composer of concertos, etc. |
Baudouin des Auteus | fl. first half of 13th century | | trouvère |
Baudrexel, Philipp Jakob | 2 May 1627 | 23 Mar. 1691 | German composer and priest |
Baudrier, Yves (Marie) | 11 Feb. 1906 Paris, France | | law student; composer and founder of La Jeune Franc |
Baudron, Antoine Laurent | 15 May 1742 France | 1834 France | French composer and violinist who was for a time first violinist at the Comédie française. The first French quartets we know of are a set of 6 by Baudron published in Paris in 1768 |
Bauer, Joseph Anton | 17 Jun. 1725 | 30 Aug. 1808 | Bohemian composer, trumpeter and keyboard player |
Bauer, Marion (Eugenie) | 15 Aug. 1897 | 9 Aug. 1955 | American composer, teacher and writer on music |
Bauer, Ross more... | 1951 USA | | American composer who teaches composition and theory in the Department of Music at the University of California, Davis, USA |
Bauernfeind, Hans more... | 1 Sep. 1908 Klein-Stetteldorf, Austria | 19 Mar. 1985 Vienna, Austria | Austrian composer and organist |
Bauernfeind, Johann more... | fl. 16th century | | Belgian composer born in Kortrijk |
Bauer, Catharina (Katerina) | 1785 Germany | | a composer of published piano works |
Bauer, Marion Eugenie | 15 Aug.1882 Walla Walla, Washington State, USA | 9 Aug. 1955 South Hadley, Mass., USA | composer of orchestral, choral and chamber music |
Bauld, Alison (Margaret) more... | 7 May 1944 Sydney, Australia | | pupil of Lutyens and composer of theatrical works and works for solo and accompanied voice who now lives in London, England |
Bauldeweyn, Noel [Baldwyn, Baudoin, Baulduin; Noe, Nouel] | c. 1480 | 1530 | Flemish composer |
Baumann, Herbert more... | 31 Jul. 1925 Berlin, Germany | | German conductor and composer |
Baumann, Hermann more... | 1934 Hamburg, Germany | | virtuoso horn player, teacher and composer |
Baumann, Max Georg | 20 Nov. 1917 Kronach, Oberfranken | | German composer |
Baumbach, Friedrich August | bap. 12 Sep. 1753 | 30 Nov. 1813 | German composer and writer on music who also wrote for the guitar |
Baumgarten, Karl Friedrich (Carl) | c. 1740 Lübeck, Germany | 1824 London, England | German composer, violinist and organist, later resident in England |
Baumgartner, H. Leroy | 1891 | 1968 | he taught composition and music theory in the Yale School of Music from 1919 to 1960. Most of his music was written for the church: works for solo voice, solo organ, and chorus |
Baumgartner, Johann Baptist [Baumgärtner; Jean-Baptiste] | 1723 | 18 May 1782 | German violoncellist and composer |
Baumgartner, Wiilhelm | 15 Nov. 1820 | 17 Mar. 1867 | Swiss pianist, teacher and composer |
Baur, Barthélemy (le fils) | 1751 | 1823 | French harpist and composer |
Baur, Charles-Alexis | 1789 | | French harpist, pianist and composer |
Baur, Jean | 1719 | after 1773 | French composer and harpist |
Baur, Jürg more... | 11 Nov. 1918 Dusseldorf, Germany | | German composer |
Baur, Marie-Marguerite | 1748 | | French composer |
Baussnern (or Bausznern), Waldemar von | 29 Nov. 1866 Berlin, Germany | 20 Aug. 1931 Potsdam, Germany | German composer and teacher |
Baustetter, Jean Conrad | fl. late 17th/early 18th century | | composer of a set of variations on 'La Folie d'Espagne' (c.1720) |
Bautista, Julián | 21 Apr. 1901 Madrid, Spain | 8 Jul. 1961 Buenos Aires, Argentina | Argentinean composer of Spanish origin |
Bavicchi, John more... | 25 Apr. 1922 Dedham, Massachusetts, USA | | after studying Engineering and Administration at the Massachusetts Institute of Technology, John moved on to Civil Engineering at Cornell University. He received his Bachelor of Music from the New England Conservatory of Music in 1952. Additional studies at Harvard University Graduate School included Composition with Walter Piston; the History of Choral Literature with Archibald P. Davidson; and Renaissance Choral Practice with musicologist Otto Gombosi |
Bavilaqua, Matteo | | | Italian guitarist and composer |
Bawr (Comtesse de), Alexandria Sofia | 1776 | 1860 France | a composer of songs who also published her recollections |
Bax, Sir Arnold Edward Trevor more... | 8 Nov. 1883 Steatham, London, UK | 3 Oct. 1953 Cork, Ireland | born in Streatham, London and studied RAM (1900-5). For full biographical details see his book 'Farewell, my Youth' one of the best books ever written by a composer. A gifted pianist, his orchestration can seem dense (like Nielsen's) and only his tone poems (esp. Tintagel and The Garden of Fand) have found a place in the repertoire. He also wrote 7 romantic, somewhat lush symphonies and film scores for the docummentary Malta GC (1942) and David Lean's film Oliver Twist (1948). He was Master of the King's/Queen's Music from 1942-1952 |
Baxter, Les more... | 14 Mar 1922 Mexia, Texas | 15 Jan 1996 Newport Beach, California | early in his career Les Baxter played the tenor sax, but he was attracted towards arranging. The British composer Harry Revel had composed a suite inspired by the fragrance of different perfumes, and RCA agreed to record it for a set of three 78s, later transferred to LP. Revel had been captivated by the sound of the theremin as used by Miklos Rozsa in his score for the 1945 film "Spellbound", and he decided that this should form the basis for his work. But he needed strings and voices, and RCA engaged the unknown Leslie Baxter to arrange and conduct the album. The project was not successful commercially at the time, but Baxter fortunately went on to make his own name with hits such as Unchained Melody and Quiet Village |
Baxter, Phil more... | 1896 Navarro County, Texas, USA | 1972 Dallas, Texas, USA | orchestra leader and composer of songs including Have A Little Dream On Me (1934) |
Bayer, Andreas [Beyer, Peyer] | 1710 | 1749 | German organist and composer |
Bayer, Anna | fl. 1795 | | living in Vienna around 1795, she composed songs and piano pieces |
Bayer, Johann | 1822 | 1908 | composer of the German Viennese school |
Bayer, Josef (Joseph) | 6 Mar. 1852 Vienna, Austria | 12 Mar. 1913 Vienna, Austria | Austrian violinist, conductor and composer |
Bayco, Frederic more... | 1913 London, UK | 1970 | English theatre organist, composer and arranger who, after war service in the RAF, became organist and director of music at Holy Trinity Church, Paddington, as well as teaching organ and musical appreciation at St Gabriels College, London |
Bayle, François | 27 Apr. 1932 France | | pupil of Messiaen; composer of film music as well as music employing electronics |
Bayley, Robert Charlton more... | 4 Apr. 1913 Buctouche, New Brunswick, Canada | | Canadian organist, choir conductor, composer |
Bayley, William more... | | | composer of psalms |
Baynes, Sydney more... | 1 or 3 Feb. 1879 | 9 Mar. 1938 | English composer and conductor |
Bayolo, Armando more... | 26 May 1973 Santurce, Puerto Rico | | American composer of orchestral, chamber, vocal and piano works |
Bayon (or Bajon) Louis, Marie Emmanuelle | 1746 Poland | 1825 Paris, France | composer of vocal and instrumental music |
Bazin, François(-Emmanuel-Joseph)) | 4 Sep. 1816 Marseilles, France | 2 Jul. 1878 Paris, France | French composer, teacher and conductor |
Bázlik, Miroslav | 12 Apr. 1931 Partizánská Lupca | | Slovak composer |
Bazylik, Cyprian more... | c. 1535 Sieradz, Poland | after 1600 | writer, poet, printer and composer. Most of what has survived of his output is in four-parts and is polyphonic |
Bazzani, Francesco Maria | c. 1650 | c. 1700 | Italian composer and teacher |
Bazzini, Antonio | 11 Mar. 1818 Brescia, Italy | 10 Feb. 1897 Milan, Italy | Italian violinist and composer who had played for Paganini when he was 18. He taught at the Milan Conservatory from 1873 and became it's director in 1882. His most famous work for the violin is the Ronde des lutins (The Goblin's Round) |
Bazzini, Francesco [Bazzino, Bazino] | 1593 | 15 Apr. 1660 | Italian singer, theorbo player, organist and composer |
Bazzini, Natale [Bazzino] | | 1639 | Italian composer, organist and singer |
Beach, Amy Marcy (née Cheney) (also Mrs. H. H. A. Beach) more... | 5 Sep. 1867 Henniker, New Hampshire, USA | 27 Dec. 1944 New York, USA | pianist; composer of first symphony of importance produced in America, entitled Gaelic Symphony. She wrote one work for organ: Prelude on an old folk-tune in A Opus 91 (The Fair Hills of Eire, O,, transcription by Mrs. Beach of piece in D-flat originally for piano), 1922 [supplementary information provided by Terry L. Mueller] |
Beach, John Parsons | 11 Oct. 1877 Gloversville, N.Y., USA | 6 Nov. 1953 Pasadena, California, USA | American composer |
Beal, Jeff more... | 20 Jun. 1963 Hayward, California, USA | | American composer of music for film, television, recordings, and the concert hall |
Beale William | 1 Jan 1784 Cornwall, UK | 3 May 1854 London, UK | organist and writer of glees |
Beamish, Sally more... | 1956 London, UK | | Stirlingshire violist and composer Sally Beamishs work embraces chamber, vocal, choral and orchestral music, and is widely performed and broadcast |
Beament, James William Longman | 17 Nov. 1921 Crewkerne, Somerset | 10 Mar. 2005 Cambridge | entomologist and biophysicist, for many years Fellow and Tutor, Queens' College, Cambridge (1961-89), who composed music for the Queen College Amateur Dramatic Society (BATS). He taught acoustics and became a member of the Composers' Guild. He wrote a send-up of Carmen and Francesca and Giovanni, 24 variations on the old ballad; they were conducted by two bright young music scholars, Mark Elder and Richard Hickox, and an operetta, Shudder with Mother, based on the Ladybird Readers. Oddy in Troyland (1974) exploited dance rhythms |
Bearn Brassac, René de more... | fl. 1650 | | French composer of the Baroque |
Beaser, Robert more... | 1954 Boston, Massachusetts, USA | | American composer and conductor |
Beath, Betty more... | 1932 Bundaberg, Australia | | composer, pianist and music educator, whose has written work for voice, piano, ensemble and orchestra much of it influenced by her visit to Papua New Guinea and her studies with Cokorde Agung Mas |
Beatriz de Día | fl. late 12th/early 13th century | | or Comtessa de Día, Beatriz was the daughter of Count Isoard II of Día (a town on the Drôme in the marquisate of Provence). According to her vida, she was married to Guillem or Guilhem de Poitiers, Count of Viennois. Her song A chantar m'er de so qu'eu no volria is the only canso by a trobairitz to survive with its music intact |
Beatson, John | fl 1780 | | Hull clergyman and psalmodist who published 'A complete collection of all the tunes sung' (c 1780) |
Beau, Luise Adolpha le more... | 25 Apr. 1850 Rastatt, Germany | 17 Jul. 1927 Baden-Baden, Germany | German painist and composer |
Beaulaigue, Barthélemy [Beaulègue] | c. 1543 | fl. 1555-58 | French composer and poet |
Beaulieu (Martin, Martin-Beaulieu), (Marie) Désiré | 2 or 11 Apr. 1791 Paris, France | 21 Dec. 1863 Niort, Deux Sèvres | French composer and writer on music |
Beaulieu, Eustorg de [Hector] | c. 1495 | 8 Jan. 1552 | French poet and composer |
Beaulieu, Lambert de | fl. c. 1576-90 | | French composer and singer |
Beaumarchais [Caron], Pierre-Augustin [Caron de] | 24 Jan. 1732 Paris, France | 18 May 1799 Paris, France | French composer |
Beaumesnil, Henriette Adélaïde de Villard (see Villard de Beaumesnil, Henriette Adélaïde) | | | |
Beaumont, John | 1762 | 1822 | psalmodist of Newark who published 'Four Anthems (1793) |
Beauvarlet, Henricus | before 1575 | between 26 February and 27 June 1623 | Franco-Flemish composer and priest |
Beauvarlet-Charpentier, Jacques-Marie | 3 Jul. 1766 Lyon, France | 7 Sep. 1834 Paris, France | French composer and organist |
Beauvarlet-Charpentier, Jean-Jacques | 28 Jun. 1734 | 6 May 1794 | French composer and organist |
Beaver, Jack more... | 1900 UK | 1963
| composer who worked extrensively for the British film industry |
Bebey, Francis more... | 1929 Douala, Cameroon | 2001 Paris (?), France | Cameroonian artist, musician, and writer |
Beber, Ambrosius | fl. 1610-20 | | German composer |
Bécaud, Gilbert [Silly, François] | 24 Oct 1927 Toulon, France | | French composer and performer |
Beccatelli, Giovanni Francesco | 8 Nov. 1679 | 1734 | Italian theorist and composer |
Becce, Giuseppe more... | 3 Feb. 1877 Lonigo, Italy | 5 Oct. 1877 Berlin, Germany | Italian composer know for his film music for Das Cabinet des Dr Caligari (1920) |
Becchi, Antonio di [Marc'] | 19 Dec. 1522 | after 1568 | Italian lutenist and composer |
Becerra(-Schmidt), Gustavo | 26 Aug. 1925 Temuco, Chile | | Chilean composer |
Becher, Alfred Julius | 27 Apr. 1803 | 23 Nov. 1848 | German critic, composer and teacher |
Bechet, Sidney more... | 14 May 1897 New Orleans, USA | 14 May 1959 Paris, France | American jazz saxophonist, clarinetist, and composer |
Bechgaard, Julius | 19 Dec. 1843 Copenhagen, Denmark | 4 Mar. 1917 Copenhagen, Denmark | Danish composer |
Bechler, Johann Christian | 1784 | 1857 | American Moravian composer |
Beck, Christiaan Friedrich more... | fl. late 18th century | | known for his piano music for four-hands |
Beck, Conrad | 16 Jun. 1901 Schaffhausen, Switzerland | | composer of symphonies, concertos and chamber music |
Beck, Franz Ignaz [François] | 20 Feb. 1734 Mannheim, Germany | 31 Dec. 1809 Bordeaux, France | German composer, conductor, violinist and organist, active in France |
Beck, Johann H(einrich) | 12 Sep. 1856 | 26 May 1924 | American composer, conductor, violinist and teacher |
Beck, Johann Hector | fl. 1650-70 | | German composer, editor, and musician |
Beck, Randy (real name Frans Verbeek) | 12 Sep. 1926 Tisselt, Belgium | | Belgian composer |
Beck, Thomas | 1899 Norway | 1963 | Norwegian composer |
Becker, Albert (Ernst Anton) more... | 13 Jun. 1834 Quedlinburg | 10 Jan. 1899 Berlin, Germany | German composer and church musician |
Becker, Constantin Julius | 3 Feb. 1811 | 26 Feb. 1859 | German writer, teacher and composer |
Becker, Dan more... | 1960 USA | | American composer |
Becker, Dietrich [Bekker, Bäkker] | 1623 | 1679 | German composer, organist and violinist |
Becker, Günther | 1 Apr. 1924 | | German composer and teacher |
Becker, John Joseph | 22 Jan. 1886 Henderson, Ky., USA | 21 Jan. 1961 Wilmette, Ill., USA | composer of bold, individualistic orchestral and choral music including 7 symphonies and also music for dance |
Becket, Philip [Beckett] | | c. 1680 | English instrumentalist and composer |
Beckett, Walter Koehler more... | 27 Jul. 1914 Dublin, Ireland | 3 Apr. 1996 Ireland | Irish composer |
Beckford, William more... | 1 Oct. 1760 Fonthill, Wilts. England | 2 May 1844 Bath, Wilts., England | if I were to sum up William Beckfords compositions in a phrase, I should say that he was a clever linnet. That is to say, he was a natural melodist with an instinctive sense of song form. Although Beckford self-consciously modeled his style on Mozart, his best melodies have the untinctured simplicity of the semi-folk tunes found in The Beggars Opera. Despite a life encompassing that of Beethoven, Beckfords musical sensibilities remained firmly rooted in the ancien regimes galante idiom. He may have prefigured the tortured Gothick world of Byron & Mary Shelley in literature, but in music he never really went beyond the pleasantries of the 18th-century drawing room [opinon above taken from William Beckford] |
Beckingham, Anne Jennifer (see Dudley, Anne) | | | |
Beckman, Bror | 10 Feb. 1866 | 22 Jul. 1929 | Swedish composer and administrator |
Beckmann, Johann Friedrich Gottlieb | bap. 6 Sep. 1737 Celle, Germany | 25 Apr. 1792 Celle, Germany | German composer |
Beckwith, John | 9 Mar. 1927 Victoria, BC, Canada | | Canadian composer, critic, teacher and pianist |
Beckwith, John Christmas | 25 Dec. 1750 Norwich, UK | 3 Jun. 1809 Norwich, UK | brilliant organist; composer of church music |
Béclard d'Harcourt, Marguerite [née Béclard] | 24 Feb. 1884 Paris, France | 2 Aug. 1964 Paris, France | French composer and ethnomusicologist |
Becucci, Ernesto more... | 1845 Italy | 1905 Italy | Italian composer of sacred music and songs, as well as piano pieces of light character |
Becvarovsky, Antonin Frantisek [Beczwarzowsky, Betschwarzowski, Betzwarofsky] | 9 Apr. 1754 | 15 May 1823 | Czech composer and teacher |
Bedard, Jean-Baptiste | 1765 | 1818 | guitarist and teacher |
Bedford, David (Vickerman) more... | 4 Aug. 1937 London, England | 1 Oct. 2011 London, England | grandson of Herbert Bedford, pupil of Berkeley and Nono; composer of music often with titles alluding to celestial objects |
Bedford, Herbert | 23 Jan. 1867 London, England | 13 Mar. 1945 London, England | composer of unaccompanied song and music for military band |
Bedford, Steuart (John Rudolf) | 31 Jul. 1939 | | English conductor |
Bedyngham, Johannes [Bedyngeham, Bedingham, Bodigham, Bellingan, Benigun] | | between 3 May 1459 and 22 May 1460 | English composer |
Bee Tuan Koh, Joyce more... | 1968 Singapore | | Singapore-born composer now based in France |
Beecke, (Notger) Ignaz (Franz) von | 28 Oct. 1733 Wimpfen am Neckar, Germany | 2 Jan. 1803 Wallerstein | German composer and pianist |
Beecroft, Norma Marian | 11 Apr. 1934 Oshawa, Ontario, Canada | | pupil of Copland and Moderna; compositions include Contrasts for oboe, viola, harp, marimba, vibraphone and other percussion and a choral work The Living Flame of Love |
Beekhuis, Hanna more... | 1889 | 1980 | Dutch composer |
Beeland, Ambrose [Bealand, Biland, Byland] | fl. 1624-1672 | | English composer and violinist |
Beer, Johann [Bähr, Baer, Behr, Ursus, Ursinus] | 28 Feb. 1655 | 6 Aug. 1700 | Austrian-German composer, singer, violinist, keyboard player, music theorist, and novelist |
Beer, Joseph more... | 7 May 1908 L'vov, Poland | 23 Nov. 1987 Nice, France | Polish-born American composer |
Beers, Jacques (Cornelius) | 2 Jun. 1902 | 15 Jun. 1947 | Dutch composer and pianist |
Beer-Walbrunn, Anton | 29 Jun. 1864 Kohlberg, nr. Weiden, Bayern, Germany | 22 Mar. 1929 Munich, Germany | German composer and teacher |
Beesly, Michael | fl 1740s-50s | | psalmodist of Oxfordshire who may have been the main innovator in the development of fuging tunes |
Beeson, Jack (Hamilton) | 15 Jul. 1921 Muncie, Indiana, USA | | American composer and teacher |
Beethoven, Louis (Ludwig) van (called 'le vieux') | 1712 Malines, Belgium | 1773 Malines | musician and possibly composer |
Beethoven, Ludwig van more | bap. 17 Dec 1770 Bonn, Germany | 26 Mar. 1827 Vienna, Austria | pupil of Mozart, Haydn and Albrechtsberger; central figure in the early Romantic movement which is reflected in him describing himself as a 'tone-poet'. His 9 symphonies, 17 string quartets, 32 piano sonatas and a Mass in D are amongst the finest works in their genre, the later compositions written in spite of the onset of steadily increasing deafness from the age of 30 [entry corrected by Michael John Hooley] |
Beffroy de Reigny, Louis-Abel ["Cousin Jacques"] | 6 Nov. 1757 Laon, France | 19 Dec. 1811 Paris, France | French playright, author and composer particularly of operas |
Beggio, Bernardino more... | 1953 Padua, Italy | | Italian pianist, conductor and composer |
Beheim, Michel [Behaim] | 29 Sep. 1416 | c. 1474 | German poet and Meistersinger |
Behm, Eduard | 8 Apr. 1862 Szczecin | 6 Feb. 1946 Bad Harzburg, Germany | composer |
Behr, Franz more... | 1837 | 1898 | Prolific composer of salon pieces and pedagogical material; |
Behrend, (Gustav) Fritz | 3 Mar. 1889 Berlin, Germany | 29 Dec. 1972 Berlin, Germany | German composer and pianist |
Behrend, Siegfried | 1933 | 1990 | German guitarist and composer |
Behrman, David more... | 16 Aug. 1937 Salzberg, Austria | | American electronic and computer-based composer |
Beiderbecke, (Leon) Bix more... | 10 Mar. 1903 Davenport, Iowa, USA | 6 Aug. 1931 New York City, USA | American jazz cornet player, pianist and composer |
Beil, Michael more... | 1963 Germany | | German composer |
Beilner, L. more... | | | Viennese guitarist. His Opus 1 was published by Anton Diabelli's company |
Beilschmidt, Curt | 20 Mar. 1886 Magdeburg, Germany | 7 Mar. 1962 Leipzig, Germany | German composer |
Beimel, Thomas more... | 30 May 1967 Essen, Germany | | German violist and composer |
Beintus, Jean Pascal more... | 16 Jun. 1966 Toulouse, France | | French composer |
Beissel, J(ohann) Conrad | 1 Mar. 1690 Germany | 6 Jul. 1768 | American composer |
Bekku, Sadao | 24 May 1922 Tokyo, Japan | | Japanese composer |
Belcher, Supply | 10 Apr. 1752 | 9 Jun. 1836 | American composer |
Belem, Anónio de | c. 1624 | 3 Mar. 1700 | Portuguese composer |
Belenoi, Aimeric de more... | fl. 12151242 | | Gascon troubadour. At least fifteen of his songs survive and there are seven which were attributed to him in some medieval manuscripts |
Belgum, Erik more... | 1961 Minneapolis, USA | | American writer of experiential fiction and an audio artist |
Beliczay, Gyula | 10 Aug. 1835 | 30 Apr. 1893 | Hungarian composer and teacher |
Belin, Guillaume [Bellin] | c. 1500 | 3 Dec. 1568 | French singer and composer |
Belin, Julien | c. 1525-30 | after 1584 | French lutenist and composer |
Belissen, Laurent [Bellissen] | 8 Aug. 1693 | 12 Feb. 1762 | French composer |
Belitz, Joachim | c. 1550 | 26 Dec. 1592 | German composer |
Beliy (or Bjelyi, Belyi, Bely, Belyj, Belij), Viktor Arkad'yevich | 14 Jan. 1904 Berdichev, Ukraine | 1983 | Russian composer |
Belkin, Alan more... | | | Canadian organist and composer who, since 1982, has been a full-time faculty member at the Université de Montréal where he is now a full professor teaching composition and writing skills |
Bell, Larry Thomas
| 17 Jan. 1952 Wilson, NC, USA | | American teacher pianist and composer |
Bell, W(illiam) H(enry) | 20 Aug. 1873 St. Albans, England | 13 Apr. 1946 Gordon's Bay, Cape Province | English composer and teacher |
Bella, Ján Levoslav [Johann Leopold] | 4 Sep. 1843 Liptovský Svätý Mikulás | 25 May 1936 Bratislava | Slovak composer |
Bellak, Richard | 1945 Philadelphia, Pennsylvania, USA | | American composer who studied piano with Jerome Lowenthal, conducting with Milan Horvat and composition with Andre Vauclain. He graduated from Florida State University, Princeton University and the University of Pennsylvania |
Bellamy, Peter | 1944 | 1991 | English singer, songwriter and concertina player. His settings of Rudyard Kipling's poems were very popluar in folk music circles as was his folk opera The Transports, about convicts transported to Australia |
Bellamy, Richard | 11 Sep. 1813 | | English bass and composer |
Bellanda, Lodovico | fl. 1593-1613 | | Italian composer |
Bellante, Dionisio | | c. 1642 | Italian composer |
Bellasio, Paolo [Belasio] | 20 May 1554 | 10 Jul. 1594 | Italian composer and organist |
Bellavero, Vincenzo [Belaver, Bell'aver, Bell'haver] | | c. Sep. 1587 | Italian composer and organist |
Belle, Jan | before 1552 | | Flemish composer |
Bellermann, (Johann Gottfried) Heinrich | 10 Mar. 1832 | 10 Apr. 1903 | German music scholar and composer |
Bellermann, Konstantin | 1696 | 1 Apr. 1758 | German composer |
Belleville, Jacques de | fl. early 17th century | | French organizer of court entertainments, dancer, violinist and composer |
Belleville-Oury (de), Emelie Anna Caroline | 1818 Germany | 1880 | her compositions number over 200 |
Bellezza, Vincenzo | 17 Feb. 1888 | 8 Feb. 1964 | Italian conductor and composer |
Belli, Domenico | c.1590 | bur. 5 May 1627 Florence, Italy | Italian composer and musician |
Belli, Girolamo more... | c.1552 Argenta, Italy | c.1620 probably Argenta, Italy | although clearly intimated connected with the Ferrarese court, Girolamo Belli seems never to have held a recognised position within the Ducal musical household; rather, his connections appear to have been forged through his apprenticeship with Luzzasco Luzzaschi. He also seems to have received particular favour from the Duchess, Margherita Gonzaga d'Este |
Belli, Giulio more... | c.1560 Longiano, Italy | in or after 1621 possibly Imola, Italy | an Italian composer of the late Renaissance and early Baroque eras. He was a prolific composer during the transitional time between the two musical eras, and worked in many cities in northern Italy |
Bellinati, Paulo more... | 1950 São Paulo, Brazil | | Brazilian guitarist, multi-instrumentalist and composer |
Bellini, Vincenzo (Salvatore Carmelo Francesco) more... | 3 Nov. 1801 Catania, Sicily | 23 Sep. 1835 Puteaux, nr. Paris, France | composer of highly popular operas including Norma, Puritani di Scozia and Sonnambula |
Bellinzani, Paolo Benedetto | c. 1690 | 25 Feb. 1757 | Italian composer |
Bellman, Carl Michael more... | 4 Feb. 1740 Stockholm, Sweden | 11 Feb. 1795 Stockholm, Sweden | Swedish composer and poet |
Bello de Torices, Benito | c. 1660 | in or after 1718 | Spanish composer |
Bello Montero, Atanasio | late 18th century | after 1847 | Venezuelan composer, educator and impresario |
Belloni, Giuseppe | c. 1575 | after 1606 | Italian composer |
Bellotta, Francesco | 1834 | 1907 | Italian harpist and composer |
Belmarchais, Perrot de more... | fl. early 13th century | | troubadour |
Belova, Irina more... | 6 Jan. 1975 Krasnoyarsk, Russia | | Russian composer |
Beltiukov, Sergey more... | 1956 Minsk, Belarus | | Belorussian composer of mostly orchestral, choral and piano works. He co-founded with Galina Gorelova, Vyacheslav Kuznetsov, Dmitry Lybin, Yevgeny Poplavsky, and others the Belorussian Society for Contemporary Music in 1990. He has served as editor-in-chief of music and entertainment programs for the Belorussian National State Broadcasting Company since 1995. |
Beltrami, Marco more... | 7 Oct 1966 Long Island, New York, USA | | American film composer |
Beltrami, Wolmer more... | 1922 Breda Cisoni, Italy | 28 Oct. 1999 Italy | Italian accordionist, composer and arranger |
Belza, Igor' Fyodorovich | 8 Feb. 1904 | | Russian musicologist and composer |
Bemberg Hermann-Emmanuel (Henri) | 1859 Paris, France | 1931 Berne, Switzerland | trained under Dubois and Massenet; composer of operas and light song |
Bembo, Antonia | c. 1640 | c. 1722 Padua or Venice | composer to Louis XIV and financed by him. Her works include a collection of 40 pieces now in the Paris Bibliotheque Nationale |
Bemmel, Wouter van more... | 22 Sep. 1953 Amsterdam, The Netherlands | | Dutch composer |
Ben Jor, Jorge (born: Jorge Duilio Lima Menezes) more... | 22 Mar. 1942 Rio de Janeiro, Brazil | | Brazilian popular musician. His characteristic style fuses samba, funk, and rock into samba-rock, with lyrics that blend humour and satire often with more esoteric material |
Ben Haim, Paul (see Ben-Haim, Paul) | | | |
Benaut Mlle | 1778 France | | composed two collections of "Airs with Variation for harpsichord or piano," a set of variations on an air by Salieri, and four sets of variations on arias by Grétry. Her music exemplifies the fashionable salon music of her era. Beyond this, little is known of her life |
Benatzky, Ralph [Rudolf Josef Frantisek] | 5 Jun. 1884 Moravské Budejovice | 17 Oct. 1957 Zürich, Switzerland | Austrian-German composer |
Bencini, Antonio | fl. 1730-42 | | Italian composer |
Bencini, Giuseppe | fl. 1723-27 | | Italian composer and musician |
Bencini, Pietro Paolo | c. 1670 | 6 Jul. 1755 | Italian composer |
Bencze, Balázs | 1967 Hungary | | composer, literature teacher, lute- and guitarplayer and leader of 'Tabulature', an early music ensemble |
Benda, Franz [Frantisek] more... | bap. 22 Nov. 1709 | 7 Mar. 1786 | Bohemian violinist and composer |
Benda, Friedrich (Wilhelm Heinrich) | 15 Jul. 1745 Potsdam, Germany | 19 Jun. 1814 Potsdam, Germany | Bohemian composer, violinist and pianist |
Benda, (Johann) Friedrich Ernst | bap. 10 Oct. 1749 | 24 Feb. 1785 | Bohemian/German violinist, harpsichordist and composer |
Benda, Friedrich Ludwig | bap. 4 Sep. 1752 Gotha, Germany | 20 or 27 Mar. 1792 Königsberg, Germany | Bohemian/German composer and violinist |
Benda, Georg (or Jiri) Antonin more... | bap. 30 Jun. 1722 Alt-Benatak, Bohemia | 6 Nov. 1795 Köstritz | oboist; composer of chamber music and concertos |
Benda, Johann (Georg) [Jan Jírí] | bap. 30 Aug. 1713 | early 1752 | Bohemian violinist and composer |
Benda, Joseph | bap. 7 May 1724 | 22 Feb. 1804 | Bohemian violinist and composer |
Benda, (Berhardine) Juliane | b. 14 May 1752 | 9 May 1783 | Bohemian/German singer and composer |
Benda, Maria Carolina [Wolf] | bap. 27 Dec. 1742 | 2 Aug. 1820 | Bohemian singer, pianist and composer |
Bendinelli, Agostino (i) [Bendinello] | c. 1550 | 23 Nov. 1598 | Italian composer and singer |
Bendinelli, Agostino (ii) | 26 Apr. 1635 | in or after 1703 | Italian composer and teacher |
Bendix, Victor (Emanuel) | 17 May 1851 | 5 Jan. 1926 | Danish composer, pianist and conductor |
Bendix, Ralf more... | 1924 Germany | | German singer who topped the 1965 Continental charts with the Buzz Clifford pop novelty Baby Sittin' Boogie |
Bendl, Karel | 16 Apr. 1838 Prague | 20 Sep. 1897 Prague | Czech composer and conductor |
Benedetti, Francesco Maria | 1683 | 1746 | Italian composer |
Benedetti, Gianfrancesco | c. 1700 | after 1760 | Italian composer |
Benedetti, Piero [Pietro] | c. 1585 | after 14 July 1649 | Italian composer |
Benedict, Sir Julius | 27 Nov. 1804 Stuttgart, Germany | 5 Jun. 1885 London, England | pupil of Weber; composer of operas (including The Lily of Killarney), oratorios and cantatas |
Benedictis [Benedetti], da Pascarola, Giovanni Tommaso | c. 1550-60 | before 1601 | Italian composer |
Benedictus a Sancto Josepho [family name Buns] | c. 1642 | 6 Dec. 1716 | Dutch composer |
Bendusi, Francesco | fl. c. 1553 | | Italian composer |
Beneken, Friedrich Burchard [Benecken] | 13 Aug. 1760 | 22 Sep. 1818 | German composer, writer and Protestant minister |
Benelli, Antonio Peregrino (Pellegrino) | 5 Sep. 1771 Forli, Italy | 16 Aug. 1830 Börnichau, Sachsen | Italian tenor, composer and singing teacher |
Benes, Juraj more... | 2 Mar. 1940 Trnava, Czechoslovakia | 10 Sep. 2004 Bratislava, Slovakia | Slovakian composer and teacher particularly noted for his operas Cisárove nové saty (The Emperor's New Clothes), Skameneny (Petrified), Hostina (The Feast) and The Players |
Benet, John [Benett, Benoit, Benenoit, Benoyt, Bonet, Bonnet] | fl. c. 1420-50 | | English composer |
Beneventi (see Boniventi) | | | |
Benevoli, Orazio | 19 Apr. 1605 Rome | 17 Jun. 1672 Rome | composer of polychoral masses in the Venetian style |
Bengraf, Joseph | 1745 or 1746 | 8 Jun. 1791 | German composer |
Bengtson, Peter more... | 1961 Stockholm, Sweden | | Swedish organist, pianist and composer |
Bengtsson, Gustaf (Adolf Tiburtius) | 29 Mar. 1886 | 5 Oct. 1965 | Swedish composer |
Benguerel, Xavier | 9 Feb. 1931 Spain | | mainly self-taught; composer of a violin concerto, and organ concerto and Successions for wind quintet |
Ben-Haim, Paul (real name: Frankenburger) | 5 Jul. 1897 Munich, Germany | | Israeli composer, writer of symphonies, a piano concerto, chamber music and songs |
Benham, Asahel | 1757 | c. 1805 | American composer |
Benincori, Angelo Maria | 28 Mar. 1779 Brescia, Italy | 30 Dec. 1821 Belleville, France | Italian composer and violinist |
Benison, Brian more... | | | American film music composer |
Benito (y Barbero), Cosme Damián José de | 27 Sep. 1829 | 15 Jan. 1888 | Spanish composer |
Benjamin, Arthur L. more... | 19 Sep. 1893 Sydney, Australia | 10 Apr. 1960 London, England | who also wrote under the name Alan Brisbane, Australian pianist and composer who wrote music for films as well as a symphony and 4 operas. He is known also for his Jamaican Rumba. He spent his creative life in England and it was Benjamin who first taught Muir Mathieson at the Royal College of Music, and Matheson would later offer Benjamin a commission, thus providing Benjamin an entrée into the world of film music |
Benjamin, Bennie (Claude A.) more... | Nov. 1907 Christiansted, St. Croix, Virgin Islands | 1989 | although primarily thought of primarily as a lyricist of popular songs from 1941 until his demise in 1989, Benjamin and composer George Weiss always regarded themselves as joint composer and lyricist for songs like When the Lights Are On Again (All Over the World) |
Benjamin, George (William John) more... | 31 Jan. 1960 London, UK | | British composer, conductor and pianist who was a pupil of Messiaen. Notable among the many performances of his music are the new music festival Carte blanche à George Benjamin at l'Opéra Bastille (1992) and portrait concerts at the Salzburg (1995), Tanglewood (1999) and Ultraschall (2002) festivals. Most recently, the London Symphony Orchestra featured many of his important orchestral works (2002-03), ten works were performed in Tokyo (2003) and nine works were performed in Berlin (2004-05) |
Benn, Johann | c. 1590 | c. 1660 | German composer and organist resident in Switzerland |
Bennet (or Benet), John | 1575-80 | 1599-1614 | composer of fine madrigals who contributed to The Triumph of Oriana |
Bennet, Robert | fl 1714-18 | | psalmodist from Nottingham who published 'A collection of the choicest and best psalm tunes' (1714) and 'The psalm-singer's necessary companion' (1718) |
Bennett, Alfred William | 1805 | 12 Sep. 1830 | organist of Chichester Cathedral, composer of liturgical works and author of Instructions For The Spanish Guitar, London 1828 |
Bennett, Brian more... | 9 Feb 1940 London, UK | | drummer, pianist, composer, arranger and producer of popular music. He is best known as drummer of the UK Rock n roll group The Shadows. As well as his work with the Shadows he is also a prolific composer, particularly of soundtrack music for films and television programmes |
Bennett, Charles | c.1740 | 12 May 1804 | English organist and composer |
Bennett, Frederick James Wentworth | 1856 Cadbury, Somerset | | English flautist and composer |
Bennett, George John more... | 1863 | 1930 | English composer noted particularly for his songs |
Bennett, Gerald more... | 1942 New Jersey, USA | | composer, co-founder of the Swiss Center for Computer Music and teacher at the Hochschule für Musik in Zurich |
Bennett, John | c. 1725-30 | Sep. 1784 | English organist and composer |
Bennett, Richard Rodney more... | 29 Mar. 1936 Broadstairs, England | 24 Dec. 2012 New York, USA | pianist and pupil of Boulez. A composer of an opera, a symphony and chamber music, electronic music and works allowing the performers free choice, although he is best known for his film scores |
Bennett, Robert Russell more... | 15 Jun. 1894 Kansas City, Missouri, USA | 19 Aug. 1981 New York, USA | an American composer and arranger, best known for his orchestration of many well-known Broadway musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers |
Bennett, T.C. Sterndale more... | 1882 | 1944 | the grandson of the Victorian composer and conductor William Sterndale Bennett, T.C. Sterndale Bennett earned a reputation for his mainly humorous ballads. Other songs by him were interpolated into stage shows as diverse as the revue Back to Blighty and Shakespeare's Measure for Measure |
Bennett, William Sterndale more... | 13 Apr. 1816 Sheffield, UK | 1 Feb. 1875 London, UK | child prodigy who was encouraged by Mendelssohn and Schumann; his compositions never fully realised this early promise and, indeed, many feel that his early works are better than those he wrote in later life. He was appointed principal of the Royal College of Music (1868) |
Benoist (or Benoît), François | 10 Sep. 1794 Nantes, France | 6 May 1878 Paris, France | French organist, accompanist and chorus master who was a composer of operas, ballets, and a 12-vol. Bibliothèque de l'organiste |
Benoist (or Benoît), Nicolaus | fl. 1538-40 | | French composer |
Benoit [Benenoit, Benedette di Giov. dito Benoit, Benotto di Giovanni, Benottus de Ferraria] | fl. 1438-48 | | Italian composer |
Benoît, Camille | 7 Dec. 1851 Roanne, Loire | 1 Jul. 1923 Paris, France | French composer and writer on music |
Benoit, Emile | 1913 | | Newfoundland fiddler and composer |
Benoit O.S.B., Paul Dom (born: Paul Marie Joseph Benoit) more... | 1893 Nancy, France | 1979 Clervaux, Luxembourg | organist, composer, and Roman Catholic priest, who lived as a member of the Benedictine community at the Abbey of St. Maurice et St. Maur, at Clervaux, in Luxembourg |
Benoît, Peter (Léopold Léonard) | 17 Aug. 1834 Harlebeke, Flanders | 8 Mar. 1901 Antwerp, Belgium | great promoter of Flemish interests; his Rubens Cantata is remarkable for its use of huge resources including the bells of Antwerp Cathedral |
Benoît de Sainte-Maure more... | 1154 | 1173 | a 12th century French poet and trouvère. His 40,000 line poem 'The Romance of Troy' (Le Roman de Troie) influenced the later works of many, including Chaucer and Shakespeare |
Bensa, Olivier more... | 1951 France | | French composer |
Benser, J.D. | fl. ca. 1770-85 | | German pianist and composer, resident in England |
Benshoof, Ken more... | 3 Jan. 1933 Washington, USA | | American composer |
Benson, Warren | 26 Jan. 1924 | | American composer and teacher |
Benstead, Christopher (Chris) more... | | | English composer and music editor who graduated from Surrey University in 2004 |
Bentoiu, Pascal | 22 Apr. 1927 Bucharest, Romania | | Romanian composer |
Bentzon, Jørgen (Liebenberg) | 14 Feb. 1897 Copenhagen, Denmark | 9 Jul. 1951 Hørsholm, Denmark | Danish composer |
Bentzon, Niels Viggo | 24 Aug. 1919 Copenhagen, Denmark | | Danish composer, pianist, teacher, and writer on music |
Benvenuti, Giacomo | 16 Mar. 1885 Toscolano, Italy | 20 Jan. 1943 Barbarano di Salò | Italian musicologist and composer |
Benvenuti, Nicola [Niccolino] | 10 May 1783 Pisa, Italy | 14 Aug. 1867 Pisa, Italy | Italian composer and organist |
Benvenuti, Tommasso | 4 Feb. 1838 Cavarzere, Venice, Italy | 26 Feb. 1906 Rome, Italy | Italian composer particularly of operas |
Ben-Yohanan, Asher | 22 May 1929 Greece | | Israeli composer |
Bepler, Jonathan (Jon) more... | Media, Pennsylvania, USA | | American guitarist and composer |
Berardi, Angelo | c. 1636 | 9 Apr. 1694 | Italian theorist, composer, and organist |
Berberian, Catherine Anahid more... | 4 Jul. 1925 Attleboro, Mass. USA | 6 Mar. 1983 Rome, Italy | American composer, mezzo-soprano singer, and vocalist, wife of the Italian composer Luciano Berio (19252003) |
Berbiguier, Antoine (Benoit) Tranquille | 21 Dec. 1782 | 20 Jan. 1838 | French flautist and composer |
Berchem, Jacquet de (or van) | 1505 Berchem, nr. Antwerp, Belgium | 1567 Monopoli, nr. Florence, Italy | he was active in Venice in 1530 but in 1546 he took up a position as maestro di cappella in Verona. He married for a second time in 1553 to the rich and widowed noblewoman Giustina de Simeonibus (or Simionibus). He is best known for his madrigals Primo, secondo et terzo libro del capriccio published in 1561 |
Bereketes, Petros | | c. 1720 | composer of Byzantine chant |
Berenguier de Palazol [Parazol, Pararol, Pararois, Palaol, Palaiol, Palon, Palou] | fl. early 12th century | | troubadour |
Berens, (Johann) Hermann | 7 Apr. 1826 Hamburg, Germany | 9 May 1880 Stockholm, Sweden | German composer |
Berezowsky, Nicolai (Tikhonovich [Berezovsky; Nikolay] | 17 May 1900 Russia | 27 Aug. 1953 | American composer, conductor and violinist |
Berendsen-Nathan, Matilde more... | 1857 Norway | 1926 Denmark | Scandinavian pianist and composer |
Berenguer, José Manuel more... | 1955 Barcelona, Spain | | guitarist and composer. Chairman of the Spanish Electroacoustic Music Federation, is much involved in his country, in the development and promotion of electroacoustic music |
Berens, (Johann) Hermann | 7 Apr. 1826 Germany | 9 May 1880 | Swedish composer and pianist |
Beresford, Steve more... | 1950 Wellington, Shropshire | | composer, musician and arranger, a central figure in the British improvising scene for over thirty years working with the likes of Derek Bailey, Evan Parker and Han Bennink |
Beretta, Bonaventura | fl. 1635 | | Italian composer and organist |
Beretta, Francesco [Beretti, Berretta] | | 6 July 1694 | Italian composer and cleric |
Beretta, Giovanni Battista more... | 1819 Verona, Italy | 1876 Milan, Italy | Italian composer, theorist and pedagogue |
Beretta, Lodovico | fl. 1604 | | Italian composer |
Beretta, Mario more... | | | Swiss composer and musician |
Berettari, Aurelio | fl. 1654-1661 | | Italian composer |
Berezan, David more... | 1967 Edmonton, Alberta, Canada | | Canadian-born composer, director of the electroacoustic music studios (MANTIS) at the University of Manchester and Royal Northern College of Music |
Berezovsky, Maxim [Maximus] (Sozontovich) | 27 Oct. 1745 Glukhov, Ukraine, Russia | 2 Apr. 1777 St. Petersburg, Russia | he was sent to Italy for vocal training by Catherine the Great; he composed operas, church music and songs but when his desire to reform the music of the Russian Church was thwarted he killed himself |
Berezovsky (or Berezowsky), Nicolai [Nikolay] (Tikhonovich) | 17 May 1900 St. Petersburg, Russia | 27 Aug. 1953 New York, USA | violinist and orchestral conductor, composer of symphonies, concerti for stringed instruments and chamber music |
Berg, Alban (Maria Johannes) | 9 Feb. 1885 Vienna, Austria | 24 Dec. 1935 Vienna, Austria | disciple of Schönberg; although a composer of much fine chamber and orchestral music, he is best remembered for two operas, Wozzeck and the unfinished Lulu |
Berg, Fred Jonny more... | 1973 | | Norwegian composer, creating music for a broad gamut of instrumentations, from solo to orchestral works |
Berg, George | c. 1730 | c. 1770 possibly London | English composer and organist of German origin |
Berg, Gottfrid more... | 1889 | 1970 | Scandinavian composer |
Berg, Gunnar (Johnsen) | 11 Jan. 1909 | | Danish composer |
Berg, Josef | 8 Mar. 1927 Brno | 26 Feb. 1971 Brno | Czech composer |
Berg, (Carl) Natanael [Rexroth-Berg] | 5 Feb. 1879 Stockholm, Sweden | 14 Oct. 1957 Stockholm, Sweden | veterinary surgeon and composer of operas, ballets and choral works |
Berg, Paul more... | 1863 | | musician and composer |
Bergamo, padre Davide di (born: Felice Moretti) more... | 21 Jan. 1791 Zanica, Bergamo, Italy | 24 Jul. 1863 Piacenza, Italy | Italian organist and composer |
Bergamo, Petar | 27 Feb. 1930 | | Yugoslav composer |
Berge, Anne La more... | Minnesota, USA | | American flautist, composer and improviser, who moved to Amsterdam in 1989 |
Berge, Hakon more... | 1954 Stavanger, Norway | | Norwegian composer and musician |
Berge, Hugues de more... | c. 1170 France | c. 1228 | French troubadour who left on one of the the crusade and lived afterwards in Constantinople |
Bergeijk, Gilius van more... | 7 Nov. 1946 Den Haag, The Natherlands | | Dutch composer |
Berger, Andreas | 1584 | 10 Jan. 1656 | German composer, singer, teacher and public official |
Berger, Arthur (Victor) | New York 15 May 1912 | Boston, Mass. US 7 Oct 2003 | pupil of Piston, Nadia Boulanger and Milhaud; edited The Musical Mercury with Bernard Hermann; staff member of Brandeis University from 1953-1980, after which appointed Professor Emeritus; composed chamber music and songs, perfectly designed works of extraordinary craftsmanship; also noted writer on musical matters and one of America's most respected critics |
Berger, Francesco | 1834 London, England | 1933 London, England | pianist and piano teacher; composer of piano pieces and songs |
Berger, Jean more... | 27 Sep. 1909 Hamm, Germany | 28 May 2002 Aurora, California, USA | German-born pianist, composer, and music educator |
Berger, Ludwig | 18 Apr. 1777 | 16 Feb. 1839 | German composer and pianist |
Berger, Rodolphe | 1864 Paris, France | 1916 Barcelona, Spain | nicknamed le roi de la Valse, Berger was the composer of the famous Amoureuse - Valse Lente, although he actually wrote numerous piano pieces, mainly dances (waltzes, polkas, redowas, etc.) as well some other "characteristic pieces |
Berger, Roman more... | 9 Aug. 1930 Cieszyn, Poland | | Polish composer, pianist and musical theorist |
Berger, Theodor | 18 May 1905 | | Austrian composer |
Berger, Wilhelm Reinhard more... | 9 Aug. 1861 Boston | 15 Jan. 1911 Jena, Germany | German composer, pianist, teacher and conductor |
Berger, Wilhelm Georg | 4 Dec. 1929 | | Romanian composer and writer on music |
Berggreen, Andreas Peter | 2 Mar. 1801 Copenhagen, Denmark | 8 Nov. 1880 Copenhagen, Denmark | Danish folklorist, teacher and composer |
Bergh, Arthur | 24 Mar 1882 St Paul, Minn., USA | 11 Feb. 1962 at sea | American composer |
Bergh, Gertrude van den | 1793 The Netherlands | 1840 | one of the few women musicians to receive considerable recognition in the Netherlands, both during her lifetime and thereafter. Her compositional talent manifested itself at the age of nine and was one of the first musicians of her time to appreciate and perform J.S. Bach's music, foreshadowing the later Bach renaissance in the Netherlands |
Bergholz, Lucas [Perkholtz, Perdelholtz] | fl. 1520-51 | | German composer |
Berghorn, Alfred (Maria) more... | 17 Jul. 1911 Homberg am Niederrhein, Germany | 19 May 1978 Gelsenkirchen, Germany | organist and composer of church music (music for choir and several Masses), chamber music (including music for piano and for organ), 2 symphonies, a Choral-Sinfonie, a Konzertante Sinfonie and music for orchestra (Concerto grosso, Concertino für Fagott, Konzert für Orchester und Pauken (Westfälisches Konzert), Kammersinfonie, Symphonische Phantasie und Fuge and Songs for Orchestra |
Bergiron [Bergiron de Briou], Nicolas-Antoine, Seigneur du Fort Michon | 12 Dec. 1690 Lyon, France | before 27 Apr. 1768 Lyon, France | French composer and concert organizer |
Bergman, Alan more... | 11 Sep. 11, 1925 Brooklyn, NY, USA | | Alan and Marilyn Bergman were born in the same New York city hospital but met and married in Los Angeles. After their marriage, they began composing for TV and film as well as writing for singers. They are best known for writing lyrics to hits such as The Way We Were (1973), The Windmills of Your Mind (1968) and Nice N' Easy (1960) |
Bergman, Erik (Valdemar) more... | 24 Nov. 1911 Uusikaarlepyy, Finland | 24 Apr. 2006 Helsinki, Fin land | a major figure in Finnish Modernism. His early works, written in the 1930s and early 1940s, were Romantic in style and he has since withdrawn many of them but in the late 1940s he began to seek a more chromatic style. In 1952, he wrote the piano work Espressivo, becoming the first Finnish composer to employ dodecaphony, although he himself has said that it was merely "an attempt at dodecaphony". Ever since then, he remained at the cutting edge of Finnish Modernism. Bergman made his breakthrough with dodecaphonic and Serialist works, i.e. as a Constructivist, but he is best known for the colourful style that he evolved in the 1970s |
Bergman, Marilyn [Marilyn Keith] more... | 10 Nov. 1929 Brooklyn, NY, USA | | wife of and collaborator with her husband Alan Bergman |
Bergman, Valentina (see Serova, Valentina Semenovna) | | | |
Bergna, Antonio | fl. 1587 | | Italian composer |
Bergquist, John Victor | 1877 | 1935 | organist in Minneapolis, Minnesota, USA who studied with Guilmant in about 1900. He composed three sonatas for organ. Only one has been published: Sonata in C-minor (1902) |
Bergsma, William (Laurence) | 1 Apr. 1921 Oakland, Calif., USA | | pupil of Hanson and B. Rogers; Composer of lyrical, contrapuntal works for orchestra, chamber groups as well as an opera The Wife of Martin Guerre |
Bergson (or Bergsohn), Michael | 20 May 1820 Warsaw, Poland | 9 Mar. 1898 London, England | Polish pianist and composer |
Bergström, Harry | 1910 | 1989 | Finnish composer |
Bergt, (Christian Gottlob) August | 17 Jun. 1771 Oederan, Sachsen | 10 Feb. 1837 Bautzen | German composer |
Berguedan, Guilhem (Guillem) de more... | c. 1138 Catalonia, Spain | c. 1192 | troubadour |
Beria, Giovanni Battista | c. 1610 | c. 1671 | Italian composer, teacher and organist |
Beringer, Oscar | 14 Jul. 1844 | 21 Feb. 1922 | English pianist, composer and teacher of German birth |
Berio, Adolfo more... | 1847 Oneglia, Italy | 1942 Oneglia, Italy | Italian composer and organist, grandfather of Luciano |
Berio, Ernesto more... | 1883 | 1966 | Italian composer and organist, father of Luciano, son of Adolfo. Ernesto Berio had attended Milan Conservatory and been a pupil of Pizzetti [dates supplied by Oscar Piluso] |
Berio, Luciano more... | 24 Oct. 1925 Oneglia, Italy | 27 May 2003 Rome, Italy | pupil of Ghedini and Dallapiccola, Berio is a modernist whose music has aroused strong passions amongst critics. He has explored also the use of electrophonics. His wife Catherine Berberian (1925-1983) was an American composer, mezzo-soprano singer, and vocalist |
Bériot, Charles Auguste de more... | 20 Feb. 1802 Louvin, Belgium | 8 Apr. 1870 Brussels, Belgium | virtuoso on the violin; composed 7 violin concertos and much solo material for his instrument |
Bériot, Charles Wilfrid de | 12 Feb. 1833 Paris, France | 22 Oct. 1914 London, UK | son of above, pianist and teacher; his pupils included Granados and Ravel and he wrote piano concertos |
Berkeley, Lennox (Randall Francis) more... | 12 May 1903 nr. Oxford, England | 26 Dec. 1989 London, England | after studying with Nadia Boulanger in Paris (1927-1932), Lennox Berkeley composed a wide range of music including 3 symphonies, 2 piano concertos, Four Poems of St. Teresa for contralto and orchestra, film music and operas |
Berkeley, Michael more... | 1948 | | the eldest son of the composer Sir Lennox Berkeley, Michael studied composition, singing, and piano at the Royal Academy of Music but it was not until his late twenties, when he went to study with Richard Rodney Bennett, that Berkeley began to concentrate exclusively on composition. The first few works from this period, including a group of Latin motets, the 'String Trio' and the 'Oboe Concerto,' were written in a broadly tonal idiom and attracted considerable attention. In 1977 he was awarded the Guinness Prize for Composition; two years later he was appointed Associate Composer to the Scottish Chamber Orchestra. The climax of this first period came in 1982 with the oratorio 'Or Shall We Die?' to a text specially written by Ian McEwan, and made into a remarkable film for British television by Richard Eyre |
Berken, Jo. | fl. c. 1430 | | composer |
Berlatus [?Berlantus] | 14th century | | composer, possibly French |
Berlijn, Anton [Aron Wolf] | 2 May 1817 Amsterdam, The Netherlands | 18 Jan. 1870 Amsterdam, The Netherlands | Dutch conductor and composer |
Berlin, Irving [Israel Baline] more... | 11 May 1888 Temum, Russia | 22 Sep. 1989 New York, NY, USA | composer of high quality popular song, musical comedy and film music, including Alexander's Ragtime Band, Puttin' On The Ritz, God Bless America and I'm Dreaming of a White Christmas. The noted composer, Jerome Kern, was once asked by a reporter where Irving Berlin's place was in American music. Kern replied "Berlin has no place in American music, he IS American Music." |
Berlin, Johan Daniel | 12 May 1714 | 4 Nov. 1787 | Norwegian organist, composer, inventor, and writer of German birth |
Berlinski, Herman more... | 18 Aug. 1910 Leipzig, Germany | 27 Sep. 2001 Washington, DC, USA | in 1960 at the age of 50, he became the first person at the Jewish Theological Seminary of America to earn the degree of Doctor of Sacred Music. He has held the posts of organist at Temple Emanu-El, New York, and Minister of Music to the Washington Hebrew Congregation. He was the founder and director of the Shir Chadash Chorale, a choir distinguished by its pioneering programs of historical and contemporary Jewish music |
Berlioz, Gabriel Pierre more... | 25 Jun. 1916 Paris, France | | French composer |
Berlioz, Louis(-Hector) more... | 11 Dec. 1803 La Cote St. Andre, Grenoble, France | 8 Mar. 1869 Paris, France | guitarist and France's greatest Romantic compose. His works often employ vast numbers and are inspired by gothic subjects but he also wrote fine music on a smaller scale, for example the lyrical Nuits d'Été. A guitar given to Berlioz by Paganini is now in the Paris Conservatory Museum [place of birth corrected by David Teitelbaum] |
Berlot, Louis-Joseph (see Sacré, Louis-Joseph) | | | |
Bermange, Barry more... | 7 Nov. 1933 London, England | | English composer |
Bermel, Derek more... | 1967 New York, USA | | American composer, clarinetist and conductor whose music incorporates various facets of world music, funk and jazz into traditionally classical performing forces and ensembles |
Bermudes, Pedro [Bermúdez] | fl. 1592-1606 | | composer of Spanish birth, resident partly in colonial Peru and Mexico |
Bermúdez Silva, Jesús | 24 Dec. 1884 | 25 Oct. 1969 | Colombian composer |
Bermudo, Juan more... | c. 1510 | c. 1565 | Spanish theorist and composer. He wrote Libro de La Declaracion de Instrumentos Musicos in which he mentions prominent vihuelistas and describes various instrument in detail |
Bernabei (or Barnabei), Ercole | 1622 Caprarola | 5 Dec. 1687 Munich, Germany | Italian composer and organist |
Bernabei (or Barnabei), Giuseppe Antonio | c. 1649 Rome, Italy | 12 Mar. 1732 Munich, Germany | Italian composer and organist |
Bernabei, Vincenzo | 1660 | between 1732 and 1736 | Italian composer and keyboard player |
Bernadotte, Eugenie more... | 24 Apr. 1930 Stockholm, Sweden | 23 Apr. 1889 Stockholm, Sweden | a member of the Swedish Royal House of Bernadotte and an amateur artist. She composed, wrote poems, sculptured and painted the every day life of the royal court |
Bernadotte, Gustaf more... | 18 Jun. 1827 Haga Palace, Stockholm, Sweden | 24 Sep. 1852 Kristiania, Norway | Prince Gustaf made a career as a composer, some of his works are still famous today, The Student Song (Studentsången) is sung every year by graduating students |
Bernadotte (née de Beauharnais), Josephine Maximilienne Eugenie Napoleone more... | 1807 Milan, Italy | 1876 Stockholm, Sweden | Queen of Sweden, wife of Oscar I, and composer |
Bernadotte, Oscar I more... | 1799 Paris, France | 1859 Stockholm, Sweden | King of Sweden and composer |
Bernadotte, Princess Therese Amalie Karoline Josephine Antoinette more... | 1836 Frisdorf, Germany | 1914 Stockholm, Sweden | daughter-in-law of Oscar I and Josephine, composer |
Bernal Gonçález, ?José | fl. c. 1550 | | Spanish composer |
Bernal Jiménez, Miguel | 16 Feb. 1910 Morelia, Michoacán | 26 Jul. 1956 León, Guanajuato | Mexican composer |
Bernaola, Carmelo Alonso (see Alonso Bernaola, Carmelo) | | | |
Bernard, Anthony | 25 Jan. 1891 | 6 Apr. 1963 | English conductor and composer |
Bernard, Caroline Ritchings | 1827 USA | 1882 | a celebrated singer and composer of many vocal works |
Bernard, (Jean) Emile (Auguste) | 28 Nov. 1843 | 11 Sep. 1902 | French organist and composer |
Bernard, Etienne [Stevan; Bernardi, Stefanus; Bernardo, Estevan; Vernart, Esteban] | 1569 or 1570 | Sep. 1600 | French singer and composer |
Bernard, Felix more... | 28 Apr. 1897 New York, USA | 20 Oct. 1944 Los Angeles, California, USA | pianist and composer of the Christmas classic Winter Wonderland |
Bernard, James more... | 20 Sep. 1925 India (now Pakistan) | 12 Jul. 2001, London, England | a student of Herbert Howells at the at the Royal College of Music, Bernard's first major break as a composer was at the age of 17 when he met Benjamin Britten and Peter Pears, for whom Bernard later wrote a song cycle. During 1950-1951, he served as Benjamin Britten's amanuensis and assisted him with Billy Budd. Bernard had been at school with Christopher Lee, the latter going on to star in a great many horror films for Hammer Studios, for which his friend James Bernard would write the scores. He started at Hammer with the music for The Quatermass Xperiment (1955) and eventually produced over 20 Hammer film scores |
Bernard, Marie-Hélène more... | | | a musicologist specialising in contemporary China, and composer |
Bernard, Moritz (Matvey) Ivanovich | 1794 Jelgava | 9 May 1871 St. Petersburg, Russia | Russian music publisher, pianist, and composer |
Bernard, Robert | 10 Oct. 1900 Geneva, Switzerland | 2 May 1971 Paris, France | French composer, pianist, and music critic |
Bernardi, Bartolomeo | c.1660 Bologna, Italy | 23 May 1732 Copenhagen, Denmark | Italian-born composer |
Bernardi, Stefano [Steffano] | c. 1585 | 1636 | Italian composer and theorist |
Bernardini, Marcello [Marcello da Capua] | c. 1740 probably Capua, Italy | after 1799 | Italian composer and librettist |
Bernardt de Ventadorn [de Ventador, del Ventadorn, de Ventedorn] more... | c. 1130-40 | c. 1190-1200 | troubadour poet and composer |
Bernasconi, Andrea | c. 1706 possibly Marseilles, France | about 27 Jan. 1784 MUnich, Germany | Italian composer |
Bernat, Zdzislaw more... | 1930 | 14 Jun. 1994 | Polish composer |
Bernauer, Emery more... | 1906 Berlin, Germany | 1996 Los Angleses, California, USA | writer of the famed Nelson anti-Hitler Revues at the Tuschinsky Cabaret in Amsterdam during World War II, he wrote 60 shows and over 600 songs in less than three years a feat never before accomplished in show business history |
Berneker, Constanz | 31 Oct. 1844 | 9 Jun. 1906 | German conductor and composer |
Berner, Friedrich Wilhelm | 16 May 1780 | 9 May 1827 | German organist, teacher, composer, and musical organizer |
Berners, Sir Gerald Hugh Tyrwhitt-Wilson Lord | 18 Sep. 1883 Arley Park, Bridgnorth, UK | 19 Apr. 1950 Farringdon House, Berkshire, England | diplomat, painter and an effective composer whose eccentricity in real life was never prevented from showing itself in his musical compositions which include ballets, a one-act opera, smaller scale works and a few British films |
Berners, John | 1961 Milwaukee, USA | | composition studies began privately with C. Curtis-Smith in Kalamazoo, MI and continued at the University of Michigan under William Albright, Evan Chambers, Bright Sheng, Michael Daugherty and William Bolcom. His works have been played by the Detroit Symphony, the Boston Symphony brass section, the Tanglewood Festival Brass, Kalamazoo Symphony, Brave New Works, the Michigan Chamber Brass and many college ensembles. His music has been recorded by pianist Alan Huckleberry, the Millar Brass Ensemble, and Boston's Old South Brass |
Berneville, Gillebert (or Gilbert) de more... | before 1250 | 1270 | trouvère from Berneville, Pas de Calais, France [information provided by Jill Gregory] |
Bernger von Horheim [Berengerius de Orehem, Berlengerius de Oreim] | fl. 1180-90 | | German Minnesinger |
Bernhard, Christoph | 1 Jan. 1628 Kolbrzeg | 14 Nov. 1692 Dresden, Germany | German music theorist, composer, and singer |
Bernie, Ben more... | 30 May 1891 Bayonne, NJ | 20 Oct. 1943 Beverly Hills, CA | bandleader popular in the 1920s and 1930s, and co-composer of Sweet Georgia Brown (1925) |
Bernier, Joseph-Arthur | 19 Mar. 1877 Lévis, Québec, Canada | 28 Apr. 1944 Québec City, Canada | Canadian organist and composer |
Bernier, Nicolas | 5 or 6 Jun. 1665 | 6 Jul. 1734 | French composer, organist, theorist, and teacher |
Bernier, René | 10 Mar. 1903 | | Belgian composer |
Berno of Reichenau [Berno Augiensis; Bernardus] | | 7 Jun. 1048 | writer on church music and liturgy, and possibly a composer |
Bernofsky, Lauren more... | | | composer and violinist living in Baltimore, MD, educated at Hartt College, Boston University and the New England Conservatory |
Bernouilly, Agnes | 1825 Germany | | concentrated on orchestral compositions, her songs received praise from the critics |
Bernstein, Elmer more... | 4 Apr. 1922 New York City, USA | 18 Aug. 2004 Ojai, California, USA | pianist and composer, particularly of film scores such as those for Men in War, Drango, God's Little Acre, The Ten Commandments, Walk on the Wild Side, The Sons of Katy Elder, The Return of the Seven, The Great Escape, The Caretaker, The Silencers, The Carpetbaggers, Summer and Smoke, Hawaii, Where's Jack?, True Grit, Desire Under the Elms, The Hallelujah Trail, Baby the Rain Must Fall, My Left Foot, The Grifters, Rambling Rose and The Age of Innocence. In 1967 he won an Oscar for the musical Thoroughly Modern Millie and was nominated for the award 14 times |
Bernstein, Leonard more... | 25 Aug. 1918 Lawrence, Mass. USA | 14 Oct. 1990 New York, USA | conductor and pianist; his outstanding success with musical comedy, On the Town, West Side Story and Candide tends to overshadow his work as a writer of symphonies, smaller orchestral and choral works and as an inspirational promoter of classical and popular music |
Bernstein, Nikolai D. | 7 Aug. 1876 Mitau, Kurland, Russia | Dec 1938 Leningrad, Russia | Russian music biographer and critic |
Béroul more... | fl. 12th century | | a Norman trouvère who wrote Tristan, a Norman language version of the legend of Tristan and Iseut of which a certain number of fragments (approximately 3000 verses) have been preserved; it is the earliest representation of the so-called "vulgar" version of the legend (the "courtly" version being represented by fragments from Thomas of Britain's poem) |
Berry, Chuck [Charles Edward Anderson] more... | 18 Oct. 1926 St. Louis, MO, USA | | American rhythm-and-blues and rock songwriter, singer and guitarist |
Berry, Wallace (Taft) | 10 Jan. 1928 La Crosse, Wis, USA | | American composer and teacher |
Bersa, Blagoje (0r Benito) more... | 21 Dec. 1873 Dubrovnik, Croatia | 1 Jan. 1934 Zagreb, Croatia | Croatian composer |
Berson, Seweryn | 1858 Nowy Sacz | 4 Mar. 1917 Lvov | Polish composer and lawyer |
Bertali (or Bertalli, Berthali, Bartali, Barthali, Bertaldi), Antonio | Mar. 1605 Verona, Italy | 17 Apr. 1669 Vienna, Austria | Austrian composer and violinist. He was employed at the Habsburg imperial court in Vienna, becoming Kapellmeister in 1649 |
Bertalotti, Angelo Michele | 8 Apr. 1666 | 30 Mar. 1747 | Italian composer and pedagogue |
Bertani, Lelio | c. 1550 | c. 1620 | Italian composer |
Berté, Heinrich [Harry] | 8 May 1857 Hlohovec, Slovensko | 23 Aug. 1924 Perchtoldsdorf, nr. Vienna, Austria | Austro-Hungarian composer |
Bertha, Sándor | 1843 Pest, Hungary | 1912 Pest, Hungary | Hungarian composer, pianist, and writer on music |
Bertheaume, Isidore [Berthéaume, Berthaume; Julien] | c. 1752 | 19 or 20 Mar. 1802 | French violinist and composer |
Berthier, Jacques more... | 1923 | 1994 | the song Laudate Dominum sets words from Psalm 117 to the Folia theme; it was composed in about 1980 by Jacques Berthier for the Taizé community, an ecumenical, international community founded in 1940, in Taizé, in central France, and it has become one of the best-known of the songs of Taizé. The song is published by the Ateliers and Presses de Taizé in numerous songbooks, which include solo verses in different languages and instrumental accompaniments |
Berthod, François | fl. 1656-1665 | | French composer and poet |
Berthomieu, Marc more... | 1906 France | 1991 France | French composer, poet, and a dramatist. |
Berti, Carlo | c. 1555 | before 2 Sep. 1602 | Italian composer and organist |
Berti, Giovanni Pietro [Zani] | | 1638 | Italian composer, organist, and singer |
Bertignac, Louis more... | 23 Feb. 1954 Oran, Algeria | | French guitarist, vocalist and songwriter |
Bertin, Louise-(Angélique) | 15 Feb. 1805 Les Roches, nr. Paris, France | 26 Apr. 1877 Paris, France | composer, contralto, pianist and artist whose opera Le Loup Garou met with instant success in Paris in 1827, as were her later works |
Bertin de la Doué, Thomas | c. 1680 Paris, France | 1745 Paris, France | French composer |
Bertini, (Benoîum;t)-Auguste | 5 Jun. 1780 Lyon, France | after 1830 London, England | French composer |
Bertini, Domenico | 26 Jun. 1829 Lucca, Italy | 7 Spe. 1890 Florence, Italy | Italian composer |
Bertini, Gary | 1 May 1927 Russia | | Israeli conductor and composer |
Bertini, Henri-J&eacaute;rôum;me) | 28 Oct. 1798 London, England | 1 Oct. 1876 Grenoble, France | French pianist and composer particularly of studies |
Bertini, Salvatore | 1721 | 16 Dec. 1794 | Italian composer |
Bertinotti, Teresa | 1776 Italy | 1854 | a dramatic soprano who composed songs and arias |
Bertken, Suster | 1426/27 | 1514 Utrecht | also known as Bertha Jacobs, Dutch composer |
Bertoldi, Bertoldo di | fl. 1544 | | Italian composer |
Bertoldo, Sperindio [Bertholdo; Sperandio, Sper'in Dio] | c. 1530 | 15 Aug. 1570 | Italian composer and organist |
Bertoli, Giovanni Antonio | fl. c. 1639-45 | | Italian dulcian player and composer |
Bertolotti, Bernardino | c. 1555 | after 1609 | North Italian instrumentalist and composer |
Bertolusi, Vincenzo [Betholussius, Bertholusius, Bertulusius; Vincentius] | | 1608 | Italian composer and organist |
Berton, Henri [François] | 3 May 1784 Paris, France | 19 Jul. 1832 Paris, France | French composer |
Berton, Henri-Montan | 17 Sep. 1767 Paris, France | 22 Apr. 1844 Paris, France | French composer, writer and teacher |
Berton, Pierre-Montan [Le Breton] | 7 Jan. 1727 Maubert-Fontaine, Ardennes | 14 May 1780 Paris, France | French conductor, composer and tenor |
Bertoncini, Mario | 27 Sep. 1932 | | Italian composer and pianist |
Bertone, Aldo | 1952 | | Italian composer |
Bertoni, Ferdinando Gioseffo (Gasparo) more... | 15 Aug. 1725 Salo, Italy | 1 Dec. 1813 Desenzano del Garda, Italy | Italian composer and organist |
Bertouch, Georg von [Bertuch] | 19 Jun. 1668 Germany | 14 Sep. 1743 | Norwegian military officer and composer |
Bertouille, Gérard | 26 May 1898 | | Belgian composer and critic |
Bertram, Johann | 1535 | 17 Apr. 1575 | German Kantor, composer, and theologian |
Bertran de Born more... | c.1140 | before 1215 Dalon Abbey, France | a French soldier and a medieval troubadour poet, Bertran de Born was viscount of Hautefort. He warred with his brother Constantin for the sole possession of the family heritage. According to a Provençal biography, Henry II of England believed Bertran had fomented the rebellion of his son Prince Henry. Dante Alighieri portrayed him in the Inferno as a sower of schism, carrying his head in his hands as punishment |
Bertrand, Aline | 1798 France | 1835 Paris, France | a noted harpist who studied at the Paris Conservatoire, she published several works |
Bertrand, Anthoine (Antoine) de more... | between 1530 and 1540 Fontanges, France | probably 1581 nr Toulouse, France | a French composer of the Renaissance. Early in his life he was a prolific composer of secular chansons, and late in his life he wrote hymns and canticles, under the influence of the Jesuits. He was murdered by Protestants during the French Wars of Religion |
Bertrand, Christophe more... | 1981 | | French pianist and composer [information supplied by the composer] |
Bertrand di Avignone (see Feragut, Beltrame) | | | |
Bertran de Born | c. 1145 | before 1215 | French troubadour poet and composer |
Berutti (or Beruti), Arturo | 27 Mar. 1862 San Juan | 3 Jan. 1938 Buenos Aires | Argentinean composer |
Berutti, Pablo | 24 Sep. 1866 San Juan | 17 Jun. 1914 Buenos Aires | Argentinean composer and teacher |
Berwald, (Christian) August | 28 Aug. 1798 | 13 Nov. 1869 | Swedish violinist and composer |
Berwald, Franz (Adolf) | 23 Jul. 1796 Stockholm, Sweden | 3 Apr. 1868 Stockholm, Sweden | Swedish violinist and composer of 6 symphonies, 2 operas, chamber music and songs |
Berwald, Johan Fredrik (Johann Friedrich) | 4 Dec. 1787 Stockholm, Sweden | 26 Aug. 1861 Stockholm, Sweden | Swedish violinist, composer, and conductor |
Berwald, William [Wilhelm] | 26 Dec. 1864 Schwerin | 8 May 1948 Loma Linda, Calif. USA | composer |
Besancourt | fl. 1549-68 | | French composer |
Besard, Jean-Baptiste [Besardus, Joannes Baptista] | c. 1567 | after 1617 | Burgundian lutenist and composer |
Besler, Samuel | 15 Dec. 1574 | 19 Jul. 1625 | German composer and schoolmaster |
Besler, Simon | 27 Aug. 1683 | 12 Jul. 1633 | German composer, musician, and schoolmaster |
Besoyan, Rick (Vaugh) [Richard] | 2 Jul. 1924 | | American songwriter, producer, and director of musicals |
Besozzi, Alessandro | fl. 1680-1700 | | Italian singer and opera composer |
Besozzi, Alessandro | 22 Jul. 1702 | 26 Jul. 1793 | Italian oboist and composer |
Besozzi, Carlo | 1738 | after 1798 | German oboist and composer of Italian parentage |
Besozzi, Louis-Désiré | 3 Apr. 1814 | 11 Nov. 1879 | French pianist and composer |
Besson, (Michel-)Gabriel | c. 1689 | 23 Aug. 1765 | French violinist, musette player, flautist, and composer |
Besson, Gabriel-Louis | 10 Apr. 1733 | 24 Aug. 1785 | French violinist, musette player, flautist, and composer |
Best, William more... | 27 May 1913 Sunflower, Mississippi, USA | 27 Feb. 1962 Hollywood, CA, USA | widely known as 'Pat Best', he was a member of the singing group 'The Brown Dots, a popular bit-part actor (1930s-40s) in 118 Hollywood films where, if he was given any screen credit at all, he was listed in the on-screen credits only as "Sleep 'n' Eat". When only 14 years old, he composed both the words and music of the popular tune (I Love You) For Sentimental Reasons (pub. 1945) |
Best, W(illiam) T(homas) | 13 Aug. 1826 | 10 May 1897 | English organist |
Bestourné | fl. before 1250 | | French trouvère |
Béthizy, Jean Laurent de | 25 Mar. 1709 Paris, France | 17 Nov. 1781 Longwy, Meurthe-et-Moselle | French theorist and composer |
Béthune, Conon de more... | c.1150 in the former Artois region, today Pas-de-Calais | 17 Dec. 1219/20 Edrine, Turkey | a crusader and trouvère poet. Only 14 works of poetry attributed to Conon de Béthune have survived, and several of these attributions may be doubtful. His poetry was written to be sung and ten of his poems give musical notation |
Béthune (family) more... | fl. 17th century | | Bétune must have been an exceptional lutenist because he was the highest paid musician of any category at the court during the period 1620-1720. His appointment commenced 26 June 1649 and ended in September 1651. Unfortunately his Christian name is not given anywhere, but some notes in Swedish sources can perhaps throw further light on this issue. In a court ballet, which was performed in November 1649 "the son of a French lutenist, named Betun" played the part of Cupido. Béthune seems to have brought his family with him to Sweden as several members of it participated in the entertainments at the coronation of queen Christina. Béthune himself, his brother and his son are listed among the lutenists who played on this occasion. Even a "Mademoiselle Bethune" is mentioned in this connection. "Hercules Bethun" and the "two Bethun" appear in another court ballet, performed in January 1651. Hercules probably acted the part of a dryad, which could suggest that he was a rather young person and the "two Bethun" acted the parts of two of the Muses. Even though it is difficult to prove Kenneth Sparr (from whose work this information has been taken) is inclined to believe that Hercules was the son of Béthune, who in turn could be Michel de Béthune. The brother then could be Josias Béthune. Besides it is noted in the account books of Danish "Hofkapelle" that "the Frenchman Béthune" in the year 1702 received 50 rixdollar for giving the king lessons on the angélique, an instrument for which a 'Michel Béthune le Cadet' (or possibly Christian de Béthune) wrote Folies d'Espagne (c.1681) - the manuscript is now housed in the Bibliotheque Nationale in Paris. This Béthune can hardly have been Michel or Josias. Who was then "Béthune le cadet"? |
Bethune (Green), Thomas [Blind Tom] | 25 May 1849 | 13 Jun. 1908 | Black American pianist and composer |
Betoulinsky, Anna (known as Anna Marly) | 30 Oct. 1917 Petrograd, Russia | 15 Feb. 2006 Lazy Mountain, Alaska, USA | singer, songwriter and composer, called the "Troubadour of the Resistance", who wrote more than 300 songs, but is best known for her The Song of the Partisans, composed in London during the Second World War. Translated inaccurately into French, the song, now entitled Le Chant des Partisans became the signature tune of the 'Free French Radio' in London |
Bettella, Paolo [Betella] | fl. 1677 | | Italian composer |
Betti, Stefano [Bettino] ["Il Fornarino"] | fl. 1562-65 | | Italian composer |
Bettinelli, Bruno more... | 4 Jun. 1913 Milan, Italy | 8 Nov. 2004 New York, USA | Italian composer and teacher |
Bettini, Giovanni | fl. 1616-24 | | Italian composer and organist |
Bettino, Geronimo | | before 1 Sep. 1643 | Italian composer |
Betts, Lorne | 2 Aug. 1918 Winnipeg, Canada | 5 Aug. 1985 Hamilton, Ont., Canada | Canadian composer |
Beuerle, Herbert more... | 28 Apr. 1911 Dusseldork, Germany | 13 Feb. 1994 Gelnhausen, Germany | German composer of church music |
Beurden, Bernard van more... | 5 Dec. 1933 Amsterdam, The Netherlands | | Dutch violinist, teacher and composer |
Bevan, Frederick more... | 1856 | 1939 | remembered today for his stirring bass solo The Admiral's Broom, arranged for male voice choir by Henry Geehl and with the accompaniment to the solo version scored for orchestra by Howard Carr, Bevan appears largely and perhaps wholly to have confined himself to composing ballads |
Beveren, Achiel van | 5 Mar. 1904 Anvers, Belgium | 10 Dec. 1985 Anvers, Belgium | composer, singer, choral director and teacher |
Beversdorf, Thomas | 8 Aug. 1924 Yoakum, Texas, USA | 15 Feb. 1981 Bloomington, Ind. USA | American composer |
Bevignani, Enrico | 29 Sep. 1841 Naples, Italy | 29 Aug. 1903 Naples, Italy | Italian conductor and composer |
Bevilacqua, Matteo (Mathieu) | 1772 | 1849 | Italian guitarist and composer. Editions of his music were published in Vienna, Berlin and Paris |
Bevin, Elway | c. 1554 | bur. 19 Oct. 1638 | organist and composer of church music |
Bexfield, William Richard | 27 Apr. 1824 | 29 Oct. 1853 | English composer |
Beyer, Frank Michael | 8 Mar. 1928 | | German composer and organist |
Beyer, Johann Samuel | 1669 | 9 May 1744 | German composer |
Beyer, Johanna Magdalena more... | 11 Jul. 1888 Leipzig, Germany | 9 Jan. 1944 New York, USA | German composer who moved to the United States in 1923. She studied at various schools in New York and individually with Dane Rudhyar, Charles Seeger, Henry Cowell and Ruth Crawford, after which she began a highly productive and interesting period of composition which lasted from 1932 to almost 1940. She was one of the first composers of the Western world to focus on percussion. Only one work IV (1935) was published in her lifetime, and her name appeared as 'J.M. Beyer', apparently to disguise her gender. IV is composed for nine unspecified "percussion" instruments, and is in a constant state of flux in which tempo and volume are always subtly changing |
Beyermann-Walraven, Jeanne more... | 1878 | 1969 | German composer |
Beytelmann, Gustavo more... | 1945 Argentina | | Argentinean-born composer who now works in Europe |
Bezdruzic, Krystof more... | 1564 near Klatovy, Bohemia | 21 Jun. 1621 Prague, Czechoslovakia | Czech nobleman, traveller, humanist, soldier, writer and composer |
Bezekirsky (or Bezekiirsky), Vasiliy Vasil'yevich | 26 Jan. 1835 Moscow, Russia | 8 Nov. 1919 Moscow, Russia | Russian violinist and composer |